“Why do you like monsters?”
My father asked
at the glass table over dinner
with onions, peppers, teriyaki,
and steaming, jeweled pork.
All fueled by olive oil, lemon pepper,
the warm, wet ashes of the grill
glued to the kitchen air.
The stove light aproned and orange.
I want to tell him.
Abandonment.
His wound bleeding through time and memory
weighing us down
since he was seven years old
in the alleyway, in a cupful of exhaust,
watching his father’s last goodbye
thorn the evening light.
I could tell him.
Level my eyes to him, a statue,
a gargoyle fixed on the gothic gutter.
His trauma became mine.
He didn’t know the darkness.
He survived it. Muted it. A noise cemented
by shadows that sprouted trees
in his unhealed soul.
Now, they’re rancid stumps
inside the half-closed
coffin of my heart.
Their pain filtered and scrubbed
by a wormy soap
into fiction and poems of
phantom trains, crowned demons,
cursed skies, and marbled undead.
You, father, wish it was HR documents,
equations, or carpentry, but instead
I’m a monster-maker, a wounded poet.
But, what I truly wish,
father,
is that you’d expressed
your graveyard song
of emotions and trauma
so I didn’t have to.
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