dr.laozi

https://quokk.au/c/philosophymemes/p/676390/dr-laozi

i have depicted you as a confucian

https://quokk.au/c/philosophymemes/p/676354/i-have-depicted-you-as-a-confucian

Taoist Canon

This is also known as Daozang. It’s the largest canon of Taoist writings. It’s 1 of the most massive & complex religious compilations in human history. It has roughly 1,500 texts. It was first embodied by the Daodejing, Zhuangzi, & Liezi.

The canon was assembled by monds circa 400 CE in an attempt to bring together these disparate yet consonant teachings. This anthology consisted of 3 divisions (grottoes) based on what was seen at that time in Southern China as Taoism’s primary focus: meditation, ritual, & exorcism. These grottoes were ranked by skill level (exorcism is the lowest, meditation the highest) & used for the initiation of Taoist masters.

In addition to the 3 Grottoes, there were the “Four Supplements” that were added to the canon circa 500 CE. 3 were primarily sourced from the older core texts, with the other from a separate, established philosophical tradition known as Tianshi Dao.

Originally the Three Caverns & Four Supplements represented 3 distinct lineages of Daoism that emerged in Southern China.

The Three Caverns:

The Cavern of Authenticity (Dongzhen):

Contains texts of the Shangqing (Supreme Purity) tradition. This was considered the highest level of initiation, focusing on internal visualization, meditation, & “celestial travel.” (Think astral projection.)

The Cavern of Mystery (Dongxuan):

Contains texts of the Lingbao (Sacred Treasure) tradition. This tradition focused on communal rituals, liturgy, & the salvation of the dead.

The Cavern of Divinity (Dongshen):

Contains texts of the Sanhuang (Three Sovereigns) tradition. This was the lowest level, focusing on practical exorcisms, talismans, & warding off spirits.

Each of the 3 Grottoes contains the following 12 chapters:

• Main texts (Benwen)
• Talismans (Yujue)
• Diagrams & illustrations (Lingtu)
• Histories & genealogies (Pulu)
• Precepts (Jielu)
• Ceremonies (Weiyi)
• Rituals (Fangfa)
• Practices (Zhongshu)
• Biographies (Jizhuan)
• Hymns (Zansong)
• Memorials (Biaozou)

The Four Supplements:

As newer movements & the original “classical” texts needed to be integrated, 4 supplementary sections were added.

Great Mystery (Taixuan):

Centered on the Daodejing.

Great Peace (Taiping):

Based on the Taiping Jing (Scripture of Great Peace).

Great Purity (Taiqing):

Focused on Waidan (External Alchemy), such as the creation of elixirs.

Orthodox One (Zhengyi):

Dedicated to the Celestial Masters, the oldest organized Daoist movement.

As with most religious texts, the history of the Daozang is a story of imperial patronage & periodic destruction.

The 1st Catalog (471 CE): The scholar Lu Xiujing compiled the 1st comprehensive catalog of Daoist scriptures. He was the 1st to formalize the “Three Caverns” structure, effectively creating a unified Daoist identity to compete with the rising influence of Buddhism.

The Tang “Golden Age” (748 CE): Emperor Xuanzong (who claimed to be a descendant of Laozi) ordered the 1st official “Canon of the Kaiyuan Era.” Copies were distributed to state-sponsored abbeys across China.

The Song & the 1st Painting (1111-1118 CE): Under Emperor Huizong (a “Daoist Emperor”), the canon was 1st carved into woodblocks for painting. This allowed for wider distribution but also made it a target during wars.

The Mongol Destruction: During the Yuan Dynasty, the Mongol rulers favored Buddhism. After a series of debates between Daoists & Buddhists, the Mongols ordered the burning of the Daoist Canon in 1281. Only the Daodejing was officially spared.

The Ming Canon (1445 CE): The version we use today is the Zhengtong Daozang, compiled during the Ming Dynasty. It survived because it was safely housed in the White Cloud Temple (Baiyun Guan) in Beijing. While other copies were destroyed during the 1900 Boxer Rebellion & subsequent wars.

The Daozang is essentially an “encyclopedia of Chinese culture.” Because Daoism was so deeply integrated into every level of society, the canon records nowhere else:

• Science: It contains the world’s oldest descriptions of chemical reactions & metallurgical techniques (from alchemy).
• Medicine: Many texts describe the “inner landscape” of the body, which forms the basis for Traditional Chinese Medicine (TDM) & Qigong.
• Sociology: It documents the life of the common people (their fears of demons, their village rituals, & their hopes for immortality), which were often ignored by official Confucian court histories.

If you’re interested in looking at the texts yourself, the Zhonghua Daozang (2003) is a modern, punctuated edition that’s MUCH easier to read than the original Ming woodblock prints. Many of these are now being digitized by projects at the Chinese University of Hong Kong & several American research libraries.

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#1111CE #1118CE #1281 #1445CE #1900 #471CE #748CE #Abbeys #alchemy #BaiyunGuan #Beijing #Benwen #Biaozou #BoxerRebellion #Buddhism #CanonOfTheKaiyuanEra #CavernOfAuthenticity #CavernOfDivinity #CavernOfMystery #CelestialMasters #ChineseUniversityOfHongKong #Circa400CE #Circa500CE #Confucian #Daodejing #Daoism #DaoistMovement #Daozang #Dongshen #Dongxuan #Dongzhen #Elixirs #EmperorHuizong #EmperorXuanzong #Exorcism #ExternalAlchemy #Fangfa #FourSupplements #GreatMystery #GreatPeace #GreatPurity #Grottoes #Jielu #Jizhuan #Laozi #Liezi #Lingbao #LingbaoTradition #LuXiujing #Meditation #MingDynasty #Mongols #OrthodoxOne #Pulu #Qigong #Ritual #SacredTreasure #Sanhuang #SanhuangTradition #ScriptureOfGreatPeace #Shangqing #ShangqingTradition #Shenfu #SouthernChina #SupremePurity #Taiping #TaipingJing #Taiqing #Taixuan #Talismans #Taoism #Taoist #TaoistMasters #TCM #ThreeCaverns #ThreeGrottoes #ThreeSovereigns #TianshiDao #UnitedStatesOfAmerica #Waidan #WhiteCloudTemple #YuanDynasty #Yujue #Zansong #ZhengtongDaozang #Zhengyi #Zhongshu #Zhuangzi

There is something

There is something
that contains everything.
Before heaven and earth
it is.
Oh, it is still,
unbodied,
all on its own,
unchanging,

all-pervading,
ever-moving.
So it can act as the
mother
of all things.
Not knowing its real name,
we only call it the Way.

Laozi, Tao Te Ching, Ch. 25, tr. Ursula le Guin

There is a mystery in stillness that cannot be classified, explained or described. It is outside knowing, not to be contained in words or thoughts. Why would we even mention it, if it were not before and beneath, above all things that are?

As we live in the everyday reality we know, the things we see and hear, touch and smell and taste are images in the mind, icons that helpfully stand for whatever actually is. We tend to think that what they seem to be is what they are, standing for nothing else but how they look, sound, feel, smell or taste. They are useful, indeed benign (Dennett), user illusions; they seem to be what is really there; but they are not. They allow us to interact with each other, and with things, but they are generated as appearances, icons, within our own brains – and like any interface, they can be subject to errors. (An example from close to home: I have severe retinal damage in one eye, and as a consequence, I suffer from visual release hallucinations. These appear like perfectly concrete things – in my case usually animals of one kind or another – within the normal setting of our home. They are not, repeat not, “imaginary”. They appear indistinguishable from the real thing – an actual cat, for instance – except that if I focus on them directly (my good eye works just fine) they disappear without a trace. But they were real while they were there: just as real as my desk, or the rather chunky printer that sits on it.)

Perhaps we were always supposed to be able to see that what we take for reality is only appearance; perhaps we were all supposed to be what we now call contemplatives, or mystics, but we forgot. Perhaps our habitual taking of appearances for true being is a computational brain function that has over many generations got out of hand. Or perhaps we contemplatives are just weird anyway.

If we sit still, without trying to make sense of anything; sit pointlessly, not aiming to achieve anything at all, we can see for ourselves that bright something – no thing – before all things, and know it for our true home, before we or any thing was born. “Oh, it is still, unbodied, all on its own, unchanging,..”

#awareness #consciousness #contemplative #DanielDennett #Laozi #phenomenology #practice #stillness #UrsulaLeGuin

Endings and beginnings

So many blogs and newsletters across the internet at this time of year are looking back over the last 12 months, and on into the next 12, reflecting on the changes their writers have seen, and the things they expect to come. I don’t think I’d have much to add to this conversation per se. What interests me is the nature of endings and beginnings themselves, and whether they are what they usually seem to be.

So often we look at events as having discrete boundaries: they begin here, where there was nothing before, and they end there, leaving things different from how they had been. After the end of an event, there is a time when nothing is happening; and then, Boom! There’s another event just beginning out of the empty place that was waiting for it to begin.

If we sit still, though, and listen, what we find is that there is a ceaseless rippling of the bright water of the stream of coming-to-be. Sounds, and presence, and thoughts, and weight, without their own duration or dimensions. Where is the beginning of a wave, and its end? They are only arbitrary points on an oscilloscope trace: the wave waves. It has no beginning in reality, nor does it end. It waves.

Spinoza called these waves modes, and the stream substance: his one substance, God or nature (Deus sive natura) appearing in the modes of cats, or mountains, or people – rather as the Tao appears as “the ten thousand things” in the Tao Te Ching (Ch. 42). To see this, whole and undivided – as it is – is the end of fear, and the beginning of peace. May this peace be with you all, this coming year.

#BenedictusSpinoza #Laozi

Under heaven all can see beauty as beauty only because there is ugliness.
All can know good as good only because there is evil.

Therefore having and not having arise together.
Difficult and easy complement each other.
Long and short contrast each other;
High and low rest upon each other;
Voice and sound harmonize each other;
Front and back follow one another.

Therefore the sage goes about doing nothing, teaching no-talking.
The ten thousand things rise and fall without cease,
Creating, yet not possessing,
Working, yet not taking credit.
Work is done, then forgotten.
Therefore it lasts forever.

Lao Tzu — Tao Te Ching
// Translated by: Gia-Fu Feng & Jane English

#laotzu #Laozi #tao #dao

Zhengyi Tao/Dao

In pinyin: Zheng Yi Dao. It’s also known as: the Way of Orthodox Unity, Teaching of the Orthodox Unity, & Branch of the Orthodox Unity.

This is a Chinese Taoist movement that traditionally refers to the same Taoist lineage as: the Way of the Five Pecks of Rice & Way of the Celestial Masters. But in the period of the Tang Dynasty & its history thereafter.

The leader of Zhengyi Taoism is known as a Celestial Master, like in the Way of Celestial Masters (Tianshi Dao).

The term Zhengyi (Orthodox Unity) has been used since Taoism became an organized religion in 142 AD. This was when Taishang Laojun granted the Covenant with the Powers of Orthodox Unity (zhengyi mengwei) on Zhang Daoling. Zhang Daoling was a Chinese Taoist religious leader during the Eastern Han dynasty. He founded the Way of the Five Pecks of Rice millenarian movement.

Zhang’s followers called his teachings the Way of the Five Pecks of Rice, while the Six Dynasties Period. The Southern Taoists called it the Way of the Celestial Masters. The Covenant, Five Pecks of Rice, & Celestial Masters all refer to the Zhengyi branch of Taoism but in different periods.

Celestial Master communities suffered from many migrations in the late Three Kingdoms & Five Dynasties & Ten Kingdoms periods. Cao Cao resettled them in the North. Then they joined mass migrations to the South after the loss of Northern China in 317 to the Uprising of the Five Barbarians.

In the 5th century Abridged Codes for the Taoist Community, Lu Xiujing lamented that Taoist Assemblies no longer observed the proper rules & the position of libationer had become hereditary. A libationer is a religious official that’s responsible for leading pa6rishes & performing rituals.

By the Tang Dynasty, the title of Celestial Master had been degraded to where ANY prominent Taoist could claim the title. Celestial Master priests no longer figured prominently in Taoist texts.

Emperor Xuanzong (7 12-756) canonized the first Celestial Master, Zhang Daoling, during his reign. This didn’t have any effect/benefit to the original base of Celestial Masters in Sichuan. It did, however, benefit a temple in the Jiangnan area of Jiangxi Province.

This temple was located at Mount Longhu. This is claimed to be the spot where Zhang Daoling had gotten the Tao & where his descendants still lived. Recognized by the emperor as the legit descendants of Zhang Daoling, these new Celestial Masters established a new patriarchy at their base at Mount Langhu.

The importance of the Zhangyi school grew during the Song Dynasty. The Celestial Master frequently got imperial appointments. In 1239, the Southern Song Dynasty‘s Emperor Lizong commanded the 35th Zhang Keda to unite 3 schools: Lingbao School, Shangqing School, & Zhengyi Dao. The new unified school kept the Zhengyi name & stayed based in Mount Longhu.

Shortly after the schools were united, the Mongols, under Kublai Khan, conquered the Southern Song Dynasty. Kublai Khan established the Yuan Dynasty in China. Kublai Khan accepted the claim that the Celestial Master of Mount Longhu was descended from Zhang Daoling. Kublai Khan also granted the school the right to control affairs relating to Taoism in the Jinagnan area.

In 1304, as result of Zhengyi Dao‘s increased importance the Mongols, all of the Taoist schools (except the Quanzhen school) were united under the banner of the Zhengyi School, with the 38th Celestial Master, Zhang Yucai, as the spiritual leaders.

The founding of the Ming Dynasty in 1368 started at the beginning of a long decline of the power of Zhengyi Taoism. The first Ming ruler, the Hongwu Emperor (1368-98), suppressed the use of the title of “Celestial Master” among the Zhengyi School.

By the Daoguang period (1821-50) of the Qing Dynasty, relations between the court & the Celestial Masters came to an end. The activities became more localized to regions in which the school was particularly important.

Even though their court association was over the Celestial Master themselves still had a great deal of prestige, & importance, among Taoists throughout China. This importance, that arose from the belief that they were descended from Zhang Daoling, was evident when the Celestial Master traveled & attracted crowds of people wherever they went.

Unlike prior incarnations of the Celestial Masters, like the school based at Louguan, the Zhengyi Taoists didn’t venerate Laozi as a god. They viewed him as the ancestor of the school’s teaching.

There are 2 main types of rituals performed by the Zhengyi Taoists: the jiao (offering) & zhai (retreat) rituals. The zhai rituals are performed as a way to gain benefits through purification & abstinence. They usually take place immediately after the jiao ritual.

In performing a ritual, the participant recites a litany of repentance first. Then notify the deities of the merits gained through repentance by submitting a document to Heaven. When the zhai ritual is done, the jiao ritual begins in which deities are given offerings & are thanked.

The jian ritual is usually performed over 3 days. A lot of the ritual is performed by priests in a temple. But can also involve religious processions through the city, musical performances & a mass offering in front of the temple.

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Three Pure Ones

These entities are also known as: Three Pellucid Ones, Three Pristine Ones, Three Divine Teachers, Three Clarities, or Three Purities.

They’re the 3 highest gods in the Taoist pantheon. They’re considered as pure manifestations of the Tao & the origin of all sentient beings. Along with the “Lord’s of the Three Principles,” or qi. Also they were gods associated with the sky, the earth, & the underworld.

They were thought to be able to control, & have power over time in different ways. Sometimes they were literally seen as past, present, & future.

From the Tao Te Ching, it was held that “the Tao produced One; One produced Two; Two produced Three; Three produced All things.” It’s generally agreed that Tao produced One means Wuji produced Taiji. One produced Two means Taiji produced Yin & Yang (or Liangyi). Many believe Yin & Yang, with the presence of Chi, or life force.

In religious Taoism, how Tao produces One, Two, & Three is explained. In Tao produces One – Wuji produces Taiji, which represents the Great Tao. This is embodied by Hundun (pinyin: Hundun Wiyi Yuanshi Tianwang, “Heavenly King of the Never-ending Primordial Beginning”) at a time of pre-Creation.

Manifesting into the 1st of the Taoist Trinity, Yuanshi Tianzun. Yuanshi Tianzun oversees the earliest phase of Creation of the Universe. And is henceforth called Daobao (“Treasure of the Tao”).

In One produces Two – Taiji produces Yin Yang. Yuanshi Tianzun manifests into Lingbao Tianzun who separated the Yang from the Yin, the clear from the murky, & classified the elements into their rightful groups. He’s known as Jingbao (“Treasure of the Law/Scripture”).

In the final phase of Creation, Daode Tianzun is manifested from Lingbao Tianzun to bring civilization & preach the Law to all living beings. He’s known as Shibao (“Treasure of the Master”).

The Three Pure Ones represent both a primordial deity & a heaven. They’re often depicted seated on thrones, each holding a distinct symbol.

Yuanshi Tianzun, the first & highest of the Three Pure Ones, rules the first Heaven, Yu-Qing, which is found in the Jade Mountain. The entrance to this heaven is called the Golden Door. He represents the beginning of all existence & is associated with the formless & primordial chaos that existed before the universe. He’s believed to have created Heaven & Earth. His symbol is a pearl or a globe. This represents the cosmic egg from which the universe emerged. He’s known as the Jade Pure One. Known as the Celestial Worthy of Primordial Beginning.

Lingbao Tianzun rules over the Heaven of Shang-Qing. He represents the beginning of time & the revelation of the Dao’s teachings to the world. He is associated with the transition from primordial chaos to a structure universe & is said to be the keeper of the sacred scriptures & the master of rituals. His symbol is a ruyi scepter, signifying cosmic power & authority. He’s also known as the Supreme Pure Ones. Also known as the Celestial Worthy of Numinous Treasure.

Daode Tianzun rules over the Heaven of Tai-Qing. He’s the 3rd & most widely known of the 3. He’s believed to be the deified form of Laozi, the reputed author of the Daode Jing. He’s associated with the communication of the Dao’s teachings to humanity & is the master of compassion & ethics. His symbol is a fan, which he used to spread the teachings of the Tao/Dao, or a deer, a symbol of longevity & wisdom. He’s also known as the Great Pure One & the Celestial Worthy of the Way & its Virtue.

Schools of Taoist thought developed around each of these deities. Taoist Alchemy was a large part of these schools. Each of the Three Pure Ones represented 1 of 3 essential fields of the body: jing, qi, & shen. The congregation of all Three Pure Ones resulted in the return of Tao.

The 1st Pure One in universal/heavenly chi. The Second Pure One is human-plane chi. The Third Pure One is earth chi. Heavenly chi includes the chi, or energy, of all the planets, stars, & constellations. As well as the energy of God (the force of creation & universal love).

Human chi is the energy that exists on the surface of our planet & sustains human life. The earth force includes all of the forces inside the planet, as well as the 5 elemental forces.

Since the Three Pure Ones are manifestations of Primordial Energy, they are formless. However, to illustrate their role in Creation, they’re often pictured as elderly deities, robed in three basic colors, from which all colors originated: red, blue, & yellow (or green).

Each of them holds onto a divine object associated with their tasks. Yuanshi Tianzun is usually depicted holding the Pearl of Creation, signifying his role in recreating the Universe.

The Ruyi held by Lingbao Tianzun represents authority: the 2nd phase of Creation where the Yang was separated from the Yin & the Law of Things was ordered in place.

Lingbao Tianzun then took his seat on the left of Yuanshi Tianzun. Later, when all was complete, Daode Tianzun took his place on the right, with the fan symbolizing the completion of Creation. The act of fanning represents the spreading of Tao to all Mankind.

Some believe depictions & thought of the Three Pure Ones from the Tang Dynasty & were influenced by the Church of the East conception about the Trinity. Because of the heavy Christian – Taoist contact & mutual influence of the time.

Others believe that another Taoist trinity of gods evolved into the Pure Ones. Beliefs in the Jade Emperor were taken from other Chinese religious traditions. He was seen as their assistant who managed all of creation.

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