(2026.01.28 | San Jose, CA | Leica M9M + LLL 50mm f/1.5 "Z21")
#leica #leicam9 #mmonochrom #lightlenslab #angenieux #photography #monochrome #blackandwhite #bnw #bnwphotography #sanjoseca #sanjose #serpentinepavilion #bjarkeingelsgroup #bjarkeingels
Telus Sky
Not shown, that the "northern and southern facades are clad in a dynamic LED display dubbed "Northern Lights", designed by Canadian artist Douglas Coupland, which is one of the largest public art fixtures in Canada"
#Calgary #ISOQOL #BjarkeIngels
https://en.wikipedia.org/wiki/Telus_Sky
The BIG picture: a cycling tour of Copenhagen’s most trailblazing 21st-century buildings.
A two-wheeled exploration of the radical imprint of starchitect Bjarke Ingels and his global BIG studio on his hometown, from harbourside baths to a ski-slope power plant.
This 28km route is short enough to do in a morning or afternoon, but it can easily take a full day to explore all his creations.
https://www.ft.com/content/945bc5eb-fa17-4cd5-b642-1133df01bd3d
BIG's multi-storey film studio for Robert De Niro set to be built in New York
Architecture studio BIG won approval for a 44-metre-high film studio in Queens, New York City, which is set to be the "first vertical film studio in the world".
The 760,000-square-foot film and television studio, which received planning permission last year, will be built for New York-based developer Wildflower Development Group.
Wildflower Development Group is collaborating with American actor Robert De Niro, his son and real-estate broker Raphael De Niro and American film producer Jane Rosenthal on the project.
BIG has designed Wildflower Studios in Queens
According to its developers, BIG's multi-storey film studio will become the "first purpose-built production soundstage" in the city and "the world's first vertical film studio" when it completes in 2023.
"The vertical media production village will be home to storytellers working across all mediums – a three-dimensional hub of collaboration, creativity, and innovation," said BIG founder Bjarke Ingels.
"While New York City is no stranger to being the star of many visual stories – the city effectively a character in itself – this first ground-up vertical production stage complex marks a new chapter in the city's ability to create the stories of our future."
The film studio is set to be complete in 2023
The structure will contain 11 studio modules that each house a large stage, vertical transportation as well as production support that includes prop shops, dressing rooms and technical areas.
The rectilinear building will be clad in precast, concrete panels that are each angled to create a geometric look across the facade.
[
Read:
BIG teams up with Robert De Niro for Wildflower Film Studio in New York
](https://www.dezeen.com/2019/09/23/wildflower-film-studio-new-york-big/)
Two entrances, one for pedestrians and the other for deliveries and logistics, will be framed by curving walls that will direct flow to the interior.
Fibre cement panels will line the interior of the studios tying it to the pleated cement panels across the facade.
The building will be clad in cast concrete panels
A pair of terraces will punctuate the facade and provide the studios with natural daylight, access to the nearby waterfront as well as views of the Manhattan skyline.
The building will be raised above the flood plain with parking and loading spaces placed below the film studios, while the roof will include a 150,000 square foot system of solar panels.
The building will be topped by a terrace
"We are determined to create a world-class content creation campus in Queens," said Wildflower Studios managing partner Adam Gordon.
"It speaks to telling stories in all forms; streaming, AR, VR, and gaming, with a building design that looks toward the future."
[
Read:
Bjarke Ingels designing "new city in America" for five million people
](https://www.dezeen.com/2021/09/01/bjarke-ingels-telosa-city-marc-lore/)
Wildflower Studios is expected to be completed in late 2023. BIG was founded in 2005 by Ingels and has offices in London, New York and Barcelona.
Recent BIG projects featured on Dezeen include its proposal for a city in the US desert and the CityWave building in Milan.
The post BIG's multi-storey film studio for Robert De Niro set to be built in New York appeared first on Dezeen.
#all #architecture #news #newyorkcity #bjarkeingels #queens #us
This week Bjarke Ingels discussed how to revolutionise the housing sector
This week on Dezeen, Danish architect Bjarke Ingels spoke about his housing startup Nabr and how it plans to address "systemic" failures of housing.
According to Ingels, who is the founder of architecture studio BIG and co-founder of Nabr, the "consumer-first housing company" wants to fundamentally transform the housing industry.
Nabr will do so by designing mass-timber blocks using modular construction, which will feature customisable apartments plugged into a cross-laminated structural timber frame.
"This is basically an attempt to apply design, not just to the final product, but to the entire process that delivers our homes," Ingels told Dezeen in an exclusive interview.
Thomas Heatherwick unveils 1,000 Trees shopping centre in Shanghai
In other architecture news, British designer Thomas Heatherwick's studio unveiled 1,000 Trees in Shanghai, its latest project to open to the public. The shopping centre is covered in over 1,000 trees and 250,000 plants and was designed to resemble a mountain clad in greenery.
In an interview with Dezeen, Heatherwick explained that the design was "driven by making something that we hope is engaging people."
"I think the 100,000 people a day are proof that we all need places that trigger a response," he said.
However, in an opinion piece written for Dezeen, architect Philip Oldfield argued that the carbon costs of creating 1,000 Trees outweigh the environmental benefit.
House in The Girl Before designed to feel both like a sanctuary and "a fortress or prison"
This week, we also peeked inside the house in BBC television series The Girl Before, speaking to production designer Jon Henson about how he created a house that acts "like a fourth character" in the four-part series.
Henson referenced Japanese architecture when designing the house and was drawn in particular to Gosize's F Residence in the Japanese prefecture of Hygo, which was featured on Dezeen in 2019.
Architects should try to "leave the city more beautiful than when we entered" says Richard Rogers
In celebration of architect Richard Rogers, who passed away in December, we republished a series of interviews that Dezeen filmed with Rogers in 2013. In the six movies, Rogers discusses his work, starting with an interview in which he speaks of architects' responsibilities to society.
Other films look at Rogers' design for the Centre Pompidou, the backlash to the Lloyds building in London, how the design of the Leadenhall building was informed by views of St Paul's Cathedral and Rogers' hopes for his legacy.
Peelsphere is a leather-alternative biomaterial made from fruit waste and algae
In design news this week, designer Youyang Song showcased Peelsphere, a biodegradable plant-based material made from fruit peels and algae that was designed as an alternative to leather. The waterproof material can be used to create accessories or bags.
Nottingham furniture designer Mac Collins was named the winner of the inaugural Ralph Saltzman Prize for emerging designers, a new award presented by the Design Museum that aims to "champion new talent and nurture the development of a vibrant design sector".
Salone del Mobile expected to move to 7-12 June due to Covid-19 concerns
As the coronavirus pandemic continues to affect architecture and design events, we revealed that Salone del Mobile, the world's biggest and most important furniture fair, is set to announce that it will be held in June instead of April this year according to multiple sources.
Our guide to the twenty-five best design weeks and festivals for 2022 is an up-to-date overview of when design events will take place this year.
Sou Fujimoto Architects designs walkable rooftop for rural Japanese university
Among the most popular projects this week were a university with a walkable roof designed by Sou Fujimoto, a theatre with a multi-faceted red auditorium, and a Tehran office building wrapped in a brick-clad "second skin."
This week's lookbooks focused on kitchen extensions that make spacious additions to homes and interiors featuring verdant indoor trees.
This week on Dezeen is our regular roundup of the week's top news stories. Subscribe to our newsletters to be sure you don't miss anything.
The post This week Bjarke Ingels discussed how to revolutionise the housing sector appeared first on Dezeen.
#all #architecture #design #news #thisweekondezeen #bjarkeingels
Renovation of Oxford college features in today's Dezeen Weekly
The latest edition of our Dezeen Weekly newsletter features the redevelopment of St Hilda's College at the University of Oxford.
London studio Gort Scott amazed readers with its revamp of the university campus, which saw two buildings added in a bid to reconnect the college with its riverfront setting.
The redevelopment provides new accommodation, teaching and event spaces for St Hilda's, while also attempting to unify the campus' string of existing buildings with the landscape.
One commenter called it a "worthy candidate for the Stirling Prize".
Other stories in this week's newsletter include a round up of ten homes where verdant indoor trees create calming interiors, an exclusive interview with Nabr co-founder Bjarke Ingels, who explained how his housing startup intends to revolutionise the construction sector, and a wood-clad house in Minnesota that takes its cues from Japanese architecture.
Dezeen Weekly
_Dezeen Weekly is a curated newsletter that is sent every Thursday, containing highlights from Dezeen. _Read the latest edition of Dezeen Weekly. You can also subscribe to Dezeen Daily, our daily bulletin that contains every story published in the preceding 24 hours.
The post Renovation of Oxford college features in today's Dezeen Weekly appeared first on Dezeen.
#all #architecture #trees #universities #education #renovations #dezeenweekly #universityofoxford #bjarkeingels #lookbooks #nabr
Nabr aims to address "systemic" failures of housing says Bjarke Ingels
Construction productivity "has practically flatlined" over the past 25 years according to Nabr co-founder Bjarke Ingels, who explained how his housing startup intends to revolutionise the sector in an exclusive interview with Dezeen.
BIG founder Ingels, along with former WeWork executive Roni Bahar and former Sidewalk Labs model lab head Nick Chim, established Nabr with the aim of creating a "fundamental transformation of the [housing] industry".
Described as a "consumer-first housing company", Nabr aims to create a series of mass-timber apartment blocks using modular construction.
Nabr to apply design to "entire process" of creating housing
The company, which is starting construction of its first apartment block in San José in early 2022, believes that incorporating design, development and customised financing models will allow it to change how housing is created in the USA.
"Architects or designers are, in a way, the last ones to get involved [in housing] so it becomes very hard to be part of a more fundamental transformation of the industry," Ingels told Dezeen.
"This is basically an attempt to apply design, not just to the final product, but to the entire process that delivers our homes."
Top: Nabr is creating housing in the USA. Above: Bjarke Ingels (left) founded Nabr with Roni Bahar (centre) and Nick Chim (right)
The Nabr housing block in San José will be the first to be built with a cross-laminated timber structural frame that will be adapted for future planned developments.
Customisable apartments will be plugged into this structural shell, according to the company.
"Productivity in the construction industry has practically flatlined"
Nabr also aims to "expand to ultimately be involved in the entire supply chain". It believes that this, combined with its modular, structural system, will help to address some of the failures of the architecture and construction industries to become more efficient over the past quarter of a century.
"The productivity in the construction industry has practically flatlined," Ingels said. "Whereas in manufacturing in general, it's almost doubled over the past 25 years."
Nabr's first project will be in San José
"I know how hard my colleagues and I are working, so there seems to be something systemic," he continued.
"What we've tried to do with Nabr is to address that systemic inability to increase returns in terms of quality, environmental performance and attainability, that we see in almost every other sector but our own."
Nabr turning housing into a "consumer-facing product"
The founders describe Nabr as a "product-driven company" and believe that by thinking of apartments as products, they can transform housing in a similar way to how Apple's iPhone revolutionised the smartphone industry and Tesla is transforming the electric car industry.
"Unlike classic development, we're here to develop and refine and define architecture as a consumer-facing product," said Ingels.
[
Read:
Bjarke Ingels launches company to "reimagine the way we build our homes"
](https://www.dezeen.com/2021/08/23/bjarke-ingels-nabr-home-design-company/)
"It's so demotivating or almost paradoxical that in almost all other fields, the things that we make many of have become better and better quality," he continued.
"What happens when we think about residential architecture as a product, where you have different product lines?"
The housing block will have a CLT structure
Although Nabr is aiming to create "middle-income housing", its first apartments in San José will have "prices starting in the high $700Ks". Named SoFA One, the block will have 125 homes.
"For the initial offering for the product, we're really coming in at the top of the market from a price point, but I would say substantially better product than any offering in the market," said Bahar.
Each apartment will have a large balcony space
He explained that this initial housing development is the first stage in its plan and that over time, the company will aim to improve its processes to reduce the cost of the housing it offers.
"The Tesla Roadster cost $98,000 and it can only go 100 miles, but it was an interesting car," Bahar said."But there's a limit of how many of those you can put in the market. So we have to hit the superior performance for that experience and then we will figure out how to get to a model three over time."
[
Read:
Former Apple design director launches mass-timber housing company "to bring productisation to the built environment"
](https://www.dezeen.com/2021/09/09/juno-mass-timber-housing-bj-segal-interview/)
BIG will refine the design with each apartment block, with the aim of making improvements to functionality and construction.
"We will evolve and expand to apply this kind of compounded improvement and innovation that otherwise never happens for an architect," said Ingels.
"Normally with each building once we're done with it, we can register everything that we could have done better, and then say, well, too bad, because now we're doing something else."
Ingels is the founder of [BIG](https://big.dk/#projects), one of the world's best-known architecture studios. Previous housing projects by the studio include a prefabricated timber housing block in Stockholm designed to look like a "manmade hillside" and an affordable housing development in Copenhagen made up of prefabricated modules.
The studio is also working to create the world's "largest neighbourhood" of 3D-printed homes in Austin.
Read on for an edited transcript of the interview with Ingels and Bahar:
Tom Ravenscroft: How does Nabr differ from other housing companies?
Bjarke Ingels: Nabr is basically an attempt to apply design, not just to the final result, but to the entire process that delivers our homes. Because architects or designers are, in a way, the last ones to get involved [in housing] so it becomes very hard to be part of a more fundamental transformation of the industry
I think one of the things we've seen during the pandemic, and this whole project was sort of conceived during the pandemic, is that the primary path to homeownership in the United States went from work to inheritance.
I think another thing that struck was that in cities in the United States, it takes the median income person 27 years to save up to 20 per cent downpayment on the median-priced home. That means that for the increasingly large middle class, the idea of getting to own your own home is becoming less and less attainable.
It's so demotivating or almost paradoxical that in almost all other fields, the things that we make many have become better and better quality. At a lower cost, and this is true for, you know, computers and washing machines and toys. They are becoming higher and higher quality at a lower and lower cost. But this is not true for our homes.
And then maybe one last thing that we've seen is that when it comes to sustainability, the environmental performance of the buildings that we make, as an architect, you can propose certain products that are available on the market, you can also design with certain principles.
But what you really need is the possibility of compounded innovation – growing bargaining power with the different manufacturers that provide the different products that end up becoming the constituent parts of the buildings that we make. This means that you can actually not just specify the best available currently in the marketplace, but through partnerships, you can push the boundaries and create better and better products.
So it was basically this idea of thinking about residential architecture as a product, where you have different product lines.
Tom Ravenscroft: So that's three advantages. Picking up on just the first one, you say architects are the last ones to get involved. So the aim of this is to get involved earlier.
Bjarke Ingels: Yes, actually to expand to ultimately be involved in the entire supply chain. All the way through to facing the consumer.
It is a product-driven company. Unlike classic development, we're here to develop, refine and define architecture as a consumer-facing product. In the first product offering, we will make architecture at a quality and environmental performance, functional and aesthetic performance, that vastly outcompetes anything that's out there today.
But also we will continue to evolve and expand to apply compounded improvement and innovation. That otherwise never happens for an architect, because each building we can register everything that we could have done better, and then say, "well, too bad, because now we're doing something else."
Tom Ravenscroft: So you are identifying a failure of the whole architecture industry. Do you think there's been a failure of architecture over the past 50 years to improve itself?
Bjarke Ingels: The productivity in the construction industry has practically flatlined. Whereas in manufacturing in general, it's almost doubled over the past 25 years.
I know how hard my colleagues and I are working. And I know that our competitors are as well. So there seems to be something systemic. And I think what we've tried to do with Nabr is to address that systemic inability to increase returns in terms of quality, environmental performance and attainability, that we see in almost every other sector, but our own.
Tom Ravenscroft: This seems like a very lofty aim. Is it achievable?
Roni Bahar: Absolutely. We can't think of real estate and solutions in a very short time span, you have to look over time. What systematic changes need to happen over a long period of time?
So when we looked at this, we said: "how do we get to a goal where we can provide the highest quality product for middle-income housing?" We need to start creating a process that's going to have certain phases to it, that in the long term, we can really change that trajectory. And that's, that's the purpose of it.
When you look at products, that have really been transformational and change how we feel or do things, I like to use Tesla and an iPhone.
Nobody cared about an electric car – there's been a lot of companies failed at getting electric cars going – people only cared about the electric car when it outperformed a gasoline car. And it was beautifully designed, it was a desirable product and an experience, right. And even though it started as a premium product, they reinvested and put capital into it and they were able to get to mass production and elevate the entire industry.
Tesla is never going to make enough cars for everybody. But it made it desirable. With the iPhone, it's the same thing.
So we are creating an unbelievable quality product and starting at the top of the market with it. For us, we're competing against single-family homes. So we need to create a product that is better than being in a single-family home. We can build a product that is superb, and quality for people who care about sustainability, who would want to have the kind of technology not only in an experience but understand what we're doing. And then we can build the tools to then take it to other places and create more product lines.
Tom Ravenscroft: This all sounds very good, but a lot of people have tried this before. So what actual things, like physical things, make this different?
Roni Bahar: First thing is, the failure we've seen before is that people try to do too much in too many places. They didn't focus on one market. That's the first.
Also, they sold directly to developers first, which means they're in the developer's business, which means the developer calls the shots. You are already in that developer system, you're in the developer system.
We're going straight to consumers. Once we prove that we can deliver the product then we can go and work with developers. So these are fundamentally important things.
Tom Ravenscroft: So do you have your own land?
Roni Bahar: We've raised the capital, we acquired land, not us, we did it through a separate vehicle from the company that buys land, we provide the service of entitlement design, development and sales.
Tom Ravenscroft: So the core idea is that you are in control of the whole process, the whole system, therefore, you can change the system by not being in it, is that right?
Roni Bahar: Yes. The last point would be that we're not tied to a specific product, we regionalize the product based on the supply chain and partner with that supply chain to improve their product.
We're using CLT on the West Coast. CLT doesn't work in Miami because of humidity and other reasons. So you have to create different products for different price points for different geographies.
Tom Ravenscroft: So tell me about the design of the first buildings that will go up on the West Coast. What do the actual buildings look like?
Bjarke Ingels: What we've tried to do in a way we've tried to learn from the things we've been involved in over the past two decades.
What we really can do to increase quality and lower cost is to be very smart about repetition. So, what we've developed is this building system that's primarily cross-laminated timber and has a kind of loft typology.
We are offering two feet higher ceilings than a typical condo, and we have long spans, which gives us flexible floor beds where we can plug in different kinds of finishes. The base building system, like let's say 90 per cent of the building substance, is always 100 per cent the same – like a universal standard.
Then within that, on the interiors, we are creating options that can be basically plugged into this framework.
I am a firm believer in outdoor space, when we did our, our first building in New York, it was kind of a battle to argue that in a residential building, balconies and terraces had value. I think, especially after the pandemic, there's a heightened awareness of the desirability of outdoor space, and we're in California.
So big outdoor terraces really become almost like an additional living room in your home. And those large balconies are designed in such a way that they create the exterior appearance of the building. We have the possibility by creating a small variation to create a unique building appearance of the product from one deployment to the other.
We'll have a growing amount of customisation choices. For the interiors, we'll have three to begin with. And then each time we deploy a new option, we'll aim towards adding more interior offerings.
So you can imagine five years down the line, you could have 20 different kinds of interiors that can effortlessly be plugged into this core platform. We can always respond to the local character to define different kinds of buildings.
Of course, a lot of the work that we're involved in typically, is this kind of extreme one-off projects, like Via, on the west side of Manhattan. They're highly boutique developments for the very high end. The way that developers, architects, engineers and contractors work is that they behave as if they are building each building for the first time.
But they somehow strangely, because of the systemic challenges of the industry, end up pretty much in the same place. So even though everybody's working with all of the challenges and disadvantages of doing something unique every time, they end up with something sort of ordinary.
We want to almost flip it, by being very systematic about trying to maximise the amount of repetition, we actually end up with something that is almost entirely customizable on the inside. And, and always entirely unique on the outside.
Tom Ravenscroft: So modular repetitive homes that have variety.
Roni Bahar: For some reason in the US people think that modular is lower quality. Modular is precision-designed, precision-built, it's a much higher quality.
Tom Ravenscroft: To the finances of this. It sounds like we've got a modular CLT frame with a kind of an interior that can be kind of put on into that and allowing people to have their own creativity. So it's going to be a better product, but is it going to cost equivalent or less?
Roni Bahar: So compared to the market, the initial offering for the product, we're really coming in at the top of the market from a price point, but I would say with a substantially better product than any offering in the market is that's the first thing.
Tom Ravenscroft: Is that the top line for medium-income homes?
Roni Bahar: No that's top of the line. There's no such thing as new construction that exists today for housing condos, that's called middle income, it does not exist. There's no magic wand to get there tomorrow.
That's going to take time. However, what we are doing through our financial offering is lowering the barrier to owning the best quality product. And then as we improve products and systems and create new constraints to get to more middle-income pricing, the financial offering that we've created allows that to kind of catch up over time.
Tom Ravenscroft: So this is the first building block?
Roni Bahar: Exactly the same way that Tesla Roadster costs $98,000. And it can only go 100 miles, you know, but it would be like an interesting car. But there's a limit of how many of those you can put in the market. So we have to hit the superior performance for that experience. And then we will figure out how to get to a model three over time.
The photography and renders are courtesy of Nabr.
The post Nabr aims to address "systemic" failures of housing says Bjarke Ingels appeared first on Dezeen.
#interviews #all #architecture #usa #housing #bjarkeingels #nabr
BIG breaks ground on building to unite Milan towers by Hadid, Libeskind and Isozaki
BIG has begun construction on its CityWave building, which will visually connect the towers of Milan's CityLife development with a low swooping roof that doubles as one of Italy's largest urban photovoltaic power stations.
The Danish architecture studio has designed the fourth building for the site, which contains towers by Zaha Hadid Architects, Daniel Libeskind and Arata Isozaki.
The curved canopy of CityWave is intended to "complete, not compete" with skyscrapers designed by Arata Isozaki (left), Zaha Hadid Architects (centre) and Daniel Libeskind (right)
BIG won a competition to design the fourth building year with a proposal "to complete, not compete" with the existing buildings at the CityLife district, a mixed-use development located a short distance outside of Milan's old city centre.
BIG's CityWave building, formerly called The Portico, instead features two low office buildings joined by a curved roof that will cover a large public space.
Between two low buildings will be a large public space covered by a swooping roof
The architecture studio broke ground on the buildings last week, and at the same time revealed renderings that have been updated to include a full canopy of photovoltaic panels on the roof.
The roof will now extend to more than 200 metres in length, with around 11,000 square metres of panels capable of producing an estimated 1,200-megawatt hours of power a year. BIG believes it may be the largest urban integrated solar canopy in Europe.
BIG's design is purposely low to the ground
Speaking at a lecture during last week's Milan design week, BIG founder Bjarke Ingels reflected that the brief had initially asked for one or two new towers to complete the masterplan, but that his team decided to go in another direction.
"When we went on the first site visit, we took the Metro train, and the Metro [stop] is called Tre Torri ["three towers"]," said Ingels. "So we thought it might create some unnecessary confusion if it's suddenly four or five towers."
CityWave will provide a gateway between the city and the CityLife district
"And also, our contribution was going to be the last and actually the shortest," he continued. "It felt like a competition we could not win. So we thought, instead of competing with the three masters, we could sort of try to complete the ensemble by imagining this new entrance."
The architects designed a 12-storey and 22-storey building connected by a curved canopy.
This both provides a visual connection between the assortment of buildings and creates a gateway to the city beyond, integrating CityLife with surrounding streets and infrastructure.
The buildings will feature internal courtyards
"We tried to sort of organise the mass as low as possible, based on the European typology of a perimeter block rather than a tower," said Ingels.
"Rather than the architecture of the individual buildings, the space between them actually becomes this very generous new public space that is shaded from the sun and shielded from the rain."
He said that "just like a classic portico", the outdoor space would have columns. However, because they act as tension rods that hold down the canopy rather than keep it up, they will be very thin.
The canopy will be made of a sheet of dowel-laminated veneer lumber – a type of mass timber made from softwood lumber panels joined together with hardwood dowels.
As well as providing solar power, the structure will enable rainwater collection.
Inside, the floors will be connected by cascading terraces
Within the buildings, there will be 63,000 square metres of leasable office and retail space.
The West building will include a conference centre at ground level with a near-300-seat auditorium as well as three secondary halls, and a restaurant and sky bar at the top.
CityWave will also include a sky bar and restaurant with views over the city
Inside, a giant sculptural staircase will visually connect the first five floors, while a cascading series of terraces under the open roof connects the subsequent floors.
"All of the levels are actually connected to each other underneath the continuous diagonal of the roof," said Ingels.
"So that even if you are working in a company that is split over five or six levels, you can actually visually and physically connect to your colleagues in this sort of cascading space."
The roof will be covered in photovoltaics
The East building will have a similar arrangement of space, but incorporating an atrium and winter garden across the ground and first floors.
Both buildings will feature internal courtyards that increase access to natural light and air.
The canopy will be made of dowel-laminated timber and covered in photovoltaic panels
All in all, passive design strategies, including triple glazing, are expected to bring the energy requirements for CityWave 45 per cent below the standard office block, and the building will be powered exclusively by renewable sources.
CityWave has already obtained LEED pre-certification at Platinum level and will aim for Gold WELL certification for its health and wellbeing standard and Platinum WiredScore certification for having efficient, well-integrated digital technologies.
Thin columns will serve as tension rods to hold down the roof
BIG hopes to complete work on CityWave in 2025.
Other recent works by the practice include the CopenHill "ski plant" in Copenhagen and the spiralling double-helix Marsk Tower in southwestern Denmark.
The post BIG breaks ground on building to unite Milan towers by Hadid, Libeskind and Isozaki appeared first on Dezeen.
#all #architecture #news #italy #milan #big #officearchitecture #bjarkeingels
BIG has begun construction on its CityWave buildings, which visually connect the towers of Milan's CityLife development with a low swooping roof that doubles as one of Italy's largest urban photovoltaic power stations.