COMMUNITY RESPONDS TO CONTROVERSIAL COMEDIAN

On Mar. 7, Femme Folks Fest (FFF) opened its seventh annual event with Just a Joke, a comedy shows in response to a controversial comedian scheduled to perform in Kitchener the same night. 

Comedian Ben Bankas was set to perform at Elements Nightclub. His two shows, which were allegedly sold out, were cancelled by the venue the week prior to his visit.  

Bankas’ shows garnered attention from residents and advocates, who were calling for his show to get cancelled. Queer Youth Defense had also planned a counter demonstration outside the event’s venue.  

Lisa O’Connell, artistic director of Pat the Dog Theatre Creation, which hosts FFF, said that when they heard about Bankas’ scheduled shows, they immediately pivoted to add in Just a Joke.  

The show featured KW Comedy All Stars, a group of 14 local comedians with Amy Neufeld as the show’s host. Together, these comics came together for a night to combat hate with art.  

FFF is an annual event that celebrates music, theatre and comedy by women-identified, femme-presenting and non-binary artists. 

Bankas has received mass criticism since a comedy routine he performed in January in which he made jokes about Renee Good, who was shot and killed by U.S. Immigration and Customs Enforcement (ICE) officers. 

“We found it particularly egregious, the jokes that he was making about Renee Good. This is a queer, young mother who  had just dropped off one of her children at school and was shot in the face,” O’Connell said. 

“There’s nothing funny about that. That’s a tragedy of absolutely the worst,” she said. 

Bankas’ past shows have also included commentary on topics such as residential schools, immigration, diversity, and the LGBTQ+ community, as well as events taking place in Iran.  

Currently on tour, Bankas’ shows in Kitchener are two of many shows that have been cancelled. 

“The fact that [Bankas] was touring and felt safe to come to our community, felt that he had a constituency here, sold out, or at least, alleges that he sold out two shows, and it was on, literally, the eve of International Women’s Day—we had to answer it,” O’Connell said. 

“The issue here of this kind of humour is systemic, and so we wanted to offer a solution,” O’Connell said.  

While outrage comics have been gaining popularity, O’Connell said that Just a Joke was a way for the community to experience comedy in a more inclusive way.  

“We have tons of literature and factual evidence research that anytime that you marginalize any community, anytime you allow any kind of victimization, albeit even in the form of a joke, that it allows individuals to take a look at someone as less than the full scope of their human dignity,” O’Connell said. 

Emme Kennedy, one of the 14 local comedians who performed at Just a Joke, prepared her six-minute set around the controversy surrounding Bankas.  

At the beginning of her set, Kennedy joked that she was quite similar to Bankas. 

“We both could be accused of being comedians. We both are Canadian-Americans and we both are committing the worst sin of society, which is we’re both failed men. This is an example of a joke that I don’t mean, but saying the dark thought out loud kind of helps excise it from people’s minds,” Kennedy said.  

Kennedy is a queer and trans comedian who recently moved to the Waterloo Region from America. For Kennedy, Just a Joke not only provides an opportunity to face controversy head-on, but also creates an inclusive space for women and trans comedians and their audience.  

“A lot of the places that are available to do open mics are not always the most supportive places for women comedians, let alone trans comedians,” Kennedy said.  

For Kennedy, open mics are an opportunity to foster constructive dialogue and challenge harmful stereotypes. 

“I believe in my comedy and kind of bringing a voice and perspective that is not really heard out to an audience and doing it in a way that is accessible through it being funny and playful,” Kennedy said.  

Kennedy said having open mic spaces that are inclusive and supportive are important for representation. 

“There’s a big cultural divide around who deserves what autonomy to their bodies and their hearts and minds and who doesn’t. I don’t think this stuff is going away. I don’t think Ben Bankas is going away. And I think this moment requires us to keep responding with shows like this,” Kennedy said.  

“I just ask anyone who wants to care about humanity to stick up for those who are speaking out right now, because I think that’s important,” Kennedy said.  

Amy Neufeld is a contributor for The Community Edition. 

#AmyNeufeld #bankas #BenBankas #comedian #comedy #emmeKennedy #FemmeFolksFest #FFF #hate #KWComedyAllStars #lisaOConnell #local #LocalArt #LocalArtist #patTheDog #reneeGood #safina #SafinaJennah #stephanieFlorence

UNDERDOG STEPS UP PERFORMANCE TEAMS, COMPETES IN CALGARY

The Underdog Dance Corp. is Waterloo Region’s first beginner-focused adult dance studio. They introduced a more intensive training regimen for their performance team earlier this year, including strength and flexibility training in a second studio in Uptown Waterloo.   

“It’s just the consistency and the hard work to train the body to do it, and you literally practice showing up for yourself fully,” Emily Peat, the director of the Underdog studio, said.   

The studio sent its competitive teams to the Calgary International Salsa Congress from Mar. 26 to Mar. 30, 2026, which featured salsa and bachata dancers from around the world, as well as local professionals and troupes from all over North America. Quinn Vandenheuvel and Emily Dodsworth placed second in the amateur heated bachata division. Peat and Jorge Pablos placed first in the professional bachata heated division. Peat and Phil Roy placed second in the professional salsa showcase division. Bani Singh placed third in the professional-amateur (pro-am) open showcase division with Phil Roy.  

There are 13 students in three teams, who competed. The Bachata Partner amateur team, the Bachata Ladies Styling pro-am team and the Salsa Shines pro-am team. All teams were trained to compete in amateur categories.  

“It all kind of comes down to that in the end. If we teach good fundamentals to people right, then we’ll succeed with our students. And they’ll succeed, whether it’s in our class or out on the dance floor,” Phil Roy, the Experience Manager at Underdog and an instructor, said.  

The team’s six-hour training regimen has included strength training, flexibility training and acro training alongside running through their dance routines. The conditioning, cross-training and technique work help make sure the dancers are prepared for competition.   

“They’re low stakes, relatively—if you win a dance competition, whatever. But you practice discipline. You practice being there for yourself. You practice, ‘how can I react in moments of high stress?’,” Peat said.  

Many of the dancers also competed in “heats”, which require them to improvise for one and a half minutes to a random song within their registered category and style.   

“Because everyone’s relying on everybody else, to make sure that everybody comes away from the competition with a good experience. So, it does take that the group effort to achieve a shared goal,” Victoria Giampaolo, an Underdog student and team captain, said.  

In the week leading up to the Calgary International Salsa Congress, the students are performing in front of their peers periodically in the studio.   

The Calgary congress is one of many competitions that the Underdog Dance Corp. are planning to participate in this year—other cities include Montreal and Toronto.   

“[Competition] really brings the social aspect of dance to the front in a way that a showcase team doesn’t as much. So I really like that. It makes me push myself,” Giampaolo said. 

#AdrianQuijano #Bachata #BaniSingh #calgary #CalgaryInternationalSalsaCongress #competes #couplesDancing #CraigBecker #crossFit #Dancing #EmilyDodsworth #EmilyPeat #JorgePablos #LocalArt #LocalArtist #localDance #PhilRoy #practice #QuinnVandenheuvel #Salsa #underdog #UnderdogDanceCorp #VictoriaGiampaolo

THE LOCALIST: MARCH

Avalon StoneMeant to Break (EP) 

Release Date: Feb. 27, 2026

City: Kitchener 

Genre: Alternative Rock, Grunge

The six-song debut EP from singer-songwriter, Avalon Stone draws clear inspiration from 1990s alternative and grunge rock but with a polished, modern influence. Produced by Juno Award winner Kevin Dietz (Glorious Sons, Billy Talent), the project features heavy alt-rock anthems that distinctively compliment the gritty vocal performance.

Nothing We Do MattersKinematics of Machinery

(EP) 

Release Date: Feb.28, 2026

City: Kitchener 

Genre: Experimental, Noise

The entirety of the band’s biography simply states “emo rhythm noise nonsense” which, while brief, perfectly encapsulates the experimental sound the band has concocted on their debut EP. The three tracks collectively present a challenging listening experience that melds layers of harsh noise, abrasive screams and unsettling electronic soundscapes.

I, the Mountain Body (LP) 

Release Date: Mar. 6, 2026

City: Kitchener 

Genre: Indie Folk

Four-piece folk rockers I, the Mountain return with an emotional new five-song EP which is comprised of recent single releases, with the most recent and final addition being the title track “Body”. The collection of songs is raw and personal, exploring themes of self-worth and acceptance, while featuring some of the band’s tightest vocal harmonies to date.

Thorns—Closed Casket Burial 

(Singles) 

Release Date: Mar. 13, 2026

City: Waterloo

Genre: Metalcore

Thorns’ newest release consists of two singles, “Closed Casket” and “Burial”. Across both songs, the vocals are impressively dynamic, transitioning from deathly growls to aggressive shouting seamlessly. The band blends these vocals with heavy hardcore inspired breakdowns and intense metallic guitar riffs to create a unique sound.

Eric Folino—Hours for the Taking (EP) 

Release Date: Mar. 13, 2026

City: Waterloo

Genre: Acoustic, Indie Pop

Originally recorded in 2024, this eleven-song project was gradually released as singles and has ultimately culminated in Eric Folino’s debut album. With acoustic guitar and poetic lyricism at the forefront of each song, Folino presents a refreshing take on contemporary indie pop. The track “The World Began This Morning” is an impressively notable highlight from the album.

Album artwork sourced from Bandcamp. 

#Accessible #alternativeRock #altnerative #Bandcamp #BirdDaniels #Column #emoFolk #ep #folkPop #GarageRock #indieRock #JoshBoniferro #kitchener #LocalArt #localArtists #localMusic #localMusicians #Localist #lp #newReleases #postPunk #Punk #single #ska #theLocalist

A vibrant gateway to local creativity and coastal heritage.

Esperance, Western Australia.

© All Rights Reserved by Kev Peirce.

#Photo #Photography #Australia #WesternAustralia #Esperance #LocalArt #ArtGallery #Sign

Three good things:

+ Jarrah seems to be feeling a bit better? Now he's wondering why I'm starving him (I'm not, just being careful with his sensitive system at the moment)

+ enjoying this cool book Kid2 bought about Japanese traditional mending stitch/art and looking forward to trying it out

+ took three of the Kids to see the last night of Lighting the Sound and it was really great. There was an awesome DJ playing some atmospheric tunes, and food vans (we'd already eaten at home but Kid1 decided he and his brother needed ice cream so he bought some), and lots of people thoroughly enjoying the lights and the whole event. I'm glad we went – it was down in front of the Peace Park and so we got to see some of the First Nations artwork and there was some traditional music playing there as well

#LocalArt #reading #family #ThreeGoodThings

Le premier produit de la boutique, c'est des enveloppes avec un rabat en forme de cœur 💚

C'est idéal pour y glisser bien à l'abri un petit mot doux. Ensuite, le pliage fait que le rabat maintient tout seul l'enveloppe fermée. Pas de colle, rien que du papier !

Cette première série est faite à partir du journal champêtre d'Edith Holden. Chaque enveloppe est unique puisque faite avec une page différente !

Les frais de ports pour le monde entier sont compris dans le prix (6€) profitez-en où que vous habitiez 😊

https://ko-fi.com/mavy_shop

#artisanat #mastoart #smallbusiness #fedigift #localart #origami

A vibrant gateway to local creativity and coastal heritage.

Esperance, Western Australia.

© 𝓐𝓵𝓵 𝓡𝓲𝓰𝓱𝓽𝓼 𝓡𝓮𝓼𝓮𝓻𝓿𝓮𝓭 𝓫𝔂 𝟐 𝓟𝓮𝓮𝓹𝓼 𝓪𝓷𝓭 𝓪 𝓒𝓪𝓶𝓮𝓻𝓪.

(𝒟ℴ𝓊𝒷𝓁ℯ 𝓉𝒽ℯ 𝒫ℯℯ𝓅𝓈, 𝒹ℴ𝓊𝒷𝓁ℯ 𝓉𝒽ℯ 𝓅ℯ𝓇𝓈𝓅ℯ𝒸𝓉𝒾𝓋ℯ!)

#Photo #Photography #2PeepsAndACamera #Australia #WesternAustralia #Esperance #LocalArt #ArtGallery #Sign

A vibrant gateway to local creativity and coastal heritage.

Esperance, Western Australia.

© 𝓐𝓵𝓵 𝓡𝓲𝓰𝓱𝓽𝓼 𝓡𝓮𝓼𝓮𝓻𝓿𝓮𝓭 𝓫𝔂 𝓚𝓮𝓿 𝓟𝓮𝓲𝓻𝓬𝓮.

#Photo #Photography #Australia #WesternAustralia #Esperance #LocalArt #ArtGallery #Sign

REVIEW: A BRIEF OVERVIEW OF THE STUNTMAN ECONOMY

A Brief Overview of the Stuntman Economy that Governed Society Between 2247-2651 AD Followed by a Relic is the full title of a collaborative project by local artists Lauren Prousky and Jacob Irish. 

The collaboration is a 24-page coil-bound booklet, printed in black and white, with text provided by Prousky and accompanying visual elements contributed by Irish. The first production run was limited to 50 copies which were distributed by Prousky and Irish. 

“[Stuntman Economy] is a quietly tragic satire about how the systemic outsourcing of human experiences distorts and destabilizes the self,”  Prousky said in an overview provided by Irish. 

The project is split into two parts: a “Brief Overview of the Stuntman Economy” and a “relic”, with the relic being a series of journal entries providing insight into the life of a Stuntman. Stuntman Economy presents us with a vision for the front half of our current millennium—2247-2651 precisely. 

Prousky drags the gig economy to its logical conclusion: stunt work. “Stunts” meaning breakups, funerals, arguments; all the things that nobody is stoked to deal with, outsourced to a lower class.  

In the future that Prousky & Irish envision for us, we’ve progressed—in a very linear fashion—far away from trouncing Uber Eats drivers into navigating abominable conditions, towards a world where even the most banal discomforts are contracted out.  

Prousky describes the period preceding the “Stuntman Economy” as one of rapid technological innovation (RTI), where advancements in technology aim to ease the lives of those with the means to leverage them.  

Starting to sound familiar?  

When the demands of the wealthy start to outpace technological growth—“that…wasn’t rapid enough”—the wealthy outsource their dirty laundry to the lower class.  

Throughout the publication, the visual elements provided by Irish encourage disparate elements to coalesce, tying the academic feeling “overview” to the informal “relic” in a holistic way. The images are beautiful and haunting. Pixelated renderings inevitably evoke the retro-futuristic optimism associated with the internet before the dot com bubble exploded.  

They also work fantastically with the medium, and really blossom towards the end of the publication where a rendering of a poster is reproduced across a full page and mirrored onto the opposite side of the spread:  

“REMEMBER YOU’RE AT WORK” 

Stuntman Economy is equal parts ambition and restraint. The scope is defined by the format of the publication, but this limitation works mostly in favour of the work.  

At its best, the project is highly evocative, casually hinting at a robust and well thought out universe.  

At its most basic, Stuntman Economy reads like a proof of concept that could translate neatly into a variety of different mediums.  

Ultimately, it is the collaborative efforts of both Irish and Prousky that allow Stuntman Economy to coalesce into something much greater than the sum of its parts.  

While the potential is there for this project to be fleshed out into something like an alternate reality game (ARG) for example, or even just an intriguing work of speculative fiction, it also stands firmly on its own as a unique project undertaken by two noteworthy local creatives.  

More work from Prousky and Irish can be found through their respective Instagram pages: @laurenprousky and @bulgarsalad. 

#ABriefOverviewOfTheStuntmanEconomyThatGovernedSocietyBetween22472651ADFollowedByARelic #alternateRealityGame #arg #collaborative #jacobIrish #KurtisRideout #LaurenProusky #local #LocalArt #LocalArtist #localCreatives #project #review

THE LOCALIST: FEBRUARY 2026 WRAP UP

SoftcultWhen A Flower Doesn’t Grow  (LP) 

Release Date: Jan. 30, 2026

City: Kitchener 

Genre: Grunge, Shoegaze


After delivering four exciting EPs between 2021 and 2024 and touring extensively during that same time, the sibling duo of Mercedes and Phoenix Arn-Horn have finally released their fantastically hazy debut full-length album. The project explores challenging and sometimes taboo themes such as mental health and misogyny through creatively contemplative and unapologetically honest song writing. 

CHURCH FIGHTSelf-Titled EP (EP)

Release Date: Feb. 13, 2026

City: Cambridge 

Genre: Skate Punk


This brand new five-piece punk rock band comprised of veteran musicians has come hot out of the gate with a high octane three-track debut EP that is guaranteed to incite a brawl. With a blisteringly high tempo consistent across the entire project, the band has put together a collection of aggressively catchy punk songs with intricate melodic guitar riffs as a key focal point. 

DaphneJeepers (EP) 

Release Date: Feb. 13, 2026

City: Kitchener 

Genre: Instrumental Pop, R&B


The exciting debut EP release from Daphne is fully instrumental and irresistibly groovy. Blending smooth R&B instrumentation with accessible melodies from popular contemporary music makes for an easy and enjoyable listen. The track list includes four covers: Dua Lipa’s “Levitating”, SZA’s “Snooze”, Justin Bieber’s “SPEED DEMON” and Sabrina Carpenter’s “Tears”.

A Horse Named FridayDana & Evelyn (Demo)

Release Date: Feb. 21, 2026

City: Kitchener

Genre: Chamber Folk


Eight raw and emotional live recordings preceded by six carefully delicate studio versions make up the collection of songs on A Horse Named Friday’s latest demo project. This listening experience breathes a sense of fresh perspective into the songs with the addition of the band’s stage banter and audience noise helping the listener to truly connect with the intimacy of the performances. 

KROKA— Have You Lost Your Mind? (Single) 

Release Date: Feb. 26, 2025

City: Kitchener

Genre: Desert Rock


Kroka is a three-piece rock band with a sound that is significantly heavier than expected based on their limited roster size. Their newest single features slow, heavy and fuzz-laden guitars as well as a gritty yet soulful performance from lead vocalist Richard Fenna. The song explores the idea of indulging in our distractions as an act of avoidance and the inevitability that we all must eventually address our problems.

Album artwork sourced from Bandcamp. 

#Accessible #alternativeRock #altnerative #Bandcamp #BirdDaniels #Cambridge #chamberFolk #Column #desertRock #emoFolk #ep #folkPop #GarageRock #grunge #indieRock #JoshBoniferro #kitchener #LocalArt #localArtists #localMusic #localMusicians #Localist #lp #newReleases #postPunk #Punk #shoegaze #single #ska #skatePunk #softcult #theLocalist