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The Best Monitors for Photography and Photo Editing in 2021
There's one piece of equipment that the working photographer uses more than any other. No, it's not their camera. Not their favorite lens either. I'm talking about their photo editing monitor.
Updated 7/16 by DL Cade: Replaced the EIZO ColorEdge CG319X with the Sharp NEC MultiSync PA311D as the Best Monitor for Photo Editors Who Want Ultimate Color Accuracy.
Unless you plan to outsource your post-production, you will probably spend many more hours staring at a monitor than you do looking through a viewfinder. As such, a high-resolution, color-accurate display is absolutely indispensable, and while we will definitely continue to publish in-depth monitor reviews here on PetaPixel , this roundup will serve as a catch-all for readers who need a quick overview and some buying advice.
Unlike the daily news and individual product reviews you see on the site, this article will be updated regularly as new products and more advanced display technology hits the market, so you can come back to it every time you're looking to upgrade your photo editing setup. Whether you're looking for the best curved monitor, the best monitor for HDR, or the best monitor on a budget, we've got you covered.
What We're Looking For
The best monitor for photo editing strikes the right balance between resolution, color depth, color accuracy, and price. When evaluating the best monitors for photography we prioritize color depth and color accuracy, then resolution, then judge whether the price justifies this combination. For example, a monitor with a true 10-bit panel, high AdobeRGB coverage, and 4K resolution is really difficult to find under $4,000… but they do exist.
Other factors play a part: USB-C connectivity is almost expected by now, power delivery is a big plus, the ability to check different color spaces on the fly is a major benefit, and high-end features like extreme peak brightness, full-array local dimming, and a built-in colorimeter help to justify some of the expensive options, especially if you want to edit HDR content.
We break down our roundup into 8 categories:
Best Overall Monitor for Photo Editing: Dell UP2720Q
Size: 27 inches
Resolution: 4K
Brightness: 250 nits
Color Depth: 10-bit
Color Accuracy: 100% AdobeRGB (claimed), 98% DCI-P3 (claimed)
Extras: Built-in Colorimeter, Monitor Shade
Price: $2,000 ($1,600 on sale as of this writing)
When you look at all the factors: size, resolution, color accuracy, color depth, price-to-performance ratio, and the smattering of photo-centric features that you will find useful, it's hard to beat the Dell UP2720Q. The BenQ SW321C comes close for the same price, but it lacks the built-in colorimeter and we were able to confirm that it uses an 8-bit panel with FRC, not a true 10-bit panel like the Dell.
In fact, the Dell is a rare find in this price range—most other monitors that claim 10-bit at or around $2,000 almost all use 8-bit + FRC, a trick used to create 10-bit color depth from an 8-bit panel by flickering between two colors very quickly. Another 10-bit option in this price range is the EIZO ColorEdge CS2740.
If you need to edit video, and especially if you're doing work with HDR10 or Hybrid Log-Gamma, there are better monitors out there that hit higher peak brightness and feature full-array local dimming. Check out the "Best for HDR" category below for something that can really burn your retinas and reach the required contrast. If you want unparalleled color and uniformity from a company that specializes in exactly that, the "Best for Ultimate Color Accuracy" category is the place to look. But for the typical reader of this site who wants a large, high-resolution monitor with all the bells and whistles at a shockingly reasonable price, the Dell UP2720Q is our top pick.
Best Budget Monitor for Photo Editing: ASUS ProArt PA278QV
Size: 27 inches
Resolution: 2K
Brightness: 350 nits
Color Depth: 8-bit
Color Accuracy: 100% sRGB (claimed)
Extras: Quick-Fit Virtual Scale and Built-In ProArt Presets
Price: $290
The terms "budget monitor" and "color accuracy" don't typically go together, but ASUS does a decent job at an extremely accessible price with the ProArt PA278QV. Factory calibrated and Calman-certified, it might not get you amazing AdobeRGB or DCI-P3 numbers (neither are even mentioned) but it compares favorably against its main competition, the BenQ PD2700Q.
It lacks some nice-to-have features, like USB-C connectivity, 4K resolution, or Frame Rate Control (FRC) which many companies use to boost their affordable 8-bit panels to a simulation of 10-bit. But the price is right, the advertised DeltaE is < 2, and the 100% coverage of sRGB will get you where you need to go, especially if you're only producing content for online consumption. With display technology advancing in leaps and bounds, we're hoping to see more competition at this price range very soon. For now, if you're looking for the best budget monitor for photo editing, the ASUS PA278QV is the way to go.
Best "Bang for Your Buck" Monitor for Photo Editing: BenQ SW270C
Size: 27 inches
Resolution: 2K
Brightness: 300 nits
Color Depth: 8-bit + FRC from 16-bit LUT
Color Accuracy: 99% AdobeRGB (claimed), 97% DCI-P3 (claimed)
Extras: Control Puck, Monitor Shade
Price: $800
The BenQ SW270C is the affordable follow-up to the incredibly popular SW2700PT. In terms of core specs, the two monitors share several key features: 2K, 99% AdobeRGB coverage, handy control puck, etc.
However, the extra $200 gets you several important upgrades: a 16-bit LUT, USB-C connectivity with 60W power delivery, HDMI 2.0, DisplayPort 1.4, 97% DCI-P3 coverage, and the newer version of the control puck. In other words, you're benefitting from all the little incremental upgrades that make the SW2700PT seem dated, and adding a little bit of juice to your color accuracy arsenal with that 16-bit LUT.
If you want to save some cash, you can still buy the BenQ SW2700PT for just $600, but you're giving up all of the above, which is well worth the extra $200 in our estimation.
Best Mid-Range Monitor for Photo Editing: ASUS ProArt PA329C
Size: 32 inches
Resolution: 4K
Brightness: 400 nits sustained, 600 nits peak
Color Depth: 10-bit from a 14-bit LUT
Color Accuracy: 100% AdobeRGB (claimed), 98% DCI-P3 (claimed)
Extras: USB hub, Picture-by-Picture Mode, DisplayHDR 600 certification
Price: $1,150
Best mid-range ended up being a tight race between the BenQ SW271 and the ASUS PA329C. Both offer great color accuracy, but ASUS wins out with its combination of a true 10-bit panel, 100% AdobeRGB coverage, higher DCI-P3 coverage for video editors, 600 nits peak brightness for viewing or editing HDR content in a pinch, and a 32-inch screen, all for the same price as the BenQ.
The monitor also has a USB-C connection with 60W power delivery, a built-in 4-port USB-A hub, a Picture-by-Picture mode that lets you compare color spaces side-by-side, and earns a VESA DisplayHDR 600 certification. All extremely useful features in our book.
Your main problem will be finding one to buy, since the ProArt PA329C has been "on backorder" several times since its release. But if you can find one, it's the best choice until and unless you can afford our Best Overall pick.
Best Curved Monitor for Photo Editing: Dell U4021QW
Size: 40 inches
Resolution: WUHD 5K x 2K
Brightness: 300 nits
Color Depth: 10-bit
Color Accuracy: 98% DCI-P3 (claimed), 100% sRGB (claimed)
Extras: KVM switch with 4 USB-A ports, one USB-C port, and an Ethernet Port. 9W speakers.
Price: $2,100
The Dell U4021QW is the latest and greatest in curved color-accurate displays. Unveiled just last month at CES, the U4021QW is being hailed as the world’s first color-accurate 40-inch WUHD 5K2K monitor, touting exceptional (for its class) color accuracy, with 98% coverage of DCI-P3 and 100% of sRGB, and 5,120×2,160-pixel resolution in a screen that gives you 33% more screen area than a typical 32-inch 16:9 4K monitor.
It also comes with every connection you could possibly need, including Thunderbolt 3 with 90W of power delivery, an extra USB-C port, two HDMI 2.0 ports, a DisplayPort, a built-in KVM switch with 4 USB-A ports, an audio-out, and an ethernet port. There are even built-in 9W speakers.
There will always be one or two trade-offs when using a monitor like this. For one, you should make sure that your computer/GPU can actually drive it at full resolution, and you'll almost always be giving up some color performance in order to replace your 2-monitor setup with a massive single display. Dell doesn't list AdobeRGB performance and we haven't had a chance to test it yet (stay tuned). But for sheer efficiency, a 40-inch curved monitor is hard to beat, and the Dell U4021QW is currently the best choice for photo and video editors.
Best Photo Editing Monitor for Mac Lovers: Apple Pro Display XDR
Size: 32 inches
Resolution: 6K
Brightness: 1000 nits sustained, 1600 nits peak
Color Depth: 10-bit
Color Accuracy: 100% DCI-P3 (measured), 89% AdobeRGB (measured)
Extras: Built-in Presets, Full Array Local Dimming (576 zones)
Price: $5,000
If you want the ultimate photo editing monitor that's tailor-made for the Mac, well, there's no escaping the Apple ecosystem. Yes, this display is absurdly expensive at $5,000 with no mounting hardware, but its combination of 6K resolution, VESA HDR1000 performance, 100% DCI-P3 coverage, and absurd 1600 nit peak brightness make it one of the best photo and video editing monitors on the market, period.
However, these aren't the main reason we've dubbed it the "Best for Mac Lovers." The Pro Display XDR wins that title because of its seamless integration with its mother operating system and its distinctly Apple-esque design.
There are no controls whatsoever on the display, and as a result, all of its settings are controlled from within the macOS Display settings. From there you can change scaling, adjust brightness, configure settings like "Night Shift" and "True Tone," and select from the many presets Apple built into the display, including Photography, HDR, Digital Cinema, and Design & Print.
It may not be the best monitor for photographers and photo editors overall—especially if you're not into video editing or HDR—but the Pro Display XDR is the best choice for those who like to play inside of Apple's walled garden.
Best Monitor for Photo Editors Who Want Ultimate Color Accuracy: Sharp NEC MultiSync PA311D
Size: 32 inches
Resolution: DCI 4K (17:9 aspect ratio)
Brightness: 350 nits
Color Depth: 350 nits
Color Accuracy: 97.9% Adobe RGB (measured), 97.3% DCI-P3 (measured)
Extras: USB Hub, Picture-in-Picture and Picture-by-Picture modes, 3D LUT Emulation
Price: $3,000 ($3,250 with colorimeter)
The Sharp NEC MultiSync PA311D gives you more colors, more accurate colors, and more control over your colors than any other monitor we’ve tested to date. In terms of specs, it’s nearly identical to EIZO’s $5,700 CG319X, except that it costs just $3,000, or $3,250 if you buy it alongside NEC’s bespoke XRite colorimeter (which you should).
Click here to read PetaPixel's full review of the Sharp NEC MultiSync PA311D.
In our testing, the NEC PA311D covers nearly 98% of both the AdobeRGB and DCI-P3 color gamuts, with exceptional uniformity across the entire panel and a maximum Delta E 2000 of less than 1.5. It also gives you an absurd level of control over your colors, allowing you to select the exact chromaticity coordinates of your panel’s primaries, change your white point, adjust gamma and color temperature, and trim the hue, saturation, and brightness of your monitor’s colors in six axes: red, green, blue, cyan, magenta, and yellow.
It’s not the prettiest monitor, but if you don’t care about that, the downsides are really limited to two things:
Assuming these are not deal breakers for you, the NEC PA311D is a hell of a deal, delivering true professional-grade color accuracy and color control for a lot less than the equivalent monitors currently available from EIZO, Dell, Apple, or ASUS.
Best Monitor for HDR: Dell UP3221Q
Size: 32 inches
Resolution: 4K
Brightness: 1000 nits sustained
Color Depth: 10-bit
Color Accuracy: 100% DCI-P3 (measured), 94% AdobeRGB (measured)
Extras: Built-In Colorimeter, Monitor Shade, Full Array Local Dimming (2,000 zones)
Price: $5,000
If you want true HDR performance, you need three things and you need them in spades. They are: brightness, contrast, and color accuracy.
The Dell UP3221Q gives you the best of all three worlds: sustained full-screen brightness of 1000 nits, a staggering 2,000 Mini LED backlight with full-array local dimming, and 100% DCI-P3 paired with 94% Adobe RGB coverage. This is a true VESA DisplayHDR 1000 certified display with more local dimming zones than anything else on the market, so until OLED technology is able to maintain this kind of sustained brightness and uniformity, it's your best bet for working with HDR content.
Other great features include a built-in Calman-powered colorimeter, an included monitor shade, a built-in USB-A hub, Thunderbolt 3 connectivity with 90W power delivery, and a mode that lets you compare two color spaces side-by-side on the same display. All of this is packed into a 32-inch, 4K display with a true 10-bit panel that doesn't play around.
#guides #products #technology #adobe #adobergb #dcip3 #display #gearguide #guide #lightroom #monitor #photoediting #photoeditingmonitor #photographymonitor #photoshop #postprocessing #roundup
BenQ PD3420Q Monitor Review: Ultrawide, Ultra-Accurate
One of the most important items a photographer can have is a top-notch display on which to edit their images (or video). The BenQ PD3420Q is the company's latest ultra-wide, and it promises a huge amount of screen real-estate for an affordable price: a multitasker's dream.
This $900 pro-level design monitor is a 34-inch QHD ultra-wide 21:9 60Hz IPS panel beast that has the potential to be a multitaskers dream display by providing enough space to run applications like Photoshop and Lightroom Classic or Capture one and even leave you enough space to keep a Netflix window playing in the corner, all at the same time. It's a monitor built with professional designers and digital content creators in mind and leans heavily into color accuracy so users can be sure to get the best out of their images and video.
But is it any good? Let's get into it.
Design and Usability
The freedom to multitask all on one screen is great, but sheer physical size isn’t everything. To really be attractive to the creative market, you need to be color accurate and have a decent resolution. While the PD3420Q has a massive 34-inch display space and boasts 1.07 billion colors covering 100% of the sRGB gamut and 98% of the P3 color spaces, it is actually only a 2K monitor with a maximum resolution of 3440×1440. You can “technically” get the screen to display 3840×2160 but it looks absolutely terrible at that level. This isn’t necessarily a bad thing, but coming from working on a 4k display for the last 5 years, it was a bit of a hard adjustment to make when first connecting this device.
The BenQ PD3420Q out of the box looks great. The base and stand assembled quickly and easily, but there’s no way around it: this display is big. With that in mind, it’s not exactly a lightweight device so you’ll want to be sure you not only have the space for the monitor on your workspace but one that can support the 15 to 20 pounds of weight (depending on if you use the base or mount it to a VESA stand).
The ports on the back include a Displayport 1.4, two HDMI 2.0 ports, three USB ports, and the connection for the BenQ “Hotkey Puck G2” with a 3.5mm headphone jack, an additional USB-C port, and a fourth USB 3.1 port on the left-hand side for quick and easy access. As an added surprise, this display also comes with two 2.5W speakers for what’s best described as "basic" sound output. This feature felt entirely unnecessary and I can’t help but think the price (and weight) could be reduced if these were simply not included.
The buttons on the back, right-hand side by default are set to quickly cycle through the Color Modes, your graphic inputs, the joystick that changes between brightness, contrast, and opens the full settings menu. Lastly, this is also where the power switch is located. If you don’t care for reaching behind the monitor to make adjustments, you can access all these settings and more through the customizable BenQ Hotkey Puck G2.
By default, the puck’s dial is set to adjust the brightness levels of the screen through three buttons that cycle through three color modes, with the last two buttons available for entering (and exiting) the monitor's settings menu. It took a little bit to get used to which button did what, but after the learning curve, I'm not looking forward to going back to my old monitor and its puck-less, touch-based interface.
The stand gives you a rather wide range of angles and heights to work with. It can raise up to nine inches letting you work comfortably on any workstation. Something additional I feel needs to be brought up regarding this massive display's build is the fact that the base plate is made of solid metal, while the stand and mounting plate are constructed with metal and plastic. The bottom of the adjustable pole is metal like the base, however, the top part which mounts to the display itself is plastic. Once connected, it still feels quite solid and does not seem to have any impact on the security of the setup, but it seemed a bit of an odd choice to me.
Color Accuracy and Brightness
Coming from the full 4k reference display, out of the box I was a bit put off by the 2k resolution and associated clarity, but once I got past that and started running calibration tests I was impressed with the actual color accuracy of the monitor. My initial calibration using the Datacolor SpyderX Elite returned some questionable results, but that was actually due to some issues with my own MacBook Pro. After a reset and reboot, the numbers came back precisely as advertised: the color accuracy is rock solid.
The only thing that didn’t really impress me was the brightness. Listed at 400 nits of peak brightness, when maxxed out the screen was incredibly clear but the visibility wasn’t that impressive. Worse, it gets darker when the HDR mode was enabled. Seeing as 400 nits is nowhere near bright enough to actually enjoy HDR content, it's best to not enable this feature anyway.
Still, I gave the HDR mode a shot and watched a few movies and a few HDR-enabled video games. It's not particularly great for the latter, as the refresh rate is capped at 60Hz. Overall, as expected, the HDR performance felt dark and it just didn't "wow" me like a properly bright HDR monitor will. It is certainly nice to have support for HDR content, but it by no means excels here.
The low brightness was by no means unusable, but I was honestly expecting better for a monitor that advertises HDR compatibility and is designed for creative professionals in mind.
The display has a matte coating which helps diffuse any glare from either your office lighting or nearby windows from interfering with the screen, and when pivoting the monitor there is next to no light or color bleeding. This means that if you're working with a team and have multiple people looking at your screen from various angles, the colors and lines should be accurate and sharp regardless of their perspective. In short, the viewing angles are great, typical of IPS panels.
This monitor is seriously huge.
An added and nifty feature is the fact the display can split the screen and display two different color modes. That means you can edit in sRGB on the left of the screen and have the right side set to a manual profile such as HDR, CAD/CAM, P3 or any other of the supported modes. Having the ability to show two color profiles side by side on the same ultra-wide makes it incredibly easy to proof your work for a series of desired outputs.
Calibration
BenQ certifies each monitor with an included "Report Card" that ships with each, and for those who aren't going to calibrate it out of the box, this might give you some peace of mind. In my testing, I can confirm that the color was accurate and consistent from calibration to calibration.
I ran all tests with Datacolor's Spyder Elite hardware and software first, then ran additional calibrations using the DisplayCAL3 software for an even more detailed analysis
Once the profile was created, it was pretty fun to swap from mode to mode in the split screens to see how images looked from one profile to the next. This display tool made me realize a lot of my older images needed to be redone as they were not saved correctly when I first created them, so it's probably one of my favorite features of the monitor.
Look at all that real estate. Click to enlarge.
Pros
Cons
If Only It Were 4K
The BenQ PD3420Q is a very good display for video editors, content creators, and designers, looking for a widescreen monitor that boasts excellent color accuracy. It's even good for those just looking for a larger screen for more multitasking space. However, if you're a professional photographer or videographer who spends most of your time working with 4k and larger video files or with images that have you checking each and every little pixel, you might want to look into the SW271C.
Are There Alternatives?
There are quite a few ultrawide monitors available in the 34-inch range, from Dell’s curved monitor, to LG’s 34-inch flat ultrawide, to Acer’s XR382CQK (We’re getting into curved territory with that one though). All of these alternatives come in near the same price as the BenQ, but none of them seem to compare to the color accuracy and convenience factor of the features and presets available with it, not to mention the others seem to all deal with varying amounts of “light bleeding” where the PD3420Q does not.
Should You Buy it?
Maybe. The BenQ PD3420Q is a beautiful monitor with great color accuracy, but it really boils down to your personal preference between choosing a physically wider monitor versus full 4K resolution, as getting both with top-tier color accuracy is possible. If you’re a graphic artist, illustrator, CAD designer, or video editor looking for a screen that can display your entire timeline -- or even just someone who wants a gigantic screen -- the BenQ PD3420Q is an amazing choice that is very color accurate, especially considering the ultrawide form factor where this kind of color accuracy is rarer at this price.
That being said, if you’re a professional videographer, retoucher, or photographer who really needs the space to multitask and have the ability to really pixel peep (like retouchers tend to want), it's probably smarter to look into the SW lineup from BenQ -- like the SW271C that we recently reviewed -- and go for resolution over ultrawide form factor.
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BenQ PD3420Q Monitor Review: Ultrawide, Ultra-Accurate
One of the most important items a photographer can have is a top-notch display on which to edit their images (or video). The BenQ PD3420Q is the company's latest ultra-wide, and it promises a huge amount of screen real-estate for an affordable price: a multitasker's dream.
This pro-level design monitor is a 34-inch QHD ultra-wide 21:9 60Hz IPS panel beast that has the potential to be a multitaskers dream display by providing enough space to run applications like Photoshop and Lightroom Classic or Capture one and even leave you enough space to keep a Netflix window playing in the corner, all at the same time. It's a monitor built with professional designers and digital content creators in mind and leans heavily into color accuracy so users can be sure to get the best out of their images and video.
But is it any good? Let's get into it.
Design and Usability
The freedom to multitask all on one screen is great, but sheer physical size isn’t everything. To really be attractive to the creative market, you need to be color accurate and have a decent resolution. While the PD3420Q has a massive 34-inch display space and boasts 1.07 billion colors covering 100% of the sRGB gamut and 98% of the P3 color spaces, it is actually only a 2K monitor with a maximum resolution of 3440×1440. You can “technically” get the screen to display 3840×2160 but it looks absolutely terrible at that level. This isn’t necessarily a bad thing, but coming from working on a 4k display for the last 5 years, it was a bit of a hard adjustment to make when first connecting this device.
The BenQ PD3420Q out of the box looks great. The base and stand assembled quickly and easily, but there’s no way around it: this display is big. With that in mind, it’s not exactly a lightweight device so you’ll want to be sure you not only have the space for the monitor on your workspace but one that can support the 15 to 20 pounds of weight (depending on if you use the base or mount it to a VESA stand).
The ports on the back include a Displayport 1.4, two HDMI 2.0 ports, three USB ports, and the connection for the BenQ “Hotkey Puck G2” with a 3.5mm headphone jack, an additional USB-C port, and a fourth USB 3.1 port on the left-hand side for quick and easy access. As an added surprise, this display also comes with two 2.5W speakers for what’s best described as "basic" sound output. This feature felt entirely unnecessary and I can’t help but think the price (and weight) could be reduced if these were simply not included.
The buttons on the back, right-hand side by default are set to quickly cycle through the Color Modes, your graphic inputs, the joystick that changes between brightness, contrast, and opens the full settings menu. Lastly, this is also where the power switch is located. If you don’t care for reaching behind the monitor to make adjustments, you can access all these settings and more through the customizable BenQ Hotkey Puck G2.
By default, the puck’s dial is set to adjust the brightness levels of the screen through three buttons that cycle through three color modes, with the last two buttons available for entering (and exiting) the monitor's settings menu. It took a little bit to get used to which button did what, but after the learning curve, I'm not looking forward to going back to my old monitor and its puck-less, touch-based interface.
The stand gives you a rather wide range of angles and heights to work with. It can raise up to nine inches letting you work comfortably on any workstation. Something additional I feel needs to be brought up regarding this massive display's build is the fact that the base plate is made of solid metal, while the stand and mounting plate are constructed with metal and plastic. The bottom of the adjustable pole is metal like the base, however, the top part which mounts to the display itself is plastic. Once connected, it still feels quite solid and does not seem to have any impact on the security of the setup, but it seemed a bit of an odd choice to me.
Color Accuracy and Brightness
Coming from the full 4k reference display, out of the box I was a bit put off by the 2k resolution and associated clarity, but once I got past that and started running calibration tests I was impressed with the actual color accuracy of the monitor. My initial calibration using the Datacolor SpyderX Elite returned some questionable results, but that was actually due to some issues with my own MacBook Pro. After a reset and reboot, the numbers came back precisely as advertised: the color accuracy is rock solid.
The only thing that didn’t really impress me was the brightness. Listed at 400 nits of peak brightness, when maxxed out the screen was incredibly clear but the visibility wasn’t that impressive. Worse, it gets darker when the HDR mode was enabled. Seeing as 400 nits is nowhere near bright enough to actually enjoy HDR content, it's best to not enable this feature anyway.
Still, I gave the HDR mode a shot and watched a few movies and a few HDR-enabled video games. It's not particularly great for the latter, as the refresh rate is capped at 60Hz. Overall, as expected, the HDR performance felt dark and it just didn't "wow" me like a properly bright HDR monitor will. It is certainly nice to have support for HDR content, but it by no means excels here.
The low brightness was by no means unusable, but I was honestly expecting better for a monitor that advertises HDR compatibility and is designed for creative professionals in mind.
The display has a matte coating which helps diffuse any glare from either your office lighting or nearby windows from interfering with the screen, and when pivoting the monitor there is next to no light or color bleeding. This means that if you're working with a team and have multiple people looking at your screen from various angles, the colors and lines should be accurate and sharp regardless of their perspective. In short, the viewing angles are great, typical of IPS panels.
This monitor is seriously huge.
An added and nifty feature is the fact the display can split the screen and display two different color modes. That means you can edit in sRGB on the left of the screen and have the right side set to a manual profile such as HDR, CAD/CAM, P3 or any other of the supported modes. Having the ability to show two color profiles side by side on the same ultra-wide makes it incredibly easy to proof your work for a series of desired outputs.
Calibration
BenQ certifies each monitor with an included "Report Card" that ships with each, and for those who aren't going to calibrate it out of the box, this might give you some peace of mind. In my testing, I can confirm that the color was accurate and consistent from calibration to calibration.
I ran all tests with Datacolor's Spyder Elite hardware and software first, then ran additional calibrations using the DisplayCAL3 software for an even more detailed analysis
Once the profile was created, it was pretty fun to swap from mode to mode in the split screens to see how images looked from one profile to the next. This display tool made me realize a lot of my older images needed to be redone as they were not saved correctly when I first created them, so it's probably one of my favorite features of the monitor.
Look at all that real estate. Click to enlarge.
Pros
Cons
If Only It Were 4K
The BenQ PD3420Q is a very good display for video editors, content creators, and designers, looking for a widescreen monitor that boasts excellent color accuracy. It's even good for those just looking for a larger screen for more multitasking space. However, if you're a professional photographer or videographer who spends most of your time working with 4k and larger video files or with images that have you checking each and every little pixel, you might want to look into the SW271C.
Are There Alternatives?
There are quite a few ultrawide monitors available in the 34-inch range, from Dell’s curved monitor, to LG’s 34-inch flat ultrawide, to Acer’s XR382CQK (We’re getting into curved territory with that one though). All of these alternatives come in near the same price as the BenQ, but none of them seem to compare to the color accuracy and convenience factor of the features and presets available with it, not to mention the others seem to all deal with varying amounts of “light bleeding” where the PD3420Q does not.
Should You Buy it?
Maybe. The BenQ PD3420Q is a beautiful monitor with great color accuracy, but it really boils down to your personal preference between choosing a physically wider monitor versus full 4K resolution, as getting both with top-tier color accuracy is possible. If you’re a graphic artist, illustrator, CAD designer, or video editor looking for a screen that can display your entire timeline -- or even just someone who wants a gigantic screen -- the BenQ PD3420Q is an amazing choice that is very color accurate, especially considering the ultrawide form factor where this kind of color accuracy is rarer at this price.
That being said, if you’re a professional videographer, retoucher, or photographer who really needs the space to multitask and have the ability to really pixel peep (like retouchers tend to want), it's probably smarter to look into the SW lineup from BenQ -- like the SW271C that we recently reviewed -- and go for resolution over ultrawide form factor.
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