Post Luctum – Timor Lucis Review By Kenstrosity

Even with someone as infinitely absorbent as this sponge, things slip through the cracks sometimes. In 2019, I gave a shout to Post Luctum’s debut EP After Mourning, citing its very promising funereal pall as a welcome comrade to contemporary heavy hitters like Altars of Grief and Slow. Somehow, some way, I completely missed not one, not two, but three full-lengths from the Maryland-based solo artist in the span between then and 2026’s Timor Lucis. But it couldn’t have come at a better time, with the inclement weather demanding tunes of a dour, reposed, overcast character. The only variable left is how much Post Luctum changed in the years since my last visit.

Aside from overall recording quality and songwriting polish—both of which have improved significantly over the course of seven years—Post Luctum are exactly as I remember, just more refined. Like a friend for whom time apart never creates a mire of awkwardness at the point of reunion, mastermind Ian Goetchius’ slow and steady despair rings with the same earnestness that made After Mourning such a striking proof of concept. At once, I feel comforted and warmed by Timor LucisSlowed melodies, chilled by its Altars of Grief-like eulogy, and heartened by post-metallic touches that evoke hints of In Mourning or Latitudes. It’s a reliable sound that should be familiar to anyone who partakes of the funeral side of the doom spectrum, and Post Luctum applies it with poise and passion.

Timor Lucis by Post Luctum

As the crooning cleans of “Approaching Light” give way to the lumbering march of the deadly “Shrouded by the Sea,” Timor Lucis envelops me in a kind of sorrow that pulls me into full immersion with an uncanny ease. Almost an autonomic response beyond my control, this immersion feels akin to immediacy in the context of this music, where memorability is found not so much in individual notes and compartmentalized verses, but rather in moods and moments of emotional significance. Even as songs gently coast from a desperate roar to a delicate breeze (“Sunken Fate” into “In Water”) to form notable highlights, I always recall the moment I heard it—where I was, what I felt, what visions these sonic waves summoned from my thoughts—more vividly than the music’s corporeal form. A different impression than what many artists design for their audience, this experience is its own kind of magic. Difficult to conjure and even trickier to master, Post Luctum struck the right balance of texture, timing, and feeling to invoke such magic and impose its power on my mind, revealing Timor Lucis’ greatest strength.

Curious, then, that once the final note fades into the ether, I struggle to find that pull which brings me back into Timor Lucis’ loving, tear-soaked embrace. As I continued my tenure with this record, I wondered if the root of that struggle was familiarity. Songs like “Disavowed,” “A Curse Now A Plague,” and “I Welcome In the Cold” reminded so strongly of the core of my funeral doom rotation (Slow, Un, Woebegone Obscured) that Post Luctum inadvertently guided me directly into their clutches, and I found myself forgetting about Timor Lucis. I realize now that this is the double-edged sword of the aforementioned strength this record holds. Immersive as it undoubtedly is, and as reliable as its writing is in achieving that immersion minute-to-minute, Timor Lucis simply isn’t bold enough as a distinct entity to draw me away from those acts it resembles with which I enjoy a deeper, more established relationship.

This dichotomy exposes one of the greatest challenges not just in reviewership, but also in songwriting from the perspective of the listener. A record is not made unworthy strictly because it is familiar, nor is my enjoyment of this material lessened by my personal history with the genre. Chances are good that I will return to Timor Lucis with a willing and eager heart over the course of the year. Equally, I acknowledge that it will never meaningfully challenge those records I deem the highest order in the style. On the other hand, you, the reader, might find this is your highest order. Regardless, Post Luctum deserves a chance to take you into its heart, and in the spirit of that truth, I offer my warm, albeit moderated, recommendation.

Rating: Good!
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Meuse Music Records
Websites: postluctum.bandcamp.com | facebook.com/postluctum
Releases Worldwide: February 6th, 2026

#2026 #30 #AltarsOfGrief #AmericanMetal #DeathMetal #DoomMetal #Feb26 #FuneralDoom #InMourning #Latitudes #MeuseMusicRecords #PostLuctum #Review #Reviews #Slow #TimorLucis #Un #WoebegoneObscured
Ascending by Pelican

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Parce qu'il est aujourd'hui indispensable de permettre à tous de s’emparer des enjeux de l'IA à travers des temps d’échange locaux et démocratiques, nous vous donnons rendez-vous avec #Latitudes cet été sur les marchés.

🤝 L’objectif est que cet ancrage dans un lieu du quotidien contribue à tous de décider de leurs usages numériques, que ce soit avec ou sans l’IA et ainsi diffuser une véritable culture populaire du numérique.

Pour nous faire part de votre intérêt : https://airtable.com/appJY09hYLFOYjGdc/shr1ANW7lxfNFV5A4

[Cartographie]
Nous venons de mettre en ligne un nouvel outil opensource de cartographie de l'offre de soin (qui s'appuie sur les bases du RPPS Agence du numérique en santé et du FINESS)
➡️ https://carto.toobib.org
Merci Kerryan Macé et Marianne Brugidou pour votre travail ! #Latitudes #CentraleSupélec

On a besoin de vous !
- Vos critiques de l'interface sont les bienvenues (en commentaires)
- N'hésitez pas à remplir des données d'établissements autour de chez vous

Toobib or not Toobib

Web site created using create-react-app

For folks who live at lower #latitudes, an important thing to understand about the environment up here is that since it *barely* gets truly dark overnight, accumulated #heat, especially sidewalks, roads, and other structures doesn't have an opportunity to dissipate during a cool overnight as there ISN'T a cool overnight at all!

😱😱😱

This means interior heat can also simply rise and rise day on day.

😱😱😱

9/x

Amiensus – Reclamation Pt. II Review

By Kenstrosity

In the grand tradition of doing things late and in the wrong order, this review for interstate progressive melodic black metal outfit Amiensus‘ fifth album, Reclamation Pt. II, comes before any AMG coverage of its companion predecessor, Pt. I, released just this past April. How does something like this happen? It’s easy. We missed it.1 Life gets in the way, or promo came too late or not at all. Any number of scenarios lead to this result, but it is rare that we encounter such situations over the course of a single year. With so little time between releases, I ask myself what kind of album Reclamation Pt. II could be, and what kind of quality should I expect?

To put it in simple terms, Amiensus’ sound is equal parts compelling and immersive. A wondrous foundation of In Mourning sadboi melodicism coalesces fluidly with vicious White Ward-ian black metal and a touch of progressive proclivities to form a dramatic, dynamic, and tightly written conclusion(?) to the Reclamation suite. Where Reclamation Pt. I offered a more introspective quality to its storytelling, Reclamation Pt. II is more cathartic. Shifting sands of airy cleans often telegraph the impending, swirling storms of blackened fury just over the horizon, only to settle once again into that mournful pall that ensconces me so completely I feel as one with it. Exploring varying song structures and durations, Reclamation Pt. II ebbs and flows between its movements with a rare grace I generally don’t associate with progressive metal or black metal. Yet, here we are.

As if to pick up directly where Reclamation Pt. I left off, Reclamation Pt. II opens with Amiensus’ most invigorating material. Between the stomping black n’ roll of “Sólfarið” and the shredding flesh-rend of “Acquiescence,” Reclamation Pt. II wastes no time and takes no prisoners. However, these pieces aren’t relentless, mindless attacks. Moments of peaceful atmosphere, particularly effective in SotY contender “Acquiescence,” conjure a thematic tether to Reclamation Pt. I with beautifully plucked melodies and wonderfully layered vocal lines. Miraculously, not even a hint of mimicry or self-plagiarism exists during these dalliances with the light. Weeping strings then enhance the emotional topology of Reclamation Pt. II’s compositions in instrumental interlude “Disconsolate,” only to release beastly progressive black metal triumphs “Decaying God Child,” “The Distance,” and regal closer “Orb of Vanishing Light” unto a world lulled by a false sense of security. These numbers constitute some of Amiensus’ most versatile material yet. Utilizing riffs that express the better traits of melodic black and death metal; post-metal leads and atmosphere reminiscent of Latitudes’ introspective style; shifting rhythmic structures commonly pursued in the progressive metal scene; then pairing them with transcendent solo work and multifaceted vocal performances, these tracks stand out vividly without sacrificing cohesion to the whole.

The sheer quality of Amiensus’ music here makes it increasingly difficult to pinpoint weak spots, especially as the album grows with time. At first, the aforementioned interlude seemed overlong at just under three minutes. Additionally, “Leprosarium” initially felt somewhat out of place with its Carnosus-like riffset and aggressive swagger. As I lived with Reclamation Pt. II, however, these former detractors started to coalesce with the greater picture the record paints for me. Just like that, my complaints melted away. Of course, that doesn’t mean other listeners won’t align more closely with my initial reactions even after investing time here. Aside from those compositional quibbles, my biggest nitpick is one of production. Boasting a rather flat and compressed mix and master, Reclamation Pt. II deserved more room for its beautiful layering to make a greater impact—and give their bass guitar bigger presence. Especially evident on the magnificent final moments of “Orb of Vanishing Light,” which evokes …and Oceans’ wondrous combination of ethereal atmospherics and rippling black metal riffs, Reclamation Pt. II’s production leaves some to be desired.

Nonetheless, Amiensus’ songwriting throughout the Reclamation suite represents their current magnum opus. Not only do both records showcase the band’s best material to date, but they also represent a standout work of art in this year’s catalog of metal releases. Of the two installments, I prefer Pt. II, as it’s the more energetic, smartly edited, and exquisitely arranged of the two. As a bonus, it only blooms brighter the longer I live with it. With that I say go forth, invest some quality time with Reclamation Pt. II, and rejoice!

Rating: Great!
DR: 62 | Format Reviewed: 320 kb/s mp3
Label: M-Theory Audio
Websites: amiensus.bandcamp.com | facebook.com/Amiensus
Releases Worldwide: August 30th, 2024

#AndOceans #2024 #40 #AmericanMetal #Amiensus #Aug24 #BlackMetal #Carnosus #InMourning #Latitudes #MTheoryAudio #MelodicBlackMetal #PostBlackMetal #ProgressiveMetal #ReclamationPtII #Review #Reviews #WhiteWard

Amiensus - Reclamation Pt. II Review | Angry Metal Guy

A review of Reclamation Pt. II by Amiensus, available August 30th worldwide via M-Theory Audio.

Angry Metal Guy
A SWARM OF THE SUN - The Burning Wall

YouTube

The Moth Gatherer: Motionless in Oceania

#OwlClub

https://song.link/29x6cn79nvwkt

FFO #Latitudes #Bossk #Rosetta

Motionless in Oceania by The Moth Gatherer

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"Dozens of heat records have fallen in #Siberia, as #temperatures climbed above 100 degrees Fahrenheit (37.7 Celsius).
Despite only being early June, records are tumbling across parts of Siberia as extreme #heat pushes into unusually high #latitudes."

#ClimateChange #heatwave
https://www.cnn.com/2023/06/08/asia/heat-wave-siberia-climate-intl/index.html