The Dagda

Considered the great God of Irish Mythology. He’s the chief God of the Tuatha De Danann. The Dagda are portrayed as a father-figure, king, & druid. He’s associated with fertility, agriculture, masculinity, & strength. As well as magic, druidry, & wisdom. He can control life & death (with his staff), the weather & crops, as well as time & the seasons.

He’s often portrayed as a large bearded man or a giant wearing a hooded cloak. He owns a magic staff (lorc) of a dual nature: it kills with 1 end & brings to life with the other. He also owns a cauldron (the coire ansic), which never empties, & a magic harp (Uaithene, this may be the name of the harpist/player.).

The harp can’t be played unless called by its 2 bynames. The harp can fly itself to the Dagda when called. Think Thor’s hammer in the Marvel movies. He just sticks his hand out & the hammer comes to him. This is what happens with the Dagda & the harp.

He’s said to live in Bru na Boinne (Newgrange). Other places associated with or named after him include: Uisneach, Grianan of Aileach, Lough Neagh, & Knock Iveagh. The Dagda is said to be the husband of the Morrigan & the lover of Boann. His kids include: Aengus, Brigit, Bodb Derg, Cermait, Aed, & Midir.

The Dagda has several other names/epithets, that reflect aspects of his character:

• Eochu or Eochaid Ollathair, “horseman, great father” or “horseman, all-father”
• Ruad Rofhessa, “mighty one/Lord of great knowledge”
• Daire, “the fertile one”
• Aed, “the fiery one”
• Fer Benn, “horned man” or “man of the peak”
• Cera, “creator”?
• Cerrce, “striker”?
• Easal
• Eogabal

The Dagda was 1 of the kings of the Tuatha De Danann. The Tuatha De Danann are the race of supernatural beings who overcame the Fomorians, who inhabited Ireland previously, prior to the coming of the Milesians.

The Morrigan is depicted as his wife, his daughter was Brigit, & his lover was Boann, after whom the River Boyne is named. Though she was married to Elcmar & with whom he had the Aengus. Before the battle with the Fomorians, he was coupled with the goddess of war, the Morrigan, on Samhain.

In the tract found in the Yellow Book of Lecan, there were 3 items the Dagda named together, his staff (lorc), the shirt (leine) of protection from sickness, & the cloak (lumman) of shape-shifting color-changing.

The “great staff” (lorg mor) had a smooth end that brought the dead back to life. He resuscitated his son, Cermait Milbel with the smooth end of the staff. But the staff’s rough end caused instant death. The staff/club is also described in the Ulster Cycle narrative, Mesca Ulad. Where it was called the “terrible iron staff” (lorg aduathmar iarnaidi).

The Cauldron of the Dagda is 1 of the Four Treasures of the Tuatha De Danann. It was said “an assembly used not to go unsatisfied from it.” The cauldron “signified plenty.” His magic cauldron was otherwise known as the coire ansic (“the un-dry cauldron”).

After Uaithne, the Dagda’s Harper was abducted by the Fomorians, the Dagda went to the enemy’s hall & received his magic harp, which had 2 names. When the Dagda called upon his harp by its 2 names (Daur Da Blao & Coir Cetharchair), the harp leapt off the wall & came to him.

The harp was forbidden by the Dagda from supplying any sound. Unless it was called upon by the names, which translated to “Oak of Two Meadows” & “the Four Angled Music.” Hence, the harp was a richly ornamental magic harp made of oak which, when the Dagda played it, put the seasons in their correct order.

The Dagda had the skillet to play the “Three Strains” (joy, sorrow, sleep) which he used to immobilize the Fomorians & escape.

He had 2 pigs. 1 of which was always growing whilst the other was always roasting & ever-laden fruit trees. He is also described as being the owner of a black-maned heifer that was given to him from his labors prior to the Second Battle of Moytura. When the heifer calls her calf, all the cattle of Ireland are taken by the Fomorians as a tribute graze.

The Dagda is said to be the husband of the Morrigan, who’s called his “envious wife.” His kids include: Aengus, Cermait, & Aed (often called the 3 sons of the Dagda), Brigit, & Bodb Derg. He’s said to have 2 brothers, Nuada & Ogma. But this may be an instance of the tendency to triplicate deities. Elsewhere, the Dagda is linked exclusively with Ogma. The 2 are called “the 2 brothers.”

In the Dindsenchas, the Dagda is given a daughter named Ainge, for whom he makes a twig basket or tub that always leaks when the tide is in & never leaks when it’s going out. The Dagda’s dad is named Elatha, son of Delbeath.

Englec, the daughter of Elcmar, is named as a consort of the Dagda & the mom of his “swift son.” Echtgi the loathsome is another daughter of the Dagda’s named in the Banshenchas. Before the Second Battle of Mag Tuired, the Dagda builds a fortress for Bres called Dun Brese & is also forced y the Fomorian kings Elatha, Indech, & Tethra to build raths.

Raths (also called ringforts/ring forts) are small circular fortified settlements built during the Bronze & Iron Age & early Middle Ages up to about the year 1000 AD. They’re found in Northern Europe, especially in Ireland.

In the lead up to the Second Battle of Mag Tuired, when Lugh asks Dagda what power he’ll wield over the Fomorian host, he responds that he “will take the side of the men of Erin both in mutual smiting & destruction & wizardry. Their bones under my club will be as many hailstones under the feet of herds of horses.”

The Dagda has an affair with Boann, the goddess of the River Boyne. She lives at Bru na Boinne with her husband, Elcmar. The Dagda impregnates her after sending Elcmar away on a 1-day errand.

To hide the pregnancy from Elcmar, the Dagda casts a spell on him, making “the sun stand still” so he will not notice the passing of time. Meanwhile, Boann gives birth to Aengus, who’s also known as Maccan Og (“the young son”). Eventually, Aengus learns that the Dagda is his true dad & asks him for a portion of land.

In some versions of the tale, the Dagda helps Aengus take ownership of the Bru from Elcmar. Aengus asks & is given the Bru for laa ocus aidche. Because in Old Irish, this could mean either “a day & a night” or “day & night,” Aengus claims it forever. Other versions have Aengus taking over the Bru from the Dagda himself by using the same trick.

The Tochmarc Etaine tells the story of how Boand conceives Aengus by the Dagda. In the Aislinge Oengusso or Dream of Aengus, the Dagda & Boand help Aengus to find a mysterious woman who he has fallen in love with his dreams.

In a poem about Mag Muirthemne, the Dagda banishes an octopus with his “mace of wrath” using the words: “Turn thy hollow head! Turn thy ravening body! Turn thy resorbent forehead! Avaunt! Begone!” The Sea receded with the creature & the plain of Mag Muirthemne was left behind.

In the Dindsenchas, the Dagda is described as swift with a poison draught & as a justly dealing lord. He’s also called a king of Erin with hosts of hostages, a noble, slender prince, & the dad of Cermait, Aengus, & Aed.

He’s credited with a 70 or 80-year reign over the Tuatha De Danann. This was before dying at Bru na Boinne, finally succumbing to a wound inflicted by Cethlenn during the battle of Mag Tuired. The Dagda has similarities with the later harvest figure Crom Dubh.

He also has similarities with the Gaulish god, Sucellos, who’s depicted with a hammer & a pot, & the Roman god, Dis Pater. Dis Pater (a.k.a. Rex Infernus or Pluto) is a Roman god of the underworld. Dis was originally associated with fertile agricultural land & mineral wealth.

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Banshees

A banshee (Bean si in Modern Irish & ben side, in Old Irish, meaning “woman of the fairy mound,” or “fairy woman”) is a female spirit in Irish folklore who heralds the death of a family member. She usually does this by screaming, wailing, shrieking, or keening. Keening is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition. This is known to have taken place in Ireland & Scotland.

Banshees are strongly associated with specific Irish families. The belief is that the banshee is a family spirit attached to a particular lineage. Her mournful wail/cry is heard only by family members as a warning of an imminent death.

Another of the banshee characteristics is their unwavering attachment to certain Gaelic families such as the O’Neills, O’Brians, O’Connors, O’Grady, & Kavanaghs, among others. Some traditions hold that the banshee is the ghost. This is perhaps a mother of a famous poet/singer from the family who died tragically. In this sense, she’s an ancestral spirit tied to the bloodline & the land.

She appears or is heard only to mourn & warn the family of an impending death. Often before anyone has received news of it. This direct, specific role makes her an inherently familiar guardian or omen for that clan/family.

They aren’t family pets, the banshees presence is a known, if terrifying, part of the family’s history & destiny, linking her fate to theirs across generations.

A banshee is an autonomous entity, a powerful fairy-woman (bean sidhe) or ghost, isn’t under the control of any living person.

Sometimes she has long streaming hair, which she may be seen combing, with some legends specifying she can only be keen while combing her hair. She wears a gray cloak over a green dress. Her eyes are red from continual weeping. She’s sometimes dressed in white with red hair & a ghastly complexion.

In Ireland & parts of Scotland, a traditional part of mourning is the keening woman (bean chaointe), who wails a lament. This keening woman may be a professional, in some cases. The best Keeners would be in high demand.

Irish legends talks about a lament being sung by a fairy woman, or banshee. She would sing it when a family member died or was about to die. Even if the person had died far away & news of their death hasn’t come yet. In those cases, her wailing would be the 1st warning the household had of the death.

The banshee is also a predictor of death. If someone is about to enter a situation where it’s unlikely they’ll come out alive, she’ll warn people by screaming/wailing. This gives rise to the banshee also being known as a wailing woman. The banshee was also linked with the death coach. The banshee is said to either summon the death coach with her keening or travel in tandem with it.

When several banshees show up at 1 time, it usually indicates the death of someone holy or great. The story sometimes tells that the woman (though called a fairy) was a ghost. She’s often a specific murdered woman, or a man who passed away in childbirth.

In some parts of Leinster, she’s referred to as the bean chaointe or ban nigheachain (“little washerwoman”) or nigheag na h-ath (“little washer at the ford”). She’s seen washing bloodstained clothes or armor of those who are about to die.

In Welsh folklore, there’s also a similar being known as the cyhyraeth. The cyhyraeth gives a disembodied moaning voice before the person’s passing.

Some sources suggest that the banshees Laments only the descendants of pure Milesian stock of Ireland. The Milesians were the final race to settle in Ireland. The original belief appears to be associated with a number of ancient Irish families. According to tradition, a banshee wouldn’t lament or visit someone of Saxon or Norman descent or those who came to Ireland later.

Most, not all, of the last names associated with banshees have the “O” or “Mc/Mac” prefix. That means people with the last names of Goidelic origin. This means a family native to the Insular Celtic lands. Rather than those of the Norse, Anglo-Saxon, or Norman.

There are some exceptions to the banshee lore. A banshee may lament a person who’s been gifted with music & song.

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Do·uic carae lemm lebor dam indé, forin #Pyrkon.

#Sengoidelc #Goidelc #OldIrish #Goídelc #Sengoídelc

Yesterday, I voiced a question to my goddess, the Morrigan, a doubting if my interpretation of her prophecy that I am living is correct. Today, I got my answer.

"Trust the truth.
Believe the truth.
Live the truth."

#Rosc #OldIrish #SpokenMagic