Dropping some queer joy right here for some resistance energy:
https://youtu.be/wMJEsP0ICXc?si=HaewYgj972AR-jdT
@lgbtq @LGBTQNation #queerjoy #transjoy #lgbt #lgbtq #lgbtqi #queer #queerArt #lgbtqartists #queerartists #resistance

Dropping some queer joy right here for some resistance energy:
https://youtu.be/wMJEsP0ICXc?si=HaewYgj972AR-jdT
@lgbtq @LGBTQNation #queerjoy #transjoy #lgbt #lgbtq #lgbtqi #queer #queerArt #lgbtqartists #queerartists #resistance

"Martin, a Terrier," Rosa Bonheur, 1879.
French painter Bonheur (1822-99) was a daring woman in many ways. Her personal life courted controversy; she dressed in men's clothing and openly had love affairs with other women, at a time when such things could get one arrested. She insisted on being educated and trained as an artist at a time when that route was not open to women. And she insisted on painting animals when everyone else was doing classical human figures.
It was her devotion to her animal art that really paved the way for her in a society that might not otherwise approve. When other artists would use animals in a symbolic or satirical sense, or be overly melodramatic or sentimental, Bonheur depicted animals the way other portraitists depicted people; she strove to communicate their soul to the viewer.
It's unknown who commissioned this painting, but evidently it was a fairly wealthy person who wanted a depiction of a faithful hunting dog. Martin is realistically and meticulously rendered, and she shows his intent, yet soulful expression without resorting to mush.
Happy Portrait Monday!
From a private collection.
#Art #RosaBonheur #WomenArtists #QueerHistory #LGBTQArtists #PortraitMonday #Terrier #DogsOfMastodon
Introducing... Daddy Bombshell!
It loves to spoil you <3
#gayart #nsfwgay #nsfwartists #lgbtqartists #originalcharacter #OC
In Washington, D.C., drag performers led a protest outside the Kennedy Center for the Performing Arts on Friday to protest President Trump’s takeover of the institution. Last month, Trump fired the Kennedy Center’s president, replaced its board of trustees and named himself chairman, writing that those fired “do not share our Vision for a Golden Age in Arts and Culture.” Drag performer Lord Henry spoke at the protest. Lord Henry: “We demand that the Kennedy Center board reinstate queer programming, including but not limited to drag-oriented workshops and shows, and any other equity and DEI initiatives at the Kennedy Center. We want to force Congress to drop the multiple attempts at criminalizing gender nonconformity, including Trump’s executive order conflating sex and gender, and the attacks on drag artists through budget amendments, denying funds to organizations supporting and protecting this queer art form, as well as so much more.”
Yeehaw! We are at 60% of our funding goal in only 8 days!
Can we get the other $500 by the end of the week?
The third person to make a purchase or donation today wins this FREE t-shirt from Eli Conley!
#QueerCountry #CountryMusic #Americana #QueerZines #QueerMakers #zinemaking #lgbtqartists #artistsupport #trans #transpride
"The Nap," Gustave Caillebotte, 1877.
Caillebotte was independently wealthy, and painted mostly as a diversion, but he was a genuine talent with quite a few iconic and familiar paintings to his credit. He died young (only 45) but his own work, and his patronage of other Impressionists, left a remarkable legacy.
From the Wadsworth Athenaeum, Hartford, CT.