Don Trueten Sep 5, 2023

Nuit et brouillar

Nacht und Nebel (Originaltitel: Nuit et brouillard), ist ein französischer Dokumentarfilm über die deutschen #Konzentrationslager, insbesondere das KZ #Auschwitz-#Birkenau, und den #Holocaust in der Zeit des NS-Regimes. Der Film wurde 1955 von Anatole #Dauman auf Initiative der Historiker Olga #Wormser und Henri #Michel produziert. Die Schirmherrschaft lag beim staatlichen Comité d'histoire de la Deuxième Guerre mondiale (Komitee der Geschichte des Zweiten Weltkriegs). Regie führte Alain #Resnais. Die Filmmusik komponierte Hanns #Eisler. (...)

https://www.trueten.de/archives/12873-Nuit-et-brouillard.html #Antifaschismus #History #NeverForgiveNeverForget #NightAndFog #NuitEtBrouillar

Nuit et brouillard | trueten.de

Nacht und Nebel (Originaltitel: Nuit et brouillard), ist ein französischer Dokumentarfilm über die deutschen Konzent

Show threadsettimaMay 18, 2023

#Bales2023FilmChallenge May 18: Appreciating #art on #InternationalMuseumDay

African art with such a deep significance were, w/i the bounds of Western civilisation, “things”. Through the editing, photography & dialogue they speak to the viewer, escaping the institute's walls. This voice was enough for the CNC to cut ⅔ of the film; the segment that's not blatantly #AntiColonial, was to be watched.

☞ https://write.underworld.fr/settima/when-men-die-they-enter-into-history

#ChrisMarker #Resnais #documentary #film #cinema #CineMastodon @film

When men die they enter into history.

#Bales2023FilmChallenge May 18: Appreciating art on #InternationalMuseumDay A Black woman looks at objects of African origin – several statues, a mask, an object decorated with beadwork – in an antique store's window. Behind her white people pass by. It's r...

settima
Rui BorgesMar 3, 2023

From the #rain which haunts us.
27 years beyond #MargueriteDuras.

#art #artist #author #writer #movie #moviescene #cinema #cinemastodon Duras #Resnais

Show threadTomJan 12, 2023

Related: a young, then unknown Pauline Kael unleashes moral fury in "The Sick-Soul-of-Europe Parties":

"La Notte and Marienbad are moving in a new filmic direction … so introverted, so interior that I think the question must be asked … when they are called abstract, is that just a fancy term for empty?"

Full copy:
http://www.neugraphic.com/marienbad/marienbad-text15.html

JSTOR: https://www.jstor.org/stable/25079029

#Film #Cinema #Filmastodon #Cinemastodon #PaulineKael #Antonioni #Resnais #Fellini
@film

The Come-Dressed-As-the-Sick-Soul-of-Europe Parties Pauline Kael

Last Year at Marienbad. The Massachusetts Review Winter, 1963.

TomJan 6, 2023

@rishikbharath

JE T'AIME, JE T'AIME (1968) is another of Resnais' stunning reflections on memory, but also on the medium of film itself—a masterpiece of editing that I really feel is about editing and memory, as per Bergson's "cinematographic mechanism of thought."

When I watch this one, I feel like I'm witnessing a demonstration of some of Deleuze's theories in CINEMA II …

https://letterboxd.com/attentive/film/je-taime-je-taime/

@film #Film #Cinema #Cinemastodon #Filmastodon #Resnais

A ★★★★½ review of Je T'Aime, Je T'Aime (1968)

Before Eternal Sunshine Gondrified the subconscious and Inception Dunning-Krugered it, Je t'aime, je t'aime used the basic special effect of filmmaking—editing—to deliver a heavy emotional payload with its rendering of a poignant, savagely disrupted romantic chronology. Je t'aime je t'aime installs itself in the clinical setting of the science fiction of its day, committed to the exploration of Ballard's "inner space" through the experiences of a confused, institutionalised protagonist. Director Alain Resnais grasps that the medium of film, having been formalised as a grammar of frames, shots, scenes and sequences, and rendered formulaic by the profit motives of the studio