Today: Biennale Architettura del 2027, i cinesi Wang Shu e Lu Wenyu saranno i curatori

La Biennale di Architettura di Venezia curata da Carlo Ratti rappresenta, secondo Pietrangelo Buttafuoco, un punto di svolta nel dibattito internazionale sull’architettura, introducendo un metodo che integra discipline diverse - dall’intelligenza artificiale alle scienze naturali - per ripensare...

Biennale Architettura 2027, the Chinese Wang Shu and Lu Wenyu will be the curators.

The Venice Architecture Biennale curated by Carlo Ratti, according to Pietrangelo Buttafuoco, represents a turning point in the international debate on architecture, introducing a method that integrates diverse disciplines – from artificial intelligence to natural sciences – to rethink…

#Chinese #WangShu #LuWenyu #CarloRatti

https://www.today.it/speciale/orizzonte-italia-cina/biennale-architettura-venezia.html

Biennale Architettura del 2027, i cinesi Wang Shu e Lu Wenyu saranno i curatori

Wang Shu e Lu Wenyu sono stati nominati curatori della prossima Biennale Architettura del 2027. Intervista a Pietrangelo Buttafuoco

Today
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SPECIALE Biennale Architettura 2025: Vela Celeste Reimagining Home

Selezione progetti dalla Biennale Architettura Venezia 2025. Speciale 2 di 3. CRA Carlo Ratti Associati, in collaborazione con il Comune di Napoli, ha avviato un progetto di design partecipativo pe…

OFFICE OBSERVER | Danilo Premoli
Atomized/Retrofitted Functioning by fabric | ch at the 2025 Venice Biennial (Intelligens. Natural. Artificial. Collective), that just opened and is curated by Carlo Ratti #fabricch #carloratti #biennial #venice #architecture #atomized
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“L’architettura rappresenta da sempre una risposta alle sfide poste dalle condizioni climatiche. Fin dalle capanne primitive, la progettazione umana è stata guidata dalle necessità di r…

OFFICE OBSERVER | Danilo Premoli
Per festeggiare i 3.000 post online #OfficeObserver ripropone il #podcast con cui #CarloRatti, in qualità di Guest Blogger, ha contribuito allo Speciale sul tema "L’ufficio dopo il virus" via @danilopremolihttps://t.co/cW28aVTvF2 Canale Telegram https://t.co/0l20m1Xb26 https://t.co/phy3uA93zc
Speciale Podcast: Carlo Ratti

Per festeggiare i 3.000 post online, Office Observer ripropone il podcast con cui Carlo Ratti, in qualità di Guest Blogger, ha contribuito allo Speciale sul tema “L’ufficio dopo il viru…

OFFICE OBSERVER | Danilo Premoli
La Biennale Architettura 2025 raccoglie le idee

La prossima diciannovesima edizione della Mostra Internazionale di Architettura di Venezia sarà dedicata all’ambiente costruito e alle numerose discipline che gli danno forma. L’archite…

OFFICE OBSERVER | Danilo Premoli

Spazi di lavoro, agricoltura e relax: il grattacielo idroponico di Carlo Ratti aggiunge un altro tassello alla città del futuro.

#architettura #design #grattacieli #carloratti #idroponica

https://www.futuroprossimo.it/2023/05/dopo-il-giardino-verticale-il-grattacielo-idroponico-carlo-ratti-is-on-fire/

Dopo il bosco verticale, il grattacielo idroponico: Carlo Ratti is on fire

Spazi di lavoro, agricoltura e relax: il grattacielo idroponico di Carlo Ratti aggiunge un altro tassello alla città del futuro.

FuturoProssimo
traditional farmhouse by carlo ratti in italy revolves around a ten-meter-tall ficus tree

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designboom | architecture & design magazine

Carlo Ratti Associati explains how plants capture carbon in installation sponsored by oil multinational

Italian architect Carlo Ratti has defended his decision to design an exhibition about climate change sponsored by fossil-fuel giant Eni, saying the Milan design week installation is "not greenwashing".

Held in the Brera Botanical Garden, the Natural Capital installation features large bubbles suspended next to different plant species, detailing how much carbon dioxide they absorb from the atmosphere.

The Natural Capital installation consists of giant spheres that communicate the carbon-capturing power of individual trees in Brera's Botanical Gardens

Carlo Ratti Associati (CRA) characterises it as a "walkable data visualisation" that quantifies how individual plants contribute to the fight against climate change. The size of the bubble corresponds to the amount of carbon dioxide each plant captures and stores in its lifecycle.

The bubbles are made of thin recyclable film and their appearance is meant to recall the shape of oxygen atoms, released by plants during photosynthesis.

The project is sponsored by Eni, which is one of the world's seven biggest oil and gas producers and one of 100 companies responsible for 71 per cent of global greenhouse gas emissions. Alone, it is responsible for 0.59 per cent of them.

The installation is envisaged as a walk-through data visualisation

CRA founder Ratti defended Eni's involvement in the project because the fossil-fuel company is "serious about their carbon transition process".

Eni has pledged to be carbon neutral by 2050, in line with the European Union's climate target.

It runs forestry conservation programmes and is transforming some of its oil refineries into bio-refineries, where biomaterials such as plant-based oils, animal fats, used cooking oils and algae extracts are processed for fuels.

"I believe that their initiatives are not greenwashing but part of a true conversation process that is ongoing," Ratti told Dezeen.

"I believe that they are serious in their carbon transition process and if so they could play a key role in the future decarbonisation of society, in particular in Italy and southern Europe where they are market leaders."

Oil and gas companies have been coming under fire recently for aligning themselves to environmental exhibitions.

In May, an exhibition on climate change technology at London's Science Museum was protested by environmental activists due to its sponsorship by the oil company Shell.

Scientists from Extinction Rebellion locked themselves inside the museum, arguing that it should cut all ties with such companies because it provided a smokescreen for their ongoing oil and gas exploration, and because of their track record of obstructing action on climate change.

A freedom of information request subsequently showed that Shell's contract with the Science Museum prohibited the institution from doing or saying anything that would damage the company's reputation.

The installation is part of Milan design week

However, Ratti stressed the differences between Shell and Eni, and in the themes of the exhibitions.

"Eni has a large business unit dedicated to forestry, and it contributes to offsetting its hard-to-abate emissions," said Ratti.

"Therefore, we think they could legitimately support a project that explores the role of forests in the global carbon balance of the planet."

Ratti said that Eni provided the theme for the installation – forests – and the site in the Brera Botanical Garden, but that CRA worked with complete freedom.

The spheres are meant to recall the shape of oxygen atoms, released during photosynthesis

For the data aspect of the project, the Turin-based design and innovation office collaborated with researchers at the University of Milan, who assessed the ability of various plant species in the garden to sequester carbon dioxide.

CRA has partnered with Eni before, at Milan design week 2019, for which they presented the Circular Garden structure made of mushroom mycelium.

Natural Capital continues at the Brera Botanical Garden until 12 September as part of the INTERNI Creative Connections exhibition. SeeDezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

The post Carlo Ratti Associati explains how plants capture carbon in installation sponsored by oil multinational appeared first on Dezeen.

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Carlo Ratti Associati partners with oil company for Milan design week

Carlo Ratti Associati has partnered with oil and gas company Eni to illustrate the carbon-capturing power of trees at Milan design week.