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THE LOCALIST: FEBRUARY 2026 WRAP UP
Softcult—When A Flower Doesn’t Grow (LP)
Release Date: Jan. 30, 2026
City: Kitchener
After delivering four exciting EPs between 2021 and 2024 and touring extensively during that same time, the sibling duo of Mercedes and Phoenix Arn-Horn have finally released their fantastically hazy debut full-length album. The project explores challenging and sometimes taboo themes such as mental health and misogyny through creatively contemplative and unapologetically honest song writing.
CHURCH FIGHT— Self-Titled EP (EP)
Release Date: Feb. 13, 2026
This brand new five-piece punk rock band comprised of veteran musicians has come hot out of the gate with a high octane three-track debut EP that is guaranteed to incite a brawl. With a blisteringly high tempo consistent across the entire project, the band has put together a collection of aggressively catchy punk songs with intricate melodic guitar riffs as a key focal point.
Release Date: Feb. 13, 2026
The exciting debut EP release from Daphne is fully instrumental and irresistibly groovy. Blending smooth R&B instrumentation with accessible melodies from popular contemporary music makes for an easy and enjoyable listen. The track list includes four covers: Dua Lipa’s “Levitating”, SZA’s “Snooze”, Justin Bieber’s “SPEED DEMON” and Sabrina Carpenter’s “Tears”.
A Horse Named Friday—Dana & Evelyn (Demo)
Release Date: Feb. 21, 2026
Eight raw and emotional live recordings preceded by six carefully delicate studio versions make up the collection of songs on A Horse Named Friday’s latest demo project. This listening experience breathes a sense of fresh perspective into the songs with the addition of the band’s stage banter and audience noise helping the listener to truly connect with the intimacy of the performances.
KROKA— Have You Lost Your Mind? (Single)
Release Date: Feb. 26, 2025
Kroka is a three-piece rock band with a sound that is significantly heavier than expected based on their limited roster size. Their newest single features slow, heavy and fuzz-laden guitars as well as a gritty yet soulful performance from lead vocalist Richard Fenna. The song explores the idea of indulging in our distractions as an act of avoidance and the inevitability that we all must eventually address our problems.
Album artwork sourced from Bandcamp.
#Accessible #alternativeRock #altnerative #Bandcamp #BirdDaniels #Cambridge #chamberFolk #Column #desertRock #emoFolk #ep #folkPop #GarageRock #grunge #indieRock #JoshBoniferro #kitchener #LocalArt #localArtists #localMusic #localMusicians #Localist #lp #newReleases #postPunk #Punk #shoegaze #single #ska #skatePunk #softcult #theLocalistReading this makes me sick to my stomach.
It puts into question how feasible @subjam is if it's forced to pay fees on performances of content under the ownership of PROs that never get broadcast anyway (Creative Commons licensing of original material); yet proportional to how big the platform may get.
I talked with a small venue owner the other day that reinforces what this article describes establishments like theirs go through.

If you own a small music venue, restaurant, brewery, or host local events with live music, chances are you've had an encounter with a Performance Rights Organization (PRO) like BMI, ASCAP, or SESAC. These organizations are tasked with collecting royalties from businesses that publicly perform music and distributing them to songwriters, composers, and publishers. On paper, it sounds like a noble mission. But scratch the surface, and you'll find a system riddled with opacity, inefficiency, and pra