Quote of the day, 3 April: Père Jacques
At no moment did Christ conceal any element of his Passion from his mother. There has to be an unfathomable mystery in this freely willed suffering for God to treat his mother in that way. Christ treated all the saints, without exception, in the same way. To the measure that he loved a soul, to that degree he saddled it with trials.
What else would you expect? Christ is not someplace other than on the cross, with his head torn open by the crown of thorns and his body pierced by the whips and nails of his executioners.
Yes, Christ is on the cross. Christ without the cross would be too bland; the cross without Christ would be too severe. If you truly wish to do nothing apart from Christ, then you must meet him and embrace him, where he is.
You are familiar, are you not, with the vision of Saint Francis, depicted in a remarkable painting. Saint Francis is portrayed embracing Christ on the cross. But Our Lord draws his own right arm from the cross in order to embrace his friend Francis.
When Christ embraces someone, that person’s head is touched by the Crown of Thorns on the Lord’s head, and the mark of the cross is left on him. When Christ grasps someone’s hand, the mark of blood is left on him, because the Lord’s mangled hand is covered with blood. To espouse Christ is to espouse the cross. To be his companions, we must faithfully follow him, as he carries the cross and as he hangs on the cross.
Servant of God Jacques de Jésus (Lucien Bunel)
Conference 10, “The Cross: To baptize suffering and happiness”
Retreat for the Carmel of Pontoise, Friday evening, 10 September 1943
Jacques, P 2005, Listen to the silence: a retreat with Père Jacques, Murphy, F (trans. & ed.), ICS Publications, Washington DC.
Featured image: Pietà or The Dead Christ Supported by the Virgin Mary and Saint John the Evangelist is a painting in tempera on panel, which dates to c. 1465–1470 by the Italian Renaissance artist Giovanni Bellini, now in the Pinacoteca di Brera in Milan. Image credit: Pinacoteca di Brera (Public domain).
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