How do photographs and films produced by repressive regimes change once the regimes themselves collapse?
Natalija Arlauskaitė views archives not as neutral repositories, but as visual systems of knowledge, power, and loyalty. Focusing on artistic practices of de- and re-archiving, she analyzes how images participate in the production of subjectivity, agency, and citizenship.
https://decentarch.hypotheses.org/2579
#VisualHistory #Gulag #PostSovietStudies #DecenteredArchive #hypoverse

How to Look at File Photographs: Archive, Optical Citizenship, and Documentary Art
How are film and photographic documents produced by various repressive regimes used in their own context and later reinterpreted? As a researcher in visual studies, I analyze archives and their evolution somewhat differently than...








