**Le Diable s'habille en Prada 2**
De: David Frankel
Avec: Meryl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci
Samedi 23 mai : 19H30 VF
Mardi 26 mai : 14H30 VF, 21H00 VF
Dimanche 14 juin : 15H00 VF
Plus d'infos et réservations sur notre site : https://peyrehorade-cinema.fr
#cinéma #peyrehorade #LaLutz #LeDiableshabilleenPrada2 #Frankel #Streep-Meryl #Hathaway-Anne #Blunt-Emily #Tucci-Stanley
Et si la crise du cinéma Canal+ offrait enfin au cinéma suisse la liberté créative capable de révéler une nouvelle génération de réalisateurs ? 🎬🇨🇭
#CinemaSuisse #SwissCinema #Cinema #FilmAuteur #CinemaIndependant #CinemaEuropeen #CultureSuisse #Filmmaking #Cinematography #FestivalDeCannes
#MST3K The Movie is basically a theatrically-released episode of the series near transition between Comedy Central and the then Sci-Fi Channel. It's still a fun way to watch This Island Earth.
I loved this show so much. #Rifftrax carries the legacy well.
Behind-the-Scenes Look at Nicolas Cage’s Performance in “Leaving Las Vegas”
📰 Original title: Publicity Stills of Nicolas Cage for the Dramatic Film “Leaving Las Vegas” (1995)
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅
View full AI summary: https://en.killbait.com/behind-the-scenes-look-at-nicolas-cage-s-performance-in-leaving-las-vegas.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
The article revisits the 1995 romantic drama film “Leaving Las Vegas,” directed by Mike Figgis and based on John O’Brien’s semi-autobiographical novel. It highlights Nicolas Cage’s acclaimed performance as Ben Sanderson, a suicidal alcoholic who moves to Las Vegas with the intent of drinking himself to death after losing his job and family. In Las Vegas, he forms a complicated relationship with Sera, a sex worker portrayed by Elisabeth Shue, who becomes a brief emotional anchor in his downward spiral. Cage’s portrayal is described as a defining moment in his career, earning him the Academy Award for Best Actor at the 68th Academy Awards. His performance is noted for its intense physical realism and emotional depth, blending tragic vulnerability with moments of dark humor. The article explains that Cage used highly immersive methods to prepare for the role, including studying the behavior of a “drinking coach,” observing real-life mannerisms, and recording himself while intoxicated to better understand slurred speech and physical deterioration. For certain scenes, he reportedly drank to achieve a more authentic sense of loss of control. The production of the film is also discussed, including its use of 16mm film, which created a more intimate and less intrusive filming environment. Cage noted that this allowed for more natural and nuanced acting. The article also mentions that neither Cage nor director Mike Figgis were paid their full agreed fees due to claims that the film did not generate profit, despite its strong box office performance on a modest budget. Overall, the piece frames Cage’s performance as one of the most respected dramatic portrayals in modern cinema, emphasizing both the physical transformation and emotional complexity that contributed to its lasting reputation.
Behind-the-Scenes Look at Nicolas Cage’s Performance in “Leaving Las Vegas”
📰 Original title: Publicity Stills of Nicolas Cage for the Dramatic Film “Leaving Las Vegas” (1995)
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅
View full AI summary: https://en.killbait.com/behind-the-scenes-look-at-nicolas-cage-s-performance-in-leaving-las-vegas.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait.mastodon_social
The article revisits the 1995 romantic drama film “Leaving Las Vegas,” directed by Mike Figgis and based on John O’Brien’s semi-autobiographical novel. It highlights Nicolas Cage’s acclaimed performance as Ben Sanderson, a suicidal alcoholic who moves to Las Vegas with the intent of drinking himself to death after losing his job and family. In Las Vegas, he forms a complicated relationship with Sera, a sex worker portrayed by Elisabeth Shue, who becomes a brief emotional anchor in his downward spiral. Cage’s portrayal is described as a defining moment in his career, earning him the Academy Award for Best Actor at the 68th Academy Awards. His performance is noted for its intense physical realism and emotional depth, blending tragic vulnerability with moments of dark humor. The article explains that Cage used highly immersive methods to prepare for the role, including studying the behavior of a “drinking coach,” observing real-life mannerisms, and recording himself while intoxicated to better understand slurred speech and physical deterioration. For certain scenes, he reportedly drank to achieve a more authentic sense of loss of control. The production of the film is also discussed, including its use of 16mm film, which created a more intimate and less intrusive filming environment. Cage noted that this allowed for more natural and nuanced acting. The article also mentions that neither Cage nor director Mike Figgis were paid their full agreed fees due to claims that the film did not generate profit, despite its strong box office performance on a modest budget. Overall, the piece frames Cage’s performance as one of the most respected dramatic portrayals in modern cinema, emphasizing both the physical transformation and emotional complexity that contributed to its lasting reputation.
Fraîchement relancé au Festival de Cannes 2026, le projet The Expendabelles promet d'envoyer de la testostérone au féminin sous forme d'un préquel ancré à la fin des années 1990. Puisque Lionsgate cherche activement ses têtes d'affiche, on a voulu devancer les producteurs. Voici notre casting de rêve pour sauver le
Communiqué commun #LDH et #CGT Spectacle
Aucune discrimination n’a sa place dans le #cinéma, #Canal+ comparaitra devant la #justice pour avoir violé la #loi
3 organisations syndicales et maître Alimi, au nom de la Ligue des droits de l’homme, tenaient une conférence de #presse pour appeler à réagir contre l’ #extremedroite et la mainmise de #Bolloré sur le cinéma français https://www.ldh-france.org/aucune-discrimination-na-sa-place-dans-le-cinema-canal-comparaitra-devant-la-justice-pour-avoir-viole-la-loi/
David Bowie’s Iconic Role as Jareth in Jim Henson’s Labyrinth (1986)
📰 Original title: Publicity Photos of David Bowie as Jareth the Goblin King in “Labyrinth” (1986)
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅
View full AI summary: https://en.killbait.com/david-bowie-s-iconic-role-as-jareth-in-jim-henson-s-labyrinth-1986.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world
The article revisits David Bowie’s unforgettable portrayal of Jareth the Goblin King in Jim Henson’s 1986 fantasy film Labyrinth, a cult classic that has remained influential for decades. In the film, Jareth is the enigmatic ruler of a magical labyrinth who kidnaps baby Toby, forcing teenage Sarah, played by Jennifer Connelly, to navigate his dangerous and surreal world to rescue him. Rather than a traditional villain, Jareth is portrayed as a complex figure representing temptation, adolescence, and the allure of adulthood, blending charm, danger, and theatrical charisma. The character was conceptually designed to reflect a teenage girl’s conflicted emotions toward adulthood, inspired by romantic literary figures such as Heathcliff and Rochester, as well as medieval and rock-inspired aesthetics. Bowie’s performance enhanced this duality, combining a commanding stage presence with an almost otherworldly elegance. His look in the film became iconic: a towering blonde wig, dramatic makeup, and a wardrobe that shifted between velvet royal garments, glittering gowns, leather jackets, and tight leggings, all contributing to a distinctive glam-rock fairy-tale fusion style. The production considered several major musicians for the role, including Michael Jackson, Sting, Prince, and Mick Jagger, before ultimately choosing Bowie for his striking physical presence and artistic versatility. His involvement led to script revisions that expanded Jareth’s role and incorporated original songs performed by Bowie himself. Additionally, while Bowie performed the character on screen, the intricate crystal ball manipulation sequences were executed by choreographer Michael Moschen, who worked behind the scenes to create the illusion of seamless contact juggling. The article highlights how Bowie’s Jareth became one of the defining cinematic fantasy characters of the 1980s, blending music, fashion, and film into a lasting cultural icon.
David Bowie’s Iconic Role as Jareth in Jim Henson’s Labyrinth (1986)
📰 Original title: Publicity Photos of David Bowie as Jareth the Goblin King in “Labyrinth” (1986)
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅
View full AI summary: https://en.killbait.com/david-bowie-s-iconic-role-as-jareth-in-jim-henson-s-labyrinth-1986.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait.mastodon_social
The article revisits David Bowie’s unforgettable portrayal of Jareth the Goblin King in Jim Henson’s 1986 fantasy film Labyrinth, a cult classic that has remained influential for decades. In the film, Jareth is the enigmatic ruler of a magical labyrinth who kidnaps baby Toby, forcing teenage Sarah, played by Jennifer Connelly, to navigate his dangerous and surreal world to rescue him. Rather than a traditional villain, Jareth is portrayed as a complex figure representing temptation, adolescence, and the allure of adulthood, blending charm, danger, and theatrical charisma. The character was conceptually designed to reflect a teenage girl’s conflicted emotions toward adulthood, inspired by romantic literary figures such as Heathcliff and Rochester, as well as medieval and rock-inspired aesthetics. Bowie’s performance enhanced this duality, combining a commanding stage presence with an almost otherworldly elegance. His look in the film became iconic: a towering blonde wig, dramatic makeup, and a wardrobe that shifted between velvet royal garments, glittering gowns, leather jackets, and tight leggings, all contributing to a distinctive glam-rock fairy-tale fusion style. The production considered several major musicians for the role, including Michael Jackson, Sting, Prince, and Mick Jagger, before ultimately choosing Bowie for his striking physical presence and artistic versatility. His involvement led to script revisions that expanded Jareth’s role and incorporated original songs performed by Bowie himself. Additionally, while Bowie performed the character on screen, the intricate crystal ball manipulation sequences were executed by choreographer Michael Moschen, who worked behind the scenes to create the illusion of seamless contact juggling. The article highlights how Bowie’s Jareth became one of the defining cinematic fantasy characters of the 1980s, blending music, fashion, and film into a lasting cultural icon.
juste une question Mr Maxime Saada,
si je critique Mr Bolloré sur les réseaux sociaux, ou clique sur j'aime sur des publications de cet ordre, est-ce que je risque de voir mon abonnement Canal+ résilié et de me voir blacklisté des salles de cinéma diffusant des films Canal+.
votre déclaration « Eh bien moi...
#bollore #cinema #canal
https://www.yves.brette.biz/post/2026/05/23/juste-une-question-Mr-Maxime-Saada
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