Btw tho ofc I consider my serial/obsessive photos of LA River & oil infrastructure *the* definitive representation, Ed Ruscha also did some cool stuff 😂

Getty Museum has a new site up, "what it means to interpret an archive mostly accessible thru digital technologies": https://www.getty.edu/publications/ruscha/

#LosAngeles #EdRuscha #Getty #urbanism #art #photography

Ed Ruscha’s Streets of Los Angeles

In 1966, Ed Ruscha drove a car rigged with a motorized camera to capture Los Angeles’ most iconic street: Sunset Boulevard. He created a time capsule of its famed facades, beginning a sixty-year-long commitment to documenting the changing urban landscape of postwar Los Angeles. The Streets of Los Angeles project that comprises these photographs is likely the most comprehensive artistic record of any city, with over 900,000 images of major thoroughfares. Ruscha’s photographs constitute an unparalleled visual chronicle of both iconic and everyday sites in L.A., including popular music venues, neighborhood restaurants, and billboards promoting Hollywood’s latest blockbusters. In this volume, scholars from disciplines such as urban planning, cultural geography, architecture, art history, and musicology explore the Streets of Los Angeles Archive as a rich repository for analyzing Ruscha’s practice and the city’s visual culture. Using his photographs and new data visualizations, the authors consider what it means to interpret an archive mostly accessible through digital technologies, and they demonstrate how histories of art have been indelibly reshaped since the advent of the information age in the 1960s.

The Getty Institute just launched a new online publication “Ed Ruscha's Streets of Los Angeles: Artist, Image, Archive, City", which includes several map visualizations we created to explore the vast digitized collection of Ruscha’s photographs of LA over the years.

The entire publication is online, including videos, visualizations, zoomable images, and more: https://www.getty.edu/publications/ruscha/

#LosAngeles #EdRuscha #art #cartography #maps #GettyMuseum #GettyInstitute #LA #OpenAccess

Tight Heads

Actress model Candy Clark's collection of polaroid photos from the 70s and 80s had been hidden away in a drawer for years - but now they have been published, along with Clark's honest and amusing recollections of the 'before they were famous' stars in a photography book edited by Sam Sweet

1) Steven Spielberg
2) Harrison Ford and Spielberg
3) Terri Garr
4) Anjelica Huston and friend

#tightheads #candyclark #polaroids #edruscha #stevenspielberg #harrisonford #terrigarr #anjelicahuston #photobook #photography

Tight Heads

Actress model Candy Clark's collection of polaroid photos from the 70s and 80s had been hidden away in a drawer for years - but now they have been published, along with Clark's honest and amusing recollections of the 'before they were famous' stars in a photography book edited by Sam Sweet

1) Artist Ed Ruscha
2) David Bowie
3) Harry Dean Stanton
4) Jeff Bridges

#tightheads #candyclark #polaroids #edruscha #davidbowie #bowie #harrydeanstanton #jeffbridges

hal foster: “fail better. reckoning with artists and critics”

Sandro Ricaldone

HAL FOSTER
Fail Better
Reckoning with Artists and Critics
The MIT Press, 2025
(forthcoming)

“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.

In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.

Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.

#AdamPendleton #art #arte #ArtforumMagazine #artists #CindySherman #criticism #critics #EdRuscha #GerhardRichter #HalFoster #JasperJohns #JeremyDeller #LouiseLawler #MITPress #RichardHamilton #RosalindKrauss #SusanSontag #WhitneyMuseum #WhitneyMuseumIndependentStudyProgram

Artist Ed Ruscha has been gardening for 50 years but has never wanted to paint a plant. “I’m not sure why,” he said.

"We’re looking together at 2 wooden planks with metal tags hammered into them. Each tag once belonged to a plant that has died, the shiny metal carved with the name of the plant, the date of its death and sometimes its cause: “Passed away / Oct. ’87 / Just dried up.”

“They’re like little epitaphs for the departed,” he says.

#EdRuscha #Plants #Artist

https://www.latimes.com/lifestyle/image/story/2024-08-07/ed-ruscha-on-love-for-plants

L.A. artist Ed Ruscha on his plant board and love for plants

The source of what gives the artist "emotional progress, emotional propulsion."

Los Angeles Times

🟢 L’enorme archivio di scatti “The Streets of Los Angeles” di Ed Ruscha
Instagram: edruschaofficial + Matthew Miller IG: mattinstafun
di Simone Sbarbati @simonesbarbati su @frizzifrizzi
#edruscha #video #Fotografia

https://www.frizzifrizzi.it/2024/04/18/lenorme-archivio-di-scatti-the-streets-of-los-angeles-di-ed-ruscha/

L'enorme archivio di scatti “The Streets of Los Angeles” di Ed Ruscha - Frizzifrizzi

un magazine di cultura visiva — dal 2006

Frizzifrizzi

Excited to see LACMA has an exhibition starting in April, an Ed Ruscha retrospective. I'm such a fan of his work.

#art #EdRuscha

https://www.lacma.org/art/exhibition/ed-ruscha-now-then

ED RUSCHA / NOW THEN

Ed Ruscha has consistently held up a mirror to American society by transforming some of its defining attributes—from consumer culture and popular entertainment to the ever-changing urban landscape—into the very subject of his art. In 1956, Ruscha left Oklahoma City to study commercial art in Los Angeles, where he drew inspiration from the city’s architectural landscape—parking lots, urban streets, and apartment buildings—and colloquial language.

LACMA

We have most of #EdRuscha.s famous early #artistsbooks in our collection."Colored People" from 1972 was missing - but only until today! Our little spiky Christmas present 🎁 🌵

https://www.printedmatter.org/catalog/1201/
#Künstlerbücher #art #mastoart #fediart #libraries #bibliotheken

Ed Ruscha - Colored People - Printed Matter

In this first and only edition, Ruscha indirectly addresses the discourse around the term “colored people” by paradoxically depicting no literal persons anywhere. Instead, the first half of the book consists of fifteen offset color photos of cacti, succulents, palms, banana trees, and other deser...

Printed Matter