The intention in the air, the compressed biomes, the shrill cry, the abandoned bunker, the fungus, and so much more – #Annihilation’s first chapter is a diorama of all things eerie. VanderMeer creates the eerie by incluing: for every concrete fact given by the crew, there are as many things they don’t understand. I, as the reader, trust that the things VanderMeer will leave unexplained will be rendered all the more alluring – but not frustrating. If I feel a presence in absence, or vice versa*, it is because VanderMeer intentionally put it there – not a failure to disclose, but a decision not to. None of his characters straight up say, ‘oh my god the wildlife is sentient,‘ but I sure as hell have my hunches:
> [The boar]’s features were somehow contorted, as if the beast was dealing with an extreme of inner torment. Nothing about its muzzle or broad, long face looked at all extraordinary, and yet I had the the startling impression of some presence in the way its gaze seemed turned inward and its head willfully pulled to the left as if there were an invisible bridle.
It’s one hell of a clue. Perhaps this is the last time I hear about the boar – I don’t know, yet – but this presence the Biologist notes will certainly return, and with it, the (figurative) ghost of the boar.