Rosa didn’t just paint outside the expected frame. She lived there.
If we want to understand Rosa’s life, we have to begin not with the public, but with the person who shared the most time within it. Nathalie Micas, born in 1824, met Rosa when they were both young girls.
https://medium.com/prismnpen/rosa-bonheur-and-the-women-she-chose-to-love-3d2226305712?sk=77bc861502521cd0e189500e3e9668a2

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"Martin, a Terrier," Rosa Bonheur, 1879.

French painter Bonheur (1822-99) was a daring woman in many ways. Her personal life courted controversy; she dressed in men's clothing and openly had love affairs with other women, at a time when such things could get one arrested. She insisted on being educated and trained as an artist at a time when that route was not open to women. And she insisted on painting animals when everyone else was doing classical human figures.

It was her devotion to her animal art that really paved the way for her in a society that might not otherwise approve. When other artists would use animals in a symbolic or satirical sense, or be overly melodramatic or sentimental, Bonheur depicted animals the way other portraitists depicted people; she strove to communicate their soul to the viewer.

It's unknown who commissioned this painting, but evidently it was a fairly wealthy person who wanted a depiction of a faithful hunting dog. Martin is realistically and meticulously rendered, and she shows his intent, yet soulful expression without resorting to mush.

Happy Portrait Monday!

From a private collection.

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