[8032] Write introductions to your imaginative efforts in stuffy motels. If you write poems employ an experiment with novels in late editions filled with nightmares and brutally gentle self-portraiture, try to find your own extensive introductions on wheelingly borrowed time or that of impassioned fans and other critics. Discover a way out of the box that contains many apologies for your New York edition: these areas have giant fans rotating notes, sketches, and studies undertaken to produce a double reading. Display on racks poem-snippets in fog machines in the course of creation. Your novel is not simply located in the introductions of your other works, but in sugar buns dropped from airplanes functioning as a kind of portable toy produced by the novel itself and spewed upwards from strange machines that allow you to playfully assemble introductions together into a codex on magic, a kind of grimoire to guide space pirates on their celestial reruns.