#NowPlaying: 'Feel So High' by Desree (1991).

An old CD single originally, but I found the 7" on eBay last year. A gorgeous song.

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Violinist sings soulful ‘A Change is Gonna Come’ duet with himself in epic encore

An unexpected encore from violinist Charles Yang, after his performance with the Dallas Symphony Orchestra, has been going viral on social media.

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Hailu Mergia and The Walias – Tche Belew (1977, Ethiopia)

Our next spotlight is on number 10 on The List, submitted by umrk. This was the first album added to The List that really got me jazzed up (pun intended)! I think any music fanatic will enjoy giving this fantastic instrumental Ethiopian jazz album a spin without knowing anything about it, but I have a hunch that knowing the political context it came out of might deepen one’s appreciation of the music.

Want to read more? See the full spotlight: https://1001otheralbums.com/2025/04/17/hailu-mergia-and-the-walias-tche-belew-1977-ethiopia/

Want to skip straight to the music? Here's the Bandcamp: https://hailumergia.bandcamp.com/album/tche-belew

Happy listening!

#HailuMergia #jazz #Ethiopia #EthiopianMusic #JazzEthiopiques #instrumental #soul #1970s #music #1001OtherAlbums

Hailu Mergia and The Walias – Tche Belew (1977, Ethiopia)

A spotlight on the seminal Ethiopian instrumental album from keyboard/synth/organ player and arranger Hailu Mergia and his band the Walias.

1001 Other Albums

Still nothing like Wefunk to enjoy a ton of cool grooves, with a bit of classic sample spotting on the side. Tune in:

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#NetRadio #HipHop #Rap #Funk #Soul #RhythmNBlues #Breakbeat

WEFUNK Radio - Hip-Hop & The Original Funk

WEFUNK is a Hip Hop, Funk & Soul mix show broadcasting from Montreal. Tune in and enjoy underground hip hop, classic funk and rare grooves. Don't miss the extensive WEFUNK show audio archive.

WEFUNK Radio
¿LOST SOUL ASIDE es un PLAGIO de FINAL FANTASY?

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🕛Z #NowPlaying At the top of the hour on The Global Voice it's the repeat of Soul Food with Aad Leeflang. Aad brings you the very best in #soul, #funk, #r & b, and any other genre that has the flavour of good soul. https://theglobalvoice.info:8443/broadband #audio #TGVRadio #radio 🤎🎷🐝🎧🌬️🎵🔁

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A4J022 1️⃣1️⃣1️⃣7️⃣ A good song a day keep the doctor away 🎧

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426h/456h | AT+59/316 | DA 229/299 | CF 102/103 | P65,4 | TS 7h/30j | AX 274/290 | MA 9/27 | L10

Find El Casketo's playlists on https://www.deezer.com/fr/profile/4727978902/playlists

A1 [AT 1/4,5] | [DA 1/3,9] | [TS 0,0113h/j] | [L48] | [MA 1/4,63]

A2 [AT 1/1,38] [DA 1/6] [L48] [AX 0,81] [1/4,56]

#music #musique #GilatMacDermot #2000s #soul #nowplaying #nowlistening

Before you continue

Hailu Mergia and The Walias – Tche Belew (1977, Ethiopia)

Our next spotlight is on number 10 on The List, submitted by umrk.

This was the first album added to The List that really got me jazzed up (pun intended)! I think any music fanatic will enjoy giving this fantastic instrumental Ethiopian jazz album a spin without knowing anything about it, but I have a hunch that knowing the political context it came out of might deepen one’s appreciation of the music. As such, below I quote extensively from the Bandcamp description:

Dozens of cherished recordings were made during the legendary “golden age” of Ethiopian music, an era stretching from the early 1960’s through the mid-1970’s. Less-discussed are the songs made in the aftermath of the 1974 revolution that toppled Emperor Hailu Selassie I. The acclaimed and highly sought-after LP by Hailu Mergia and the Walias, Tche Belew, an album of instrumentals released in 1977, is perhaps the most seminal of these recordings. The story of the Walias band is a critical chapter in Ethiopian popular music, taking place during a period of music industry flux and political complexity in the country.

Hailu Mergia, a keyboardist and arranger diligently working the nightclub scene in Addis Ababa, formed the Walias in the early 1970’s with a core group of musical colleagues assembled from the remnants of prior working bands attached to the Zula and Venus clubs. One of the first “private” bands, the Walias got a steady gig at the prestigious Hilton Addis Ababa and remained independent from the government-supported bands of the time as well as from the clubs who employed bands.

While the oppressive and often brutal, Socialism-inspired Derg government (1974-1987) had a firm grip on Ethiopians following the revolution, Walias organized their own contracts and eschewed government patronage. Unlike the celebrated bands of the run-up to Selassie’s removal—the Police Orchestra, Imperial Bodyguard Band, National Theater Band, Ethiopian Army Band, Hager Fikir Theater Band, City Hall Theatre Folkloric Group and so on—the Wailas developed fame on their own terms and maintained control of their instruments and performances. They played the blues-, funk- and soul-informed tunes Mergia was writing and arranging, while cutting 45rpm recordings released by Kaifa Records with popular vocalists, including Getachew Kassa and Alemayehu Borobor.

After several singles, Mergia decided to do something different: record a full-length album. The band—which at the time featured Moges Habte (saxophone and flute), Mahmmud Aman (guitar), Yohannes Tekola (trumpet), Melake Gabrie (bass guitar), Girma Beyene (piano), Temare Haregu (drums), Abebe Kassa (alto saxophone) and special guest Mulatu Astatke (vibes)—entered Radio Voice of the Gospel studios to record their first long-player…

Influenced in large part by Jimmy Smith, Mergia and the Walias merged the popular international sounds available in Ethiopia at the time with the traditional tunes that formed the foundation of most musicians’ repertoires…

While the band never travelled outside Addis Ababa, they performed at top hotels and played the presidential palace twice. The Walias’ relationship with the Derg regime was complex though, evidenced by the removal of one song from the record by government censors because it included mention of the previous government. The regime’s broad policy of violence and censorship—including a period called the Red Terror that featured genocide-level disappearances of students, activists and villagers and the indiscriminate imprisonment of journalists—ultimately resulted in half the band staying in the United States following their first tour outside Ethiopia in the early 1980s. Today the musicians remain scattered between Addis Ababa and Washington D.C.

Happy listening!

#1970s #Ethiopia #EthiopianMusic #folkMusic #HailuMergia #instrumental #jazz #keyboard #organ #soul

The List

This is the alphabetical list (ordered by first letter of [first] artist). For the numbered list, go here. An asterisk (*) beside an album title indicates that it also appears in the 1001 Albums Yo…

1001 Other Albums
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Metamodern Sounds In Country Music, by Sturgill Simpson

10 track album

Sturgill Simpson