The Conditions Were Not the Ones I Would Have Chosen

The cultural and political conditions under which my new book RelationShaping: Field Studies has been published are not the conditions I would have chosen for it. The book is an argument for sustained attention, long apprenticeship, and the slow acquisition of perceptual capacities that operate below the level of declarative description. It enters a culture where the dominant economic logic rewards short attention, fast turnover, and the substitution of automated outputs for the trained reading those outputs are supposed to approximate. I make the case anyway, because the case needs making, and because the people who recognize what the book is describing will recognize it whether the cultural moment is favorable or not.

The book’s central claim is that relational seeing is a competence: a real, trainable capacity to attend to the relations among elements rather than to elements considered separately, acquired the way reading is acquired, operating faster than conscious analysis, producing results the practitioner cannot fully describe in declarative terms. I develop the claim across ten case studies that range from Giorgio Morandi’s still-life shelves to Michael Faraday’s iron-filing diagrams of magnetic field lines, from phyllotactic spirals in plant growth to Renaissance counterpoint, from the human microbiome to Anni Albers’s woven textiles, from mycorrhizal networks beneath forest floors to Charles Sanders Peirce’s three-cornered theory of signs and the classifier predicates of American Sign Language. The case studies share a structure: a trained perceiver attends to relations among elements as the constitutive features of the structure the elements together produce.

The book is the companion volume to The Scientific Aesthetic: An Operating Theory. The Scientific Aesthetic developed the theoretical framework for what I called the originating-act test, distinguishing acts of art and science from the craft activities that follow them. RelationShaping takes the relational dimension of that earlier argument and develops it into a sustained examination of one specific perceptual capacity across a wider range of human practice than the first book could cover. The two volumes can be read independently. They make a single argument together, and the order of publication is the order of the argument’s development.

The argument is not a recent one for me. I started a blog called RelationShaping in the BolesBlogs network in 2007. The blog has been working on the questions this book gathers for almost twenty years, and many of the book’s arguments began as blog posts whose claims I refined, tested against new examples, and pushed further across that span. The new book is the culmination of long work, the gathering of two decades of writing into a single sustained argument that the blog form, by its nature, could not quite hold.

The closing chapters of RelationShaping extend the framework into harder territory. Chapter Eight examines the trained-perception competence in domains where it has not been institutionally named, including the recovery of the Antikythera Mechanism, the decipherment of Linear B, the Hubble Deep Field, and the contested Sappho papyri. The next chapter addresses the methodological problem of attending to relations that have not yet been discovered, drawing on microbiome and connectome research, the Vera C. Rubin Observatory’s Legacy Survey of Space and Time, and the substantial scholarly traditions of Indigenous knowledge integration. The book closes with Chapter Ten, titled “The Severed Field,” which addresses the contemporary cultural and political conditions under which the discipline of attending to the between has come under pressure.

Chapter Ten is the chapter that made the book hard to write, and the chapter that makes the book necessary right now. The trained eye depends on conditions that are political, not merely epistemic. The classroom where a student learns to read counterpoint exists because public funding for music education exists. A museum where a young painter can spend weeks in front of a Morandi exists because the public funding that maintains museum collections exists. The graduate seminar where a future scholar of Indigenous ecological knowledge learns the methodology for ethical engagement exists because public funding for humanities research exists. Forests where botanists learn to read mycorrhizal networks exist because public funding for forest conservation exists. None of those institutional preconditions is independent of the political settlement that funds and protects them. The settlement turns against the institutions; the institutions thin; the conditions for the acquisition of trained perception thin with them; and the next generation of trained perceivers does not appear.

This is what Chapter Ten attempts to articulate. The substantive argument about relational seeing as a trainable competence would have been correct in any historical period. The urgency of articulating it right now belongs specifically to this moment, when the institutional preconditions for the competence are under organized political pressure to dissolve.

The book makes no claim that political pressure is the only force at work, or that institutional contraction has only one cause. The contraction has many causes, including economic restructuring, demographic change, the erosion of forms of community that once supported sustained attention, and the substitution of cheaper automated processes for human practitioners. Political pressure is one cause among several, and it is the cause most directly susceptible to political response.

What the book hopes to offer the reader is a vocabulary. With the vocabulary in hand, a reader may notice the trained eye in the people who still have it, may understand what those people are doing differently, may in some specific case ask to become an apprentice. In other cases, the reader may recognize that the political pressure on the institutions that train such perceivers is not pressure those perceivers can resist alone. They will need allies. The book is one attempt to make the case for being one of those allies.

I want to be honest about the limits of what the book undertakes. The book undertakes a specific task: it names the competence, documents it across a wider range of domains than is usually recognized, and articulates what is being lost when the conditions for its acquisition stop holding. The book makes no proposal for restoring the institutions whose contraction it documents, and no claim that naming the loss is sufficient to reverse it. Naming is the first step the book attempts, on the conviction that a loss without a name cannot be addressed in any organized way. The book gives the loss a name. What follows from the naming is for the reader to decide.

RelationShaping: Field Studies is available now in print, in ebook, and as a free PDF download from BolesBooks.com, along with its companion volume The Scientific Aesthetic: An Operating Theory. The book was difficult to write under the present conditions; it would be dishonest to claim otherwise, and equally dishonest to claim that the difficulty makes the book unnecessary. The argument exists, the case needs making, and the book makes the case.

#amazon #bolesBlogs #book #davidBoles #faraday #fieldStudies #kdp #morandi #philosophy #phyllotactic #politics #relation #relationshaping #scientificAesthetic

RaiNews: Ranieri, Morandi e Al Bano: un trio di leggende che emoziona l'Ariston

Per la prima volta insieme i "tre tenori" nostrani, portano al Festival di Sanremo alcuni dei loro più grandi successi

Ranieri, Morandi and Al Bano: a trio of legends that moves the Ariston.

For the first time together, the “three Italian tenors,” bring to the Sanremo Festival some of their greatest hits.

#Ranieri #Morandi #AlBano #Ariston #first #Italian #theSanremoFestival

https://www.rainews.it/video/2026/05/ranieri-morandi-e-al-bano-un-trio-di-leggende-che-emoziona-lariston-f83f06a6-23b9-4d79-b1ec-3839cbae5cae.html

Ranieri, Morandi e Al Bano: un trio di leggende che emoziona l'Ariston

Per la prima volta insieme i "tre tenori" nostrani, portano al Festival di Sanremo alcuni dei loro più grandi successi

RaiNews

Adnkronos - ultimoratop: Addio a Zanardi, da Morandi a Vasco: i ricordi social

(Adnkronos) - A ricordare il campione anche Litizzetto e Ventura

Goodbye to Zanardi, from Morandi to Vasco: social memories

(Adnkronos) - Litizzetto and Ventura also remember the champion.

#Morandi #Ventura

https://www.adnkronos.com/spettacoli/addio-a-zanardi-da-morandi-a-vasco-i-ricordi-social_3HWyM3cyy91QlX7sOhxlz6

Addio a Zanardi, il mondo dei vip lo ricorda così: da Morandi a Vasco

A ricordare il campione anche Litizzetto e Ventura

Adnkronos

Agi: Crollo del Morandi, le dichiarazioni di Castellucci: “Ho agito nei limiti delle mie conoscenze”

AGI - "Per me è difficile immaginare cose che avrei dovuto fare diversamente nei limiti delle mie conoscenze e delle mie competenze". Parole dell’ex amministratore delegato di Autostrade per l’Italia, Giovanni Castellucci, nelle dichiarazioni spontanee rilasciate in videocollegamento dal carcere dove sta scontando la pena per la strage del viadotto Acqualonga, al termine della discussione del processo per il crollo del Ponte Morandi.
"Come è normale che sia, ogni tanto c’è un riavvolgimento del nastro nella mia testa – ha detto Castellucci –; ma cosa ho fatto? Avrei potuto fare cose diverse? Ci sono cose di cui non mi sono accorto? Io penso di aver messo intorno al tavolo in quel periodo i principali stakeholder che conoscevano bene il ponte, penso di aver dato tutto il conforto a Bergamo per operare in maniera piena come responsabile di area, penso di aver dato a Bergamo la possibilità di pianificare e di operare come riteneva opportuno".
"Non presi mai in carico il Polcevera – ha detto ancora Castellucci – perché ero a conoscenza dei miei limiti di competenze. Per gestire le opere complesse serve una conoscenza ed un’esperienza che non avevo – ha sottolineato – non per mancanza di tempo, che ho sempre trovato, anche per esempio per fare il dg ad interim, ma perché la manutenzione richiede un’esperienza storica. Sarei stato irresponsabile se fossi entrato nelle decisioni tecniche, cominciando a dare indicazioni".
Castellucci ritiene "giusto che non abbia mai voluto entrare nelle decisioni tecniche. C’era una struttura, c’erano dei responsabili. Io feci solo quello che ogni operativo si attende da un ad: ho reso evidente ai tecnici che non solo io, ma anche il cda eravamo tranquilli di fare una cosa anche se non era necessaria. Da dg – ha concluso l’ex ad di Aspi – volli affrontare gli argomenti che riguardavano progetti da fare. Per questo parlammo anche del Morandi durante le riunioni. L’obiettivo – conclude Castellucci – era lavorare meglio, più velocemente, fare prima e bene in maniera coordinata con la direzione di tronco, non risparmiare, l’obiettivo era fare".

Morandi collapse, Castellucci’s statements: “I acted within the limits of my knowledge”

AGI - “For me it’s difficult to imagine things I should have done differently within the limits of my knowledge and my skills.” Words of the former CEO of Autostrade per l’Italia, Giovanni Castellucci, in spontaneous statements released via video link from the prison where he is serving his sentence for the collapse of the Acqualonga viaduct, at the end of the discussion of the trial for the collapse of the Morandi Bridge.

“As is normal, every now and then there’s a rewinding of the tape in my head – he said Castellucci –; but what did I do? Could I have done things differently? Are there things I didn’t realize? I think I brought the main stakeholders to the table at that time who knew the bridge well, I think I gave all the comfort to Bergamo to operate fully as Area Manager, I think I gave Bergamo the opportunity to plan and operate as it deemed appropriate.”

“I never took charge of the Polcevera – he added Castellucci – because I was aware of my limitations in terms of expertise. To manage complex works requires knowledge and experience that I didn’t have – he emphasized – not for lack of time, which I always found, even for example to serve as interim CEO, but because maintenance requires historical experience. I would have been irresponsible if I had entered into technical decisions, starting to give instructions.”

Castellucci believes it’s “right that I never wanted to get involved in technical decisions. There was a structure, there were responsible people. I only did what every operative expects from an AD: I made it clear to the technicians that not only I, but also the board of directors, were comfortable with doing something even if it wasn’t necessary. As CEO – concluded the former Aspi CEO – I wanted to address the issues relating to projects to be carried out. We therefore also talked about Morandi during the meetings. The goal – concludes Castellucci – was to work better, faster, sooner and better in a coordinated manner with the trunk direction, without saving, the goal was to do.”

#Morandi #Castellucci #GiovanniCastellucci #theMorandiBridge #Bergamo #Polcevera

https://www.agi.it/cronaca/news/2026-04-20/ponte-genova-castellucci-morandi-36669702/

Primo piano ANSA - ANSA.it: Va in pensione Lamù, il cane-eroe del ponte Morandi

Protagonista di oltre 100 missioni di salvataggio con Vigili del fuoco

Lamu retires, the hero dog of the Morandi bridge.

Main character in over 100 rescue missions with firefighters.

#Morandi

https://www.ansa.it/sito/notizie/cronaca/2026/04/17/va-in-pensione-lamu-il-cane-eroe-del-ponte-morandi_3467706b-6d77-4f38-a1c6-65a10b8db4c0.html

Va in pensione Lamù, il cane-eroe del ponte Morandi - Notizie - Ansa.it

Protagonista di oltre 100 missioni di salvataggio con Vigili del fuoco (ANSA)

Agenzia ANSA

Il Tempo: Dalla strada al palco supera il Gf Vip. Boom De Martino con Morandi e Jovanotti

Gli ascolti del venerdì televisivo vedono, su Rai1, il debutto della nuova stagione di Dalla Strada al Palco Special siglare una media di 2.977.000 spettatori pari al 21% di share, vincendo la serata. Su Canale5 il Grande Fratello Vip segna invece 1.974.000 spettatori con uno share del 17.2%. Su Rai2 la serieDelitti in Paradiso diverte 781.000 spettatori pari al 4.3% e, a seguire, lo spin-off Oltre il Paradiso raduna 722.000 spettatori pari al 5.0%. Su Rai3 La casa di Ninetta ottiene 708.000 spettatori (3.9%).
Su Italia1 il film Aquaman e il regno perduto intrattiene 981.000 spettatori con il 6.0%, su Rete4 Quarto Grado conquista 1.071.000 spettatori (8.7%). Su La7 il film Behind Enemy Lines – Dietro le linee nemiche tiene con il fiato sospeso 393.000 spettatori pari al 2.3% di share. Su Tv8 MasterChef registra 439.000 spettatori (3.1%). Sul Nove Fratelli di Crozza con Maurizio Crozza e Andrea Zalone vola a una media di 1.309.000 spettatori pari al 7.5%.
In access prime time, su Rai1, Affari Tuoi con ospiti Gianni Morandi e Jovanotti vola a 5.444.000 spettatori (27.5%); su Canale5, dopo Gira La Ruota della Fortuna (3.721.000 – 19.6%), La Ruota della Fortuna ottiene 4.507.000 spettatori pari al 22.8%. Su Rai3 Un Posto al Sole calamita 1.489.000 spettatori (7.5%); su Italia1 N.C.I.S. – Unità Anticrimine diverte 919.000 spettatori (4.7%); su Tv8 Foodish si aggiudica 415.000 spettatori pari al 2.1%, mentre sul Nove The Cage – Prendi e Scappa pota a casa 548.000 spettatori con il 2.8%.
Per l'approfondimento: su Rai1 Cinque Minuti segna 4.309.000 spettatori (23.1%); su Rai2 Tg2 Post è visto da 580.000 spettatori con il 2.9%; su Rai3 Il Cavallo e la Torre attira 1.374.000 spettatori (7.3%); su Rete4 4 di Sera arriva a 958.000 spettatori pari al 5.1% nella prima parte e a 899.000 pari al 4.5% nella seconda; su La7 Barbero Risponde sigla 662.000 spettatori (3.5%).

From the street to the stage surpasses GF Vip. Boom De Martino with Morandi and Jovanotti.

Television ratings on Friday evening saw Rai1 debut the new season of *Dalla Strada al Palco Special*, achieving an average of 2,977,000 viewers, or 21% share, winning the evening. On Canale5, *Grande Fratello Vip* scored 1,974,000 viewers with 17.2% share. On Rai2, the series *Delitti in Paradiso* entertained 781,000 viewers, or 4.3% share, followed by the spin-off *Oltre il Paradiso* gathering 722,000 viewers, or 5.0% share. On Rai3, *La casa di Ninetta* obtained 708,000 viewers (3.9%).

On Italia1, the film *Aquaman and the Lost Kingdom* entertained 981,000 viewers with 6.0%, while on Rete4, *Quarto Grado* conquered 1,071,000 viewers (8.7%). On La7, the film *Behind Enemy Lines – Dietro le linee nemiche* kept viewers on the edge with 393,000 viewers, or 2.3% share. On Tv8, *MasterChef* registered 439,000 viewers (3.1%). On Nove, *Fratelli di Crozza* with Maurizio Crozza and Andrea Zalone soared to an average of 1,309,000 viewers, or 7.5% share.

In access prime time, on Rai1, *Affari Tuoi* with guests Gianni Morandi and Jovanotti reached 5,444,000 viewers (27.5%); on Canale5, after *Gira La Ruota della Fortuna* (3,721,000 – 19.6%), *La Ruota della Fortuna* obtained 4,507,000 viewers, or 22.8%. On Rai3, *Un Posto al Sole* attracted 1,489,000 viewers (7.5%); on Italia1, *N.C.I.S. – Unità Anticrimine* entertained 919,000 viewers (4.7%); on Tv8, *Foodish* won 415,000 viewers, or 2.1%, while on Nove, *The Cage – Prendi e Scappa* took home 548,000 viewers with 2.8%.

For further information: on Rai1, *Cinque Minuti* scored 4,309,000 viewers (23.1%); on Rai2, *Tg2 Post* was watched by 580,000 viewers with 2.9% share; on Rai3, *Il Cavallo e la Torre* attracted 1,374,000 viewers (7.3%); on Rete4, *4 di Sera* reached 958,000 viewers (5.1%) in the first part and 899,000 (4.5%) in the second; on La7, *Barbero Risponde* signaled 662,000 viewers (3.5%).

#Morandi #Canale5 #Paradiso #Italia1 #QuartoGrado* #MasterChef* #FratellidiCrozza* #MaurizioCrozza #AndreaZalone #AffariTuoi #GianniMorandi #UnPostoalSole* #UnitàAnticrimine* #IlCavalloelaTorre #first #second #BarberoRisponde*

https://www.iltempo.it/spettacoli-tv/2026/04/11/news/ascolti-tv-ieri-venerdi-10-aprile-dalla-strada-al-palco-supera-gfvip-de-martino-morandi-jovanotti-47228330/

Ascolti tv, Dalla strada al palco supera il Gf Vip. Boom De Martino con Morandi e Jovanotti

Gli ascolti del venerdì televisivo vedono, su Rai1, il debutto della nuova stagione di Dalla Strada al Palco Special siglare una medi...

Adnkronos - ultimoratop: Affari Tuoi, stasera puntata speciale con Jovanotti e Morandi

(Adnkronos) - Accompagnati da amici e parenti, per l’occasione la colonna sonora della partita sarà composta dai brani dei due cantanti.

Affairs of Yours, tonight special episode with Jovanotti and Morandi

(Adnkronos) - Accompanied by friends and family, for the occasion the match’s soundtrack will be made up of the two singers’ songs.

#Morandi

https://www.adnkronos.com/spettacoli/affari-tuoi-stasera-puntata-speciale-con-jovanotti-e-morandi_44p4ENMM7XW82Kz3Ot47Tc

Affari Tuoi stasera, puntata speciale con Jovanotti e Morandi: anticipazioni

Accompagnati da amici e parenti, per l’occasione la colonna sonora della partita sarà composta dai brani dei due cantanti.

Adnkronos

Today: Jovanotti e Morandi "sosia" di De Martino: stasera ad Affari Tuoi le prove generali per il Festival?

Camicia bianca, cravatta slim e pantaloni neri. Una divisa d'ordinanza che siamo abituati a vedere addosso a Stefano De Martino, ma che stasera avrà dei "proprietari" d'eccezione. Gianni Morandi e Jovanotti, trasformati in perfetti sosia del conduttore campano, sono pronti a conquistare lo studio...

Jovanotti and Morandi "sostitutes" of De Martino: tonight on Affari Tuoi the dress rehearsal for the Festival?

White shirt, slim tie and black trousers. A standard uniform that we’re used to seeing on Stefano De Martino, but tonight it will have some exceptional “owners.” Gianni Morandi and Jovanotti, transformed into perfect look-alikes of the Neapolitan presenter, are ready to conquer the studio…

#Morandi #DeMartino #AffariTuoi #StefanoDeMartino #GianniMorandi #Neapolitan

https://www.today.it/tv/news/stefano-de-martino-sanremo-jovanotti-morandi.html

Jovanotti e Morandi "sosia" di De Martino: stasera ad Affari Tuoi le prove generali per il Festival?

I due cantanti saranno ospiti della puntata di questa sera del programma in onda su Rai 1

Today

Today: Gianni Morandi, la Pasqua più bella: tutta la famiglia insieme. Il video mentre rompe l'uovo fa impazzire i fan

Una giornata speciale, non solo per la Pasqua, ma anche perché tutta la famiglia di Gianni Morandi si è riunita al completo. Un momento raro e prezioso, che il cantante - pronto a tornare tra pochi giorni in tour in Italia - ha voluto condividere con i fan. Su Instagram Morandi ha pubblicato un...

Gianni Morandi, the most beautiful Easter: the whole family together. The video of him breaking the egg is driving fans crazy.

A special day, not just for Easter, but also because the entire Morandi family had gathered in full. A rare and precious moment that the singer - ready to return on tour in Italy in a few days - wanted to share with his fans. On Instagram, Morandi published a...

#GianniMorandi #Easter #Morandi #Italy #Instagram

https://www.today.it/gossip/vip/gianni-morandi-pasqua-famiglia-video-uovo-cioccolato-mani.html

Gianni Morandi, la Pasqua più bella: tutta la famiglia insieme. Il video mentre rompe l'uovo fa impazzire i fan

In occasione delle feste i familiari del cantante si sono riuniti per trascorrere del tempo di qualità

Today

Repubblica.it: Chi è Gianmarco Mazzi, il manager dello spettacolo nuovo ministro del Turismo al posto di Santanchè

Veronese, classe 1960, deputato di FdI, da sottosegretario alla Cultura ora diventa titolare al dicastero di via di Villa Ada. Tra i promotori della Nazionale cantanti e dagli anni '80 lavora a vario titolo con big della musica, dai Pooh a Morandi, da Dalla a Caselli

Who is Gianmarco Mazzi, the manager of the new Minister of Tourism replacing Santanchè?

Veronese, born in 1960, a member of FdI (Italian Brothers of Italy), who was previously a deputy and undersecretary of Culture, now becomes the holder of the portfolio at the ministry on Via di Villa Ada. Among the promoters of the National Team (of singers) and working with major music figures since the 1980s in various capacities, from the Pooh to Morandi, from Dalla to Caselli.

#GianmarcoMazzi #Santanchè #ViadiVillaAda #theNationalTeam #Morandi #Dalla #Caselli

https://www.repubblica.it/politica/2026/04/03/news/chi_e_gianmarco_mazzi_nuovo_ministro_turismo-425261899/

Chi è Gianmarco Mazzi, il manager dello spettacolo nuovo ministro del Turismo al posto di Santanchè

Veronese, classe 1960, deputato di FdI, da sottosegretario alla Cultura ora diventa titolare al dicastero di via di Villa Ada. Tra i promotori della Nazionale …

la Repubblica