Actually, I made a mistake before. This is actually the second dnd character I ever created, my goliath wild magic barbarian, Theron (he/him, trans man). I made him when I joined a second campaign barely 2-3 months after joining my first one ever, lol.

#dnd #dndart #dndcharacter #goliath #dndbarbarian #barbari #wildmagic #wildmagicbarbarian #transgender #transman #characterart #mastoart #artwork #noai

Nephilim

The Nephilim are mysterious beings or humans mentioned in the Bible. Traditionally understood as beings of great size & strength, or alternatively as beings of great power & authority.

The 1st biblical reference to them happens in Genesis 6:4. According to Numbers 13:33, 10 of the 12 spies reported the existence of Nephilim in Canaan before its conquest by the Israelites.

Interpretations vary vastly across traditions. Second Temple texts like 1st Enoch & Jubilees picture the Nephilim as offspring of fallen angels (Watchers) & of human women, portraying them as evil giants whose corruption led to the flood that’s told in the book of Genesis.

Some viewed the Nephilim as the descendants of Seth intermarrying with Cain’s lineage. Just to put this into perspective, Seth & Cain are biological brothers (half or whole, depending on the story). Their descendants married each other. It would be like marrying your cousins. Not 1st or 2nd cousins. But cousins nonetheless.

While others support the fallen angel theory. This was later supported by the Dead Sea Scrolls. Islamic tradition links them to the giant tribe of ‘Ad. While other theories link them with the Sumerian Apkallu myths or elite Canaanite warriors.

Over time, the Nephilim have been reimagined in popular culture: they appear in novels, films, video games, & conspiracy theories unrelated to religion. They are often pictured as powerful hybrids, ancient gods, or remnants of a lost superhuman race. Or the race of giants that Goliath descended from.

In the Bible, 3 interconnected passages refer to the Nephilim. 2 of them are in the Torah (Old Testament). The 1st appearance in Genesis 6:1-4. This is immediately before the Noah’s Ark story. Genesis 6:4 says: The Nephilim were in the earth in those days, & also after that when the sons of God came in unto the daughters of men & they bore children to them; the same were the mighty men that were of old, the men of renown.

A few things hit differently in this passage:

  • Heavenly beings can have biological human children? How is this physically possible? If, after all, they’re spiritual beings?
  • Why would God give/allow these “angels” the ability to even have kids in the 1st place? In modern times, we don’t think of angels as having the ability to have kids. Even the fallen ones. We do tend to think that Satan himself is the only 1 that can somehow have kids (the Antichrist).
  • Who, exactly, were these “men of renown”? Like we, personally, just want 2-3 of the names. Is it some guys we’ve never even heard of? Or would it confirm some names we already know? Like yep, our fav demigod Hercules made the short list. But some decisions happened on the editing room floor. Sorry Herc!

“Those days” were a period when the human population on the earth had started to really take off. This was when people began “to be plentiful on the Earth.”

The 2nd is Numbers 13:32-33, where 10 of the 12 spies describe the Anakites (a Rephaite tribe) as descendants of the Nephilim. Outside the Pentateuch, there are 1 more passage indirectly referencing nephilim & this is Ezekiel 32:17-32.

The earliest translation of the Bible (the Septuagint), which was composed in the 3rd or 2nd century BC, gives the said word as gigantes. In Greek mythology, the gigantes were beings of great strength & aggression. But not necessarily of great size.

The Vulgate (compiled in the 4th or 5th century AD) transcribes the Greek term rather than translating the Hebrew nefilim. From there, the tradition of the giant progeny of the sons of God & the daughters of men spread to later medieval translations of the Bible.

From the 3rd century onwards, references are found in Enochic literature, the Dead Sea Scrolls, the Jubilees, the Testament of Reuben, 2 Baruch, Josephus, & the Book of Jude.

The New American Bible commentary draws parallels between the Epistle of Jude & the statements in Genesis. This suggests that Jude refers implicitly to the paternity of the Nephilim as heavenly beings who came to earth & had spicy adult time with human women.

The story of the Nephilim is elaborated in the Book of Enoch. The Greek, Aramaic, & main Ge’ez manuscripts of 1 Enoch & Jubilees acquired in the 19th century (held in the British Museum & the Vatican Library) connect the origin of the Nephilim with the fallen angels, & in particular with the egregoroi (watchers).

In this tradition, the kids of the Nephilim are called the Elioud. They’re considered a separate race from the Nephilim. But they end up sharing the same fate as the Nephilim.

Some believe the fallen angels who sired the Nephilim were cast into Tartarus (II Peter 2:4, Jude 1:6), a place of “total darkness.” An interpretation is that God granted 10% of the disembodied spirits of the Nephilim to remain after Noah’s deluge, as demons, to try to lead the human race astray until the Final Judgment.

The Book of Jubilees also says that ridding the Earth of these pesky Nephilim was 1 of God’s purposes for flooding the Earth in Noah’s day. It describes the Nephilim as being evil giants.

A long-held view in some Christian sects is that the “sons of God” were the formerly righteous descendants of Seth (Adam & Eve’s 3rd kid) who rebelled. While the “daughters of men” were the unrighteous descendants of Cain. The Nephilim were their offspring. This view dates to at least the 1st century AD in Jewish literature. It was found in Christian sources from the 3rd century.

Some individuals & groups (including St. Augustine, John Chrysostom, & John Calvin) take the view of Genesis 6:2 that the “angels” who fathered the Nephilim referred to certain human males from Seth’s lineage. They were called sons of God in reference to their prior covenant with Yahweh (Deut. 14:1, 32:5). In these sources, these men had begun to pursue bodily interests, & so took wives of “the daughters of men.”

This view is also held by the Ethiopian Orthodox Church. This is supported by their own Ge’ez manuscripts & Amharic translation of the Haile Selassie Bible (1 Enoch & Jubilees also), which count as canonical by this church. The “Sons of Seth” view is the view presented in a few extra-biblical, yet ancient texts.

In these sources, these kids of Seth were said to have disobeyed God by breeding with the Cainites & producing wicked kids “who were all unlike.” This angered God into bringing about our boy Noah’s flood.

If you subscribe to the ancient alien theory, then you’ll be familiar with Zacharia Sitchin. In his The Earth Chronicles series, Mr. Sitchin makes the claim that the Nephilim were an extraterrestrial race called the Anunnaki. The Anunnaki came down from the 12th Planet (Nibiru) & mated with (or at least genetically messed with) human women. They also gave humanity a few things: civilization, makeup, weapons, warfare, & farming. (Our founder is currently reading The 12th Planet right now, as of the date this posts. They are about done with it, like 2 more chapters!)

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GARGOYLES - Goliath & Eliza, TV Screen Engraving

Prometheus-pyrography.web.app

Yes I forgot that the screen is reflective, and you can see my feet 😆

https://youtube.com/shorts/JjsWN3_u1E0?si=nHgpQCARJUsx9bCy

#gargoylesdisney #gargoyles #art #handmade #engraving #goliath #elizamaza #Eliza #Disney #upcycle

From the lyrics poitn of view, ‘I Promise You This’ is “Thrash Under Pressure’ but sound is better. #Exodus #Goliath #HeavyMetal
don’t ask me how I did my first kilometer. #justdoit and listen to #goliath by #exodus #running #MAMIL
Exodus – Goliath Review By Steel Druhm

Exodus are one of the legends of the original thrash heyday, but since kicking things off with their stone cold classic debut, Bonded by Blood, way back in 1985, they haven’t had the most consistent career or evil. Lineup changes, recording delays, directional shifts, and issues with band identity always seemed to hamstring this Bay Area collective, and when you look back on their decades in the speed biz, they don’t have many albums in the big win column. When news broke that long-time vocalist Steve “Zetro” Souza was out of the band, I was disappointed. When word came that he would be replaced by another ex-vocalist, Rob Dukes, for their 12th album Goliath, I was dismayed. I’m not the biggest Dukes fan, but hey, I still wanted to see Exodus put out another high-flying statement of extremity for the ages and the aged. After a 5-year wait, what does Goliath actually have in store for you, and will it be in your size?

In a nutshell, you get what most of you were probably expecting: a rather tepid “thrash” platter lacking in bestial excess and infernal overkill, with an even more pronounced absence of sticky hooks. Opener and early single “3111” kicks off with an ominously doomy plod before eventually exploding into a thrashing rage with Dukes sounding surprisingly spry and fierce. The classic Gary Holt riffwork is present and recognizable, but the song never pushes past standard-issue. It also lacks much in the way of memorability. “Hostis Humani Generis” feels more vital and forceful, reminding me of the band’s salad days. With slashing riffs and vocals spat out like venom, some moments even recall their mighty debut, making it an album standout (I use that term loosely here, but more on that later). Dukes is joined on “The Changing Me” by Peter Tägtgren (Hypocrisy, Pain), and at first it seems as if you might get a face-ripping speed feast, but an awkward, out-of-place alt-metal/rock chorus blows the song up, wasting a goodly amount of gleefully beefbrained riffage.

Some of the album’s most interesting bits come during the title track, where Exodus opt for a slow, grinding stomp that sounds like it fell off a sludge metal truck heading to Crowbar Meadows. The riffs are legitimately mean, and the song feels massive and weighty. Props to Dukes for his extra intense, throat-rending performance here, which is well beyond anything we’ve ever heard from him before. It’s an interesting tune, though it’s not what I want or expect from Exodus. They follow this up with the best pure thrash track on offer, “Beyond the Event Horizon,” which feels like a throwback to the Shovel Headed era. There’s enough raw aggression and meataheadedness here to win you over. Sadly, things roll back downhill after this mid-album quality spike. Both “2 Minutes Hate” and “Violence Works” feel like retread filler, and the nearly 8-minute “Summon of the God Unknown” is like an ill-conceived homage to the worst Black Sabbath albums. At 54 minutes, Goliath lives up to its name, feeling ponderous and bloated. While I appreciate that only 2 tracks cross the 6-minute mark, many still feel overstuffed somehow.

I want to be clear that Dukes isn’t the issue here. He goes above and beyond to give a gutsy, intense vocal performance that meets, and at times, exceeds what he did on 2005s Shovel Headed Kill Machine. This is one of his best performances, and he brings a level of versatility I didn’t know he possessed. Gary Holt’s riffing is vital enough at times to make you remember the glory days, but then it lapses into recycled chugs and generic thrash idioms. Some tracks have bite, but not nearly enough of them. I want to point out the surprisingly upfront and audible bass work by Jack Gibson. I don’t recall the bass ever being this in-your-face on an Exodus album, and it provides a satisfyingly low-end pop that helps the material. Ultimately, it’s the songwriting that takes this giant down for the count. There just aren’t enough cuts that feel essential or truly memorable. Half of this sounds like leftovers from the Impact is Imminient sessions, and the other half sounds like B-sides to Force of Habit. That ain’t no way to go through life, son.

As much as I wanted a killer new Exodus album, Goliath is a mixed bag of Jolly Green Giant nuts. I won’t reach for this when I want an Exodus fix, and honestly, there’s nothing here that I feel the need to poach for playlists (and that includes the “standouts). Loath though I am to suggest it, it might be time to retire this particular pony and remember the better days. Now I need to go spin Bonded by Blood (the original version only!!).

Rating: 2.5/5.0
DR: NA | Format Reviewed: FVKKING STREAM!!
Label: Napalm
Websites: exodus.bandcamp.com/album/goliath | facebook.com/exodusattack | instagram.com/exodusbandofficial
Releases Worldwide: March 20th, 2026

#25 #2026 #AmericanMetal #Exodus #ForceOfHabit #Goliath #Mar26 #NapalmRecords #Review #Reviews #ThrashMetal