Robin Williams's daughter begs fans to stop making AI content of her father

The daughter of the late actor Robin Williams has condemned AI-generated content featuring her father's likeness.

ABC News

Emily Blunt and Sag-Aftra join film industry condemnation of ‘AI actor’ Tilly Norwood, which it says was created ‘using stolen performances’ - 'The union is opposed to the replacement of human performers by synthetics. To be clear, ‘Tilly Norwood’ is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation … It doesn’t solve any ‘problem’ – it creates the problem of using stolen performances to put actors out of work, jeopardising performer livelihoods and devaluing human artistry.' https://www.theguardian.com/film/2025/sep/30/emily-blunt-sag-aftra-film-industry-condemnation-ai-actor-tilly-norwood https://www.theguardian.com/film/2025/sep/30/tilly-norwood-ai-actor-hollywood

#copyright #film #AI #performersrights

Emily Blunt and Sag-Aftra join film industry condemnation of ‘AI actor’ Tilly Norwood

US actors’ union joins stars in opposition to Norwood, which it says was created ‘using stolen performances’

The Guardian

'Tech overlord Sam Altman’s legal skirmish with actor Scarlett Johansson brings the blurred lines between artificial intelligence and the world it seeks to transform into sharper focus.

For those who missed it, Johansson is suing Altman’s OpenAI over claims he ignored her refusal to grant consent to use her voice in its latest ChatGTP release' https://www.theguardian.com/australia-news/commentisfree/article/2024/jun/04/scarlett-johansson-wont-save-us-from-ai-but-if-workers-have-their-say-it-could-benefit-us-all #AI #publicityrights #performersrights #uslaw #uspol #openAI

Scarlett Johansson won’t save us from AI – but if workers have their say, it could benefit us all

Social media has taught us that technology is neither innately good or bad. AI must be approached with this same critical mindset

The Guardian
The Blair Witch Project’s original cast ask for retroactive payments as reboot announced https://www.theguardian.com/film/2024/apr/22/the-blair-witch-project-original-cast-payment-residuals-request-rei-hance-joshua-leonard-michael-williams-lionsgate-letter
Actors Rei Hance, Joshua Leonard and Michael Williams – who improvised most of horror film’s dialogue – claim they didn’t have proper union representation in 1999 and seek residuals. #copyright #residuals #performersrights #laborrights
The Blair Witch Project’s original cast ask for retroactive payments as reboot announced

Actors Rei Hance, Joshua Leonard and Michael Williams – who improvised most of horror film’s dialogue – claim they didn’t have proper union representation in 1999 and seek residuals

The Guardian
Breaking Bad's Bryan Cranston leads actors’ strike rally in New York: ‘We will not allow you to take away our dignity’ https://www.theguardian.com/culture/2023/jul/25/actors-strike-bryan-cranston-rally-new-york Award-winning actor led a starry event with a fiery speech aimed at Disney CEO Bob Iger: ‘We will not be having our jobs taken away and given to robots.’ #film #TV #laborrights #performersrights #uslaw #uspol
Bryan Cranston leads actors’ strike rally in New York: ‘We will not allow you to take away our dignity’

Award-winning actor led a starry event with a fiery speech aimed at Disney CEO Bob Iger: ‘We will not be having our jobs taken away and given to robots’

The Guardian
My latest piece “The nostalgia of copyright: how performers make movies, and other sounds of authorship” is now available in the Queen Mary Journal of Intellectual Property and it is free to access and download in the link below #FilmSound #Copyright #PerformersRights #Auteurism #TopGun #IntellectualProperty #LawProfs https://www.elgaronline.com/view/journals/qmjip/12/3/article-p307.xml
The nostalgia of copyright: how performers make movies, and other sounds of authorship

"The nostalgia of copyright: how performers make movies, and other sounds of authorship" published on 31 Oct 2022 by Edward Elgar Publishing Ltd.

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