Heavy Moves Heavy 2025 – AMG’s Ultimate Workout Playlist By Thus Spoke

Before I was press-ganged into the Skull Pit, I, Ferox, began curating an exercise playlist named Heavy Moves Heavy. For a decade, I alone reaped the benefits of this creation–many were the hours spent preening aboard my Squat Yacht, mixing oils so that I could marvel at the glistening gainz unlocked by the List. My indentured servitude is your good fortune, because a new and improved version of the Heavy Moves Heavy playlist is now available to all readers of AMG in good standing.1 The lifters among us have spent countless hours in the Exercise Oubliette testing these songs for tensile strength and ideological purity. Enjoy–but don’t listen if you are being screened for PEDs in the near future. This music will cause your free testosterone levels to skyrocket even as it adds length and sheen to your back pelt. ~ Ferox

A year has passed, and now the barbell of honour has been placed on my (regrettably smaller) shoulders as Ferox steps back from the AMG side-quest to focus on his main story. Our leader may be absent, but our search for gains continues with an otherwise full house and new recruits to boot. The songs that guided and shaped our workouts are compiled here in a playlist guaranteed to boost yours, whether you listen on shuffle or straight the way through.1 So what are you waiting for? Down your pre-workout, grab your straps and your knee-sleeves, and get ready to get massive. ~ Thus Spoke

Thus Spoke Enters Muscle Mommy Mode:

“Silence like the Grave” // Paradise Lost (Ascension) – Straightforwardly solid, catchy, sharp, with a killer atmosphere. Insta-playlist save when the single dropped. Paradise Lost back on top-form and just time to give you the energy for moving heavy things.

“Magnolia” // Deafheaven (Lonely People with Power) – Oh yeah, I’m dead serious. Sorry not sorry to any haters out there. This is four minutes and change of unqualified emotion and racing thoughts and it gets my blood running hot every damn time.

“Against the Dying of the Light” // Dormant Ordeal (Tooth and Nail) – Unironically motivating in a way presumably not intended. Just when you want to quit, that roar of “raaage, RAAAAAAGGGE,” and the impeccable drum and guitar work come in to see you through.

“Condemnesia” // Cytotoxin (Biographyte) – The devastation of a currently-occurring nuclear disaster—complete with a frantically clicking geiger counter and a witness’ agonised moans—portrayed through slick, punchy tech-death. Do I need to explain?

“Perfida Contracçao do Aço” // Filii Nigrantium Infernalium (Perfida Contracçao do Aço) – I wouldn’t normally go for something like this; the vocals are kind of horrible. But the energetic ridiculousness is so fucking feral it takes you beyond pumped and into crazed maniac territory; which is obviously ideal for the gym.

“DNA (Do Not Amputate)” // To the Grave (Still) – Mean, melodic, and with a message, there’s nothing about this that doesn’t work while lifting. If I’m going to include any deathcore in the playlist at all, then it has to be To the Grave.

“Eunuch Maker” // Depravity (Bestial Possession) – If your resting-murder-face, hoodie, and headphones aren’t enough to keep people from having the audacity to speak to you, then listening to this could help. It’s massive, and fun as hell, and will make you look extra mean through osmosis, I guarantee.

“Architects of Extinction” // Psycroptic (Architects of Extinction) – Banger alert. The change in vocals makes this a smidge less strong than it otherwise would be, but c’mon; a riff that good has got to be anabolic.

“Amaranth” // Nephylim (Circuition) – My dopamine-fixation song for the best part of a month. It’s uplifting, it’s catchy, it’s infinitely replayable. What more do you want?

“Natural Law” // Primitive Man (Observance) – It’s not too long, it’s a very important, massive chunk of overwhelming heaviness that makes me feel ten times the size and heft I actually am. You can get through all three (or however many) sets with spare time to admire the pump.

“Deathless” // Phobocosm (Gateway) – Monstrous, massive, intense. Fast and furious isn’t always it; more and more, I crave slow, oppressive, and malevolent. It’s just what I crave to dig deeper.

“1918 Pt 3: ADE (A duty to escape)” // 1914 (Viribus Unitis) – It took less than a single complete playthrough for this to end up on this list. It’s heavy enough for leg day, and it’s atmospheric and moving in that perfect way that helps you dissociate from how much your body hurts. I’ve had it on repeat through many a tough session since.

Kenstrosity Bursts Through His Own Workout Gear:

“Rot in the Pit” // Depravity (Bestial Possession) – If there was ever a song that eradicated mental blocks to that next rep, that next PR, that next push, it’s “Rot in the Pit.” Boasting mountain-moving swagger and a center riff that risks greater injury to my body than any ego lift could ever approach, Depravity penned a bona fide gymstormer with “Rot in the Pit.”

“Summoning Sickness” // Pedestal for Leviathan (Enter: Vampyric Manifestation) – Imagine getting legs so powerful and swole they force your gait to change—but you’re doing it in the basement of your Transylvanian vampire castle with Igor loading up weights on the bar for your next PR. That’s what “Summoning Sickness” feels like when I’m pushing

“Nachthexe” // Bianca (Bianca) – You wouldn’t expect something that dabbles so heavily in atmosphere to possess such meaty muscle as this, but Bianca’s “Nachthexe” proves the might of the sleeper build. Once they take of the airy, soft pump cover, a devastating topology of deadly power ripples just under the skin.

“The Insufferable Weight” // Barren Path (Grieving) – Don’t let the lighter weights I’m lugging around fool you. Volume days are fucking brutal, and a challenge for both my mind and my body. Barren Path’s “The Insufferable Weight” adrenalizes me with it’s speed and brutal rhythms just enough to survive those endless reps.

“Granfalloon” // Unbirth (Asomatous Besmirchment) – Unbirth is the pool from which some the nastiest, grooviest, and most deceptively complex riffs spawn. This is great fodder for those compound movements that build strength and density. You could pick anything off of Asomatous Besmirchment for such gains, but my preference is “Granfalloon.”

“Kollaps” // Jordsjuk (Naglet til livet) – Black metal? For the gym? You fucking bet. Guaranteed to pull you back from the brink of absolute failure, Jordsjuk’s “Kollaps” thrashes and shimmers with enough vibrancy and verve to make whatever load I’m pushing feel like light weight.

“Infestis” // Igorrr (Amen) – You wouldn’t expect something as weird and wacky as Igorrr to fit in the land of iron and steel, but here we are. With stomping riffs and vicious roars, “Infestis” is top tier workout gear. Great for keeping pace and supporting breath control, you’ll find much progress with Igorrr by your side.

“Flashback (ft. Strawberry Hospital)” // Blind Equation (A Funeral in Purgatory) – Every year I open up one slot for those high intensity workouts where cardio and strength meet. This year, my spotter cheering me on when I’m doing sprints and weighted jumps is Blind Equation’s intense and lightning-fast “Flashback.” Gotta go fast!!!

“Leave the Flesh Behind” // Ashen (Leave the Flesh Behind) – Probably the underdog in the litter, Ashen’s “Leave the Flesh” behind is all muscle, and a mountain of it at that. These riffs represent both the immovable object and the unstoppable force. One day, I hope to be like them.

“12 Worm Wounds” // Death Whore (Blood Washes Everything Away) – It was difficult to narrow down a selection from Death Whore’s lean and mean debut, but I keep coming back to the swaggering riffs of “12 Worm Wounds” went I need motivation for that next lift. It just makes everything I’m doing seem like the most fun I’ll ever have.

“The Fire in Which We Burn” // …and Oceans (The Regeneration Itinerary) – Boasting what I consider to be the single best black metal riff of 2025, …and Oceans greatly surprised me with a swaggering barnstormer of a track ready made to stoke the fire in my chest for a second wind. Hand me another set of plates, it’s time to go up for one more set!

“Never Difiled” // Serenity in Murder (Timeless Reverie) – Who needs to spell correctly when you have hundreds of pounds to push on the bar? This is the question I ask whenever the adrenaline-soaked “Never Difiled” plays as I rack up the plates for my next set. Nobody’s ever been able to give me an answer.

“The Twisted Helix” // Mutagenic Host (The Diseased Machine) – They say genetics play a huge role in what kind of gains you can expect to achieve naturally in the gym. Well, I’m an ectomorph so it’s tough—and takes a lot more time—to build and maintain muscle. The solution? Twist my helixes and instantly quadruple my gains. Mutagenic Host’s “The Twisted Helix” is just the tool for the job!

“+++Engine Kill+++” // Ruinous Power (EXTREME DANGER: Prototype Weaponry) – Sometimes you just need something threatening to rip the rails right off the track to hype you up for a grueling session. That’s what songs like Ruinous Power’s “+++Engine Kill+++” are for. Short, to the point, and vicious, it will get your blood surging and your body raring to go.

“Femto’s Theme” // Flummox (Southern Progress) – Something so theatrical doesn’t sound like a natural fit when working out, but the sheer heft and chunky rhythms of Flummox’s “Femto’s Theme” defies those expectations. I’ve been using it for leg days and the results are crazy town! Don’t believe me? Try it for yourself!

Steel Druhm Trains His Ape Arms to Crush the Empire State Building:

“Abandoned Feretrum” // Sepulchral (Beneath the Shroud) – Blending old school black and death noise, Sepulchral mainline pure badger adrenaline and rattlesnake venom into your major muscle groups. Handle those power chugs with care, Brah.

“Necrobotic Enslavement” // Glorious Depravity (Death Never Sleeps) – Taking discarded Morbid Angel riffs and repurposing them to turn a peaceful man rabid is why we have science. Take 2 doses of “Necrobotic Enslavement” 30 minutes before throwing 45 lb plates at people who sit on exercise machines and chat.

“A Scream in the Snow” // Black Soul Horde (Symphony of Chaos) – Trve metal can embiggen the innate desire for strength and raw power like no other, and “A Scream in the Snow” will have you swinging olympic bars to get that sword arm ready for bloody constraint and weightroom glory.

“Eyes on Six” // Biohazard (Divided We Fall) – Loudmouthed tough guys from Brooklyn scream at you to watch your back as they try to snap it with angry riffs and bad attitudes. This is for the caveman living in your reptile brain.

“Carry On” // Nite (Cult of the Serpent Sun) – Badass riffs and Manowar-esque demands that you carry on despite hardships are the crucial things that separate a routine workout from a Herculean trial that transforms you. Carry on to bigness.

“Crusaders” // Starlight Ritual (Rogue Angels) – A dirty, greasy 80s metal anthem that sounds like proto-Iron Maiden is what you need to evolve from tubby baby to a fucking WRATHCHILD. Join this crusade and tip your templar.

“Iron Sign” // Ambush (Evil in All Dimensions) – Unraveling the Riddle of Steel requires a long, hard journey guided only by iron signs. This cut will set you on the right path toward your ferric destiny.

“Bending the Steel” // Ambush (Evil in All Dimensions) – If you’re out there bending the steel, why not get moral support from Ambush with this massive aggressive dose of testosterone and primal motivation? When the singer shouts, “Let’s go, boys!” you’ll feel your strength grow 3 times (plus two!). With an iron will, you gotta keep bending the steel!

“Garuda (Eater of Snakes)” // Brainstorm (Plague of Rats) – Brainstorm write heavy metal for leg day, and Garuda is your feathery guardian iron eagle compelling you to crush that feeble PB. The strong can tell their eagle where to fly and what snakes to eat.

“Beyond Enemy Lines” // Brainstorm (Plague of Rats) – Brainstorm ain’t done with you by a damn sight! If the thundering drums and beefy riffs here don’t get you chalked up and ready for iron warfare, you should take up underwater doily knitting.

Steel-Jacketed Olden Bonus:

“Spark to the Flame” // Winter’s Bane (Redivivus) – One of the greatest gym/workout songs EVER. Lyrics that speak of creating a better version of yourself as you burn in the crucible of effort will help you rise high as those burly riffs hammer your inner coward into moist gum paste.

Grin Reaper Gets Down with the Fitness:

“No Pain, No Gain” // Majestica (Power Train) – Metals of Power and Heft are a must for my workouts, especially stretching and pre-lifting calisthenics. Majestica’s cheesy anthem is perfect montage-fodder, and even though the track is rife with clichéd chestnuts, it features kinetic hooks that gird my gears for what’s to come.

“Storm the Gates” // Soulfly (Chama) – Once I’m limbered up, it’s time to sweat. Max and the boys’ bouncy grooves peddle just the right combination of chest-thumping swagger and ferocity to make sure my next rep sets the tone for a simmering sesh of glorious gainz.

“Skullbattering” // Werewolves (The Ugliest of All) – There’s no better way to keep momentum hurtling forward than with a good ol’ fashioned ode to smashing braincases. Setting the right tone for a workout is paramount, and here Werewolves does not fuck around. There’s nothing pretty or flowery about “Skullbattering,” but if swole is your goal, you need to exorcise the Ugly.

“Anodyne Rust” // Blood Red Throne (Siltskin) – I hurt my shoulder a few years ago, and though stretching and (prescribed) drugs didn’t help much, bulking up did. Exercise slipped out of my routine as work and family commitments grew (as did my waistline), but as I’ve recently knocked the Rust off my dumbbells, I’m reminded of the palliative restoration that comes from pumping iron and death metal.

“Ravenous Leech” // Guts (Nightmare Fuel) – Scuzzy, groovy, and unapologetically fun, Nightmare Fuel is filled to the gills with mid-paced chugs that make a great soundtrack for AMRAP workouts. While most of Guts’ bloody remnants will Fuel your workout, spinning “Ravenous Leech” is sure to leave you hungry for even more punishment.

“By Lead or Steel” // Barbarous (Initium Mors) – Does Cannibal Corpse feature heavily in your gym listening? If so, consider Barbarous, who channels similar vibes and vitriol with less viscera. It’ll make you want to drink motör oil and punch babies, and that’s the kind of shove you need when you’re out on swole patrol.2

“Kaltfront” // Eisbrecher (Kaltfront) – Something about heavy distortion, dance-adjacent electronics, and gravelly vocals makes ‘New German Hardness’ prime listening for calculated and efficient movements. With near imperceptible head bops and a commitment to perfect form, this “Kaltfront” leaves me focused and hard as a block of ice.

“Hope Terminator” // Cytotoxin (Biographyte) – Plenty of great death metal jams spurn gym-list inclusion with slow-build intros, not getting to proper stankin’ until they’re well into the track. Cytotoxin knows better, immediately flaying you with technicality. “Hope Terminator’ is the perfect mid-playlist piece to curb fatigue and keep your spirit engorged.

“Let There Be Oblivion” // Ade (Supplicium) – Rome’s Ade lays down a banger of a riff on “Let There Be Oblivion,” and it’s long and strong enough to push me through a set or two. If I’m struggling during a workout, whether in motivation or physically, I need every ounce of energy I can muster, and songs like this one can be the tipping point.

“Blinding Oblivion” // Depravity (Bestial Possession) – Like GutsNightmare Fuel, Bestial Possession boasts track after track of gym-ready scorchers. I chose “Blinding Oblivion” 1. to maintain consistency with “Let There Be Oblivion” and 2. because something about the subtle melody in the song gives it an air of refreshment that I need as the demands of my workout ramp to a frothing climax.

“Elevator Operator” // Electric Callboy (Elevator Operator) – It’s dumb, it’s trite, and it’s so devastatingly catchy that it sticks in my head for days on end. Most importantly, it makes me want to move things up and down, and I won’t apologize for that.

“Sunlight Covenant” // Spire of Lazarus (Those Who Live in Death) – I don’t dabble in deathcore often, but when I do, it’s usually technical, symphonic, and anthemic. Spire of Lazarus crafts just the right blend of their core components to make “Sunlight Covenant” a certified HMH banger. As a bonus, try to time it so that the track hits on your last set of the day—the melody and backing swells make a triumphant send-off as you clinch the last rep and wipe down the bench. You wiped the bench, right?

“Fossilized” // Ültra Raptör (Fossilized) – This song has stayed close since I first laid ears on it, and not once has it failed to engage the hype machine. Whether warming up, working out, or cooling down, the classic retro riffs and sunglasses-at-night nonchalance define a cool I strive for, and motivation like that is the key to gainz.

Dolph Does Heavy This Time:3

“Mortuary Rites” // Mörtual (Altar of Brutality) – Blood boils fastest with a roto-tom take off followed by a death-thrash pummel. As churning pit energy converts to flared nostrils, focused vision, and engorged fibers at the crack of a incessant stick, find a slow and steady breath as your body prepares for war.

“Tlazolteotl” // Kalaveraztekah (Nikan Axkan) – The beat of a clanging snare threatens whatever weighted structure exists in your path. “Tlazolteotl” marches ever forward through growling twists, hardwood clack, and flute-led guitar abandon. A brief respite of acoustics awaits—but so does the real bulk of this journey.

“Black Scrawl” // Pupil Slicer (Fleshwork) – Feedback, growling bass, pneumatic kicks, and an urgent snarl—Pupil Slicer demands your full thrust. With this affixing hardcore anchor, “Black Scrawl” will carry you to your first peak push with a dragging breakdown coda.

“Swamp Mentality” // The Acacia Strain (You Are Safe from God Here) – Rest does not come to those who push only once, though. The burn of your resolve will light the path in the angst and mire and core-fluid whiplash of “Swamp Mentality.” And Vincent Bennett’s tattered and spit-riddled mic will provide an extra OUGH to your exhale.

“Orphans” // Dormant Ordeal (Tooth and Nail) – If you could tether your pulse to the relentless kick assaults that Chason Westmoreland brings to “Orphans”—all of Tooth and Nail really—your spotter wouldn’t be able to find dial emergency fast enough to save you. Instead, search for the heavier weighted tempo that exists between the pitter-patter as your guide. In this space, relentless and emotive riff runs and lead wails coalesce into one of the most threatening thrash-pit breaks of the year. Harness this power.

“The Great Day of His Wrath” // Blindfolded (What Seeps through Threads) – In vicious harmonized splendor, Blindfolded’s neoclassical scale hopping riffage possesses a buoyancy that is vital to remaining invigored. And whipping around bleating and squealing mic energy with resplendent solo work, “The Great Day of His Wrath” both maintains your demanding schedule and restores a lightness to your being before the heaviest pulls come to play.

“Retina” // Pillars of Cacophony (Paralipomena) – Neoclassical drama, however, doesn’t always seek to restore with its airy play. “Retina” arrives, rather, with a mechanical and and programmed structure that functions as a scaffold upon which ascending scale iterations match your own gradual and gravity-creating climb. As the pinch-happy shuffle sneers in precision stank-face deployment, resist the urge to discharge your steel load into the earth.

“Lunar Tear” // Barren Path (Grieving) – In any routine, no matter how structured, a moment of ferocious release can provide a benefit. Before this playlist enters its most grueling minutes, a lightning-speed romp in the grips of endless blasts and riffs exists to shake off the inertia that can result from testing your limits.

“Heaping Pile of Electrified Gore” // Pissgrave (Malignant Worthlessness) – We are all filth—corpses brought to life by the signals we create. Synapses creating chains from proximal to distal drive our movements from concept to power. Through squelching refrain and lockstep death metal assault, fibers at the edge of their load-bearing capacity persist and persevere in the midst of Pissgrave’s shifting and grimy rhythms.

“Bursting with Life’s True Fruit” // Umulamahri (Learning the Secrets of Acid) – Guttural expression unlocks the last inches of a tough pull. As we channel Doug Moore’s garbage disposal tier phlegmanations into our own tidal vibrations, we visualize the final set. We are victorious. And in a celebratory expression of might, we slip into Umulamahri’s enlightened synth dissolution. Those who float cannot collapse.

#AndOceans #1914 #2025 #Ade #Ambush #Ashen #Barbarous #BarrenPath #Bianca #Biohazard #BlackSoulHorde #BlindEquation #Blindfolded #BloodRedThrone #Brainstorm #Cytotoxin #Deafheaven #DeathWhore #Depravity #DormantOrdeal #Eisbrecher #ElectricCallboy #FiliiNigrantiumInfernalium #Flummox #GloriousDepravity #Guts #HeavyMovesHeavy #Igorr #Jordsjuk #Kalaveraztekah #Majestica #Mortual #MutagenicHost #Nephylim #Nite #ParadiseLost #PedestalForLeviathan #Phobocosm #PillarsOfCacophony #Pissgrave #PrimitiveMan #Psycroptic #PupilSlicer #RuinousPower #Sepulchral #SerenityInMurder #Soulfly #SpireOfLazarus #StarlightRitual #TheAcaciaStrain #ToTheGrave #ÜltraRaptör #Umulamahri #Unbirth #Werewolves #WinterSBane
Kenstrosity’s Top Ten(ish) of 2025 By Kenstrosity

Well, here we are again! One of the longest, most eventful years in recent memory comes to a close. After all of the hardships my family, friends, and I endured at the end of last year, it was difficult to imagine what life would be like. For quite some time, it took everything in us just to continue our day-to-day existences, to reestablish or refresh our routines, and to build our lives back up. But we had tons of support, and we got through it. In fact, I’d say that we came out of everything with a better understanding of who we are, what we want out of life, and a greater drive to live more fully, more intentionally, and without regrets. Personally, I learned the value of asking more questions, making fewer assumptions, and embracing the mess of being human in today’s world. With practice in these areas, in time, I’ll grow into a better person, a better friend, and a better partner to my loved ones.

Musically, I experienced a bit of a shift. I don’t know exactly when this shift happened, but I could feel my desire for unfamiliar or less-traveled territory build. I desired weird, long, or messy records that called to me on a more personal level above all else. I craved pieces that showcased artists who wrote what they wanted (or needed) to, regardless of what others might think or say. Authenticity, creativity, memorability, imperfection, and artistic integrity became my core values when approaching new music this year.

Aside from all of that, the thing I want to do most is offer my deepest heartfelt thanks to everyone who’s stuck by me and been my support system this year. To Alex, a wonderful and gorgeous man who continually shows me more love, patience, and attention than I ever dared to ask for—and who challenges me to grow with every passing day. To Ally, Thea, Kaja, Ashe, Sophie, Chris (both of them), Sean, Malachi, Brandon, Michelle, and Jeff for being the best meatspace friends a guy could ask for, and who also show me more love than I ever dared to ask for. To new meatspace friends (Jhierry, Adrien, Forest, Logan, Nick, Zach, Brett, Blue, Brian, and Shawn) who further enrich my life with each interaction, I am excited to see how our relationships develop! To my therapist, Clint, who has helped pull me from the brink more times than I can count. To my family, Mom, Dad, and Kathy, I don’t know what I would do if they were not here with me. To Lise and Victoria, who have been and continue to be the best supervisors—and all-around cool, brilliant, creative, and inspiring people—I’ve ever known. To AMG Himself, Steel Druhm, Dr. A. N. Grier, and Sentynel for running the greatest blog on the planet and being an invaluable resource for my continued growth as a writer and contributor. To all of my fellow writers and editors, both active and inactive, who make this blog the wonderland it is and whose contributions and company continually uplift and motivate me. To the readers, our Discord members, and the metal community writ large, we wouldn’t be here without you!

Lastly, I’d like to give a shout to all the bands who released awesome records this year that fought valiantly for a spot on my list/HMs, in alphabetical order: 1914, Ancient Death, …and Oceans, Astronoid, Aversed, Blind Equation, Bodybox, Buried Realm, Cave Sermon, Changeling, Death Whore, Gloombound, The Halo Effect, Havukruunu, Helms Deep, Inoculation, Maud the Moth, Mutagenic Host, Nephylim, Pedestal for Leviathan, Proscription, Rothadás, Sarastus, Serenity in Murder, Structure, Tower, Tribunal, Vittra, Yellow Eyes. Despite these gems losing a place on my list proper for any number of reasons, I know I’ll return to them with great relish.

With all of that said, I invite all of you to bear witness to my absolutely unhinged Top Ten(ish) selections for 2025. May the rabble commence!

#ish. Epica // AspiralEpica is my favorite symphonic metal band. It’s no secret. They’ve been at the grindstone churning out quality records for almost 25 years with a remarkably stable lineup, and there’s every reason to expect Angry Metal Guy’s Law of Diminishing Recordings™ to catch up with them someday. Today is not that day. Aspiral is easily my favorite record since The Quantum Enigma, full of memorable songs and standout performances. It may be hookier and poppier than anything they’ve put out in the past, but accessibility looks great on Epica.

#10. Citadel // Descension – Every time I thought I knew how I felt about this record, I’d go back to it and discover more reasons to love it. Descension follows the same school of melodic death metal with long-form constructions that bands like An Abstract Illusion practice, but there’s a smoky, gothic twist to it that embodies darkness and light as a merged entity. It’s a delicate balance that Citadel treads with grace and athleticism. That feat is what ultimately elevated Descension to my Top 10 proper.

#9. Depravity // Bestial Possession Depravity really fucked around with my cutoff for list consideration, coming in clutch one week before Turkey Day. But I am the one who found out. Riffs made to break bones and minds alike, Bestial Possession is lean, mean, and bloodthirsty. And yet, it’s smooth, refined, and streamlined. This is the work of a band that understands exactly what they want to write, and knows how to execute that vision with devastating precision. It’s death metal as we know and love it, weaponized for mass destruction.

#8. In Mourning // The ImmortalThe Immortal surprised me. I fully expected it to be good. After all, In Mourning haven’t released a bad album to date. But against all odds, they managed to capture lightning in a bottle here, with songs that are impossible to resist and even harder to forget. It represents everything I love about the sadboi side of melodic death without skimping on hooks or on teeth. The Immortal might just be the pinnacle of In Mourning’s career. Who would’ve expected that after 25 years?

#7. An Abstract Illusion // The Sleeping City – In recent years, I often found myself gravitating towards concise, to-the-point records. I wanted hooks. I wanted brevity. I wanted unrelenting intensity. In 2025, that shifted. The long form became my home away from home. Epic yarns and gentle movements brought comfort and warmth to my listening schedule. With The Sleeping City, An Abstract Illusion managed to capture both the intensity I craved before and the sweeping arcs that I look for now. That it is beautiful without compromising either of those traits is nothing short of awe-inspiring. And so, here we are.

#6. Igorrr // Amen – When I look at my Top 10ish, I notice two things. Firstly, a fair number of these selections are, in some shape or form, weird or niche. Secondly, the gaps that separate one album from the other at this point are paper-thin, aside from my AotY. For French wild cards, Igorrr, accessibility ultimately put Amen here with my faves of 2025. Whimsically weird, savagely smart, and wholly unpredictable, Igorrr achieved a buttery smoothness and an unflinching confidence with these 12 absolute bangers that they’ve never shown before. A high-water mark for an act with an established reputation for excellence.

#5. Tómarúm // Beyond Obsidian Euphoria – My relationship with Beyond Obsidian Euphoria followed much the same trajectory as my relationship with its predecessor, Ash in Realms of Stone Icons. I felt confident in my score, then I started doubting its accuracy, then I’d revisit the record and feel vindicated in my original evaluation—rinse and repeat. It’s a vicious cycle, but at the end of the day, Beyond Obsidian Euphoria was always destined for my Top 5. Its epic, sprawling constructs demand so many of my spoons; emotionally, physically, and spiritually. But it gives just as many back, plus just enough extra to compel me to spin it again. It’s one helluva journey, but that’s what makes it excellent!

#4. Qrixkuor // The Womb of the World – In the world of symphonic death metal, Qrixkuor is singular. Nobody else sounds like them, and I’m convinced nobody else could. Dramatic, violent, and grotesque, but at the same time possessing a disturbing beauty, The Womb of the World sets a new standard for lushly orchestrated death metal. It’s not for the faint of heart, nor for those looking for a quick fix. But once it’s infected your mind, you belong to it. An album to be feared as much as it is to be adored.

#3. Cam Girl // Flesh & Chrome – Deciding where to slot this was a difficult process for me. The people-pleaser that lives in my brain—who is jacked, devastatingly handsome, and incredibly charismatic—tried to move Cam Girl’s sophomore LP down a couple of notches, purely to protect me from those who would (and likely will) tell me this kind of record is undeserving of such high placement here. But the reality is I don’t fucking want to. Flesh & Chrome is a staggering improvement on Cam Girl’s already winning formula, with an invincible selection of super-sticky and subversive tunes that haven’t left my brain since the first half of 2025. It’s among the most fun records I’ve had the pleasure of covering on this site. Above all, Flesh & Chrome earned its rightful place in my Top 3. So it is, so it shall be.

#2. ByoNoiseGenerator // Subnormal Dives – This was not on my bingo card for 2025. I used to despise everything about ByoNoiseGenerator’s brand of brutal jazzgrind. After spinning Subnormal Dives roughly 10^230049 times in the span of a few short months, with a mind-broken grin plastered permanently on my face, something snapped. It wasn’t a gradual affinity borne of a studious and painstaking process. It was a total, implosive disintegration of everything I held true. The result? BYONG is now one of my favorite bands, and I’ve come to love their previous work, too. Not many albums wield that much power. Subnormal Dives does.

#1. Flummox // Southern Progress – This is easily my biggest surprise of 2025. I never heard of Flummox before seeing this cover art on my Bandcamp feed, and I was thoroughly bamboozled by my first spin. The mix was bizarre, the songwriting highly unorthodox compared to anything I’ve heard this side of Devin Townsend, and Flummox’s refusal to settle into any one style was confounding. Yet, I simply could not stop spinning it. All year long, Southern Progress was my go-to, even on days when I just felt so numb that I didn’t want to listen to anything at all. With that commitment came understanding. Southern Progress is, simply put, a fully realized and inspired work of art, complete with relevant societal commentary. Steeped in messaging that spotlights systematic and social prejudices that plague the queer, and particularly the trans/nonbinary/gender-fluid, community (especially in the American South)—and deftly integrating branched subplots that exhibit the wide-reaching complications that neurodivergence, late-stage capitalism, and religion-based upbringings contribute to that experience—Flummox’s fifth LP greatly affected me on a personal level. More so than any other record released this year, Southern Progress feels important, not just to me, and not just to Flummox. I strongly believe everyone could learn something from this bizarre, wild, and untamable barnstormer and have a blast doing it. For these reasons, and so much more, I gratefully award Southern Progress my 2025 Album o’ the Year. Thank you, Flummox, for this wonderful gift!

Honorable Mentions

  • Barren Path // Grieving – Deathgrind never sounded this good, or felt this vicious.
  • Bianca // Bianca – The beauty and the beast returns, reimagined and rekindled.
  • Calva Louise // Edge of the Abyss – Fiercely creative and vividly memorable, this is what happens when artists use neurodivergence and cultural diversity as assets.
  • Dagdrøm // Schauder – Passionate melodic black metal for those who are looking for something a bit outside convention.
  • Dawn of Ouroboros // Bioluminescence – The best vocal performance of the year meets some of the coolest progressive death songwriting I’ve heard in a minute.
  • Imperial Triumphant // Goldstar – The gritty, twisted, sprawling city-dweller with a shady story to tell, and yet it glitters like the purest gold.
  • Messa // The Spin – Emotive, sultry, and nuanced doom, compelling enough to seduce even the coldest heart.
  • Psychonaut // World Maker – Thoughtful and deeply personal, but still crushingly heavy, post-metal from one of the best acts in the scene.

Songs o’ the Year

  • Cam Girl – “Flesh & Chrome” – Simplicity and a curated collection of razor-sharp hooks will win my heart faster than anything else, and few songs this year upheld that virtue better than “Flesh & Chrome.” I haven’t been able to stop singing it to myself literally every single day since I first got my hands on this promo half a year ago, and yet the serotonin production it generates in my burned-out brain almost overwhelms me still. From the white-hot brightness of its lead melodies to the soaring brass of its addictive1 chorus and tight writing, “Flesh & Chrome” just makes me happy. Simple as.

  • Citadel – “Sorrow of the Thousandth Death” – I didn’t expect to include this song on my list, but something happened once I started revisiting Descension more often. I found myself completely blown back by the artistry, the expressiveness, and the fluidity exhibited by Citadel’s epic “Sorrow of the Thousandth Death.” This unexpected emotional response completely shifted my perspective on what I was looking for in my Song o’ the Year candidates. Once I contemplated those requirements more deeply, it became clear in short order that “Sorrow of the Thousandth Death” was worthy and then some. Incredible.

  • In Mourning – “As Long as the Twilight Stays” – While songs like “Flesh & Chrome” make me happy beyond all reason, others like “As Long as the Twilight Stays” break my bleeding heart. Every time the lyrics “Breathe and open your eyes / When darkness falls, a new dawn will rise / Reveal the secrets you keep / There is still hope as long as twilight stays” pierce through my eardrums, something deep from within my soul surges. That pull, strong enough to rip my heart from its bony cage, and further strengthened by weeping, layered tremolo harmonies, melts me. This is power; it is magic. I am helpless to resist.

  • Flummox – “Long Pork” – Southern Progress is swimming in great songs, all of which make a strong claim for inclusion here. Ultimately, “Long Pork” won the blue ribbon for its unhinged songwriting, bizarre vocal acrobatics, harrowing instrumentation, and metamorphic storytelling. The cutting and clever lyrics may seem whimsical at first blush, but the critique they level at humanity’s gross exploitation, not only for the vast overproduction and dysfunctional distribution of food—and the systematic abuse of animals to meet that unsustainable demand—but also to the gluttony of late-stage capitalism and the chasmic wealth divide it perpetuates, sends chills through my nervous system. Sensational!



  • Messa – “The Dress” – Of all the great songs 2025 had to offer, “The Dress” was the first one I felt earned a nod here. It is classy beyond all comprehension, sultry and sophisticated without being busy or especially complex. Moreover, it captivates my attention completely. An unqualified success of songwriting prowess, excellence in execution and performance, and spirited delivery, “The Dress” flows between melodies, moods, and modes as mana from otherworldly realms. I would not be surprised if, ten years from now, I still feel its magic as strongly as I do today, immune to the eroding force of time.



Non-Metal Album o’ the Year:

  • Lady Gaga // Mayhem – I am absolutely obsessed with this album. I’ve been a fan of Lady Gaga for a long time, but never before did I feel so wholly ensnared by one of her records. This absolute triumph of modern pop explodes with energy, killer hooks, and an unfuckwithable vocal display that makes not singing along to each and every track entirely impossible. Mainstream though it is, Mayhem is a force, and I’ll be listening to it with glee for years to come.

Shakes Fist at Cloud Album of 2025

  • Pedestal for Leviathan // Enter: Vampyric Manifestation – There will never be a day when I don’t rue how late I encountered this record, and how lame it felt to realize it had been self-released months before I picked up a December promo for it. It is listworthy, and that I treated it as if it missed my yearly cutoff because of a simple lack of awareness makes me want to shake my fists at the clouds!
#2025 #AnAbstractIllusion #BarrenPath #Bianca #ByoNoiseGenerator #CalvaLouise #CamGirl #Citadel #Dagdrøm #DawnOfOuroboros #Depravity #Epica #Flummox #Igorrr #ImperialTriumphant #InMourning #KenstrositySTopTenIshOf2025 #LadyGaga #Messa #PedestalForLeviathan #Psychonaut #Qrixkuor #Tómarúm
Who Are These Clowns and Where Did They Put My Flesh Stapler? The AMG Staff Pick Their Top Ten(ish) of 2025 By Steel Druhm

Listurnalia is now upon us once again! If you are not ready to be assailed by non-stop lists and bad opinions for the next week and change, I suggest you get fooking ready! Listurnalia cannot be stopped, nor contained. It can only be tolerated and endured!

More than any year in recent history, 2025 saw more seasoned staffers step away from writing duties due to time constraints and life changes. To compensate for the loss of these slackwagoning quitters and shirkers, we added a gaggle of fresh new voices. This made for a bittersweet time around these parts as long-time friends departed and a bunch of untested, unknowns rose through the brutal n00b gauntlet to seize the means of promo production. These greenhorn neophytes have created great havoc at AMG HQ with their terrible taste, inability to follow directions, and steadfast refusal to ignore deathcore.

We’ve been here before, though, and we always straighten out the newbie upstarts. The daily beatings, deprivations, and absence of positive reinforcement will wear them down, and if not, we have plenty of space in the rotpit out back. This is, and will ever be, the AMG modality.

2026 will be an interesting year as the new crew members are shepherded by the olde while everyone is crushed beneath the iron heel of AMG management. Who will make it to 2027? Who will be sold off to Metal Wani for a box of bananas and Gorilla Glue? Place your bets in the official AMG Survival Pool!

As you read the Top Ten(ish) lists below, remember, reading our content is free, but you get what you pay for.

Grymm

#10. Venomous Echoes // Dysmor
#9. Blut Aus Nord // Ethereal Horizons
#8. Dormant Ordeal // Tooth and Nail
#7. Structure // Heritage
#6. Lorna Shore // I Feel The Everblack Festering Within Me
#5. Sigh // I Saw The World’s End – Hangman’s Hymn MMXXV
#4. Imperial Triumphant // Goldstar
#3. Am I In Trouble? // Spectrum
#2. Dax Riggs // 7 Songs for Spiders
#1. Paradise Lost // Ascension – I fully expected Paradise Lost to come out with quality music, which has been mostly par for the course in their storied almost-40-year career, and no one could blame them if they decided to coast along on their legendary sound. Instead, Ascension sees them giving a masterclass in songcraft and atmosphere, showing everyone, everywhere, how it’s done. With Black Sabbath now officially put to rest, Anathema long gone, and whatever the fuck is happening within My Dying Bride these days, somebody has to fly the British Doom flag high and proud, and Paradise Lost have done a bang-up job of doing so.

Personal Highlight o’ the Year: Seeing Acid Bath live. I may or may not have cried during “Venus Blue,” and no, I don’t fucking care. 19-Year-Old me was pleased as punch that 48-Year-Old me got to see a legendary band (and one of his personal favorites) come back from tragedy to pay tribute to their fallen bassist and friend, Audie Pitre, by giving it another long-awaited go.

Disappointment(s) o’ the Year:

  • Losing so many influential heroes (RIP Ozzy Osbourne, Ace Frehley, and Tomas Lindberg, among too many others)
  • My health: I was hoping to be a lot more active this year, but early on, I needed to, in the immortal words of David Lynch, “fix (my) heart or die.”1 Thankfully, after surgery, I feel a million times better, so you should see a lot more of me in 2026. You have been warned.

Song o’ the Year:

  • Paradise Lost // “Salvation”

El Cuervo

#ish. Astronoid // Stargod
#10. Ollie Wride // The Pressure Point
#9. Kauan // Wayhome
#8. Zéro Absolu // La Saignée
#7. Mutagenic Host // The Diseased Machine
#6. Asira // As Ink in Water
#5. Bruit // The Age of Ephemerality
#4. Saor // Amidst the Ruins
#3. The Midnight // Syndicate
#2. Steven Wilson // The Overview
#1. Messa // The Spin – In a year replete with comfort picks—progressive rock, synthwave, and death metal abound—how is that Italy’s enigmatic, inscrutable Messa forged my Album o’ the Year? The Spin doesn’t take the trouble to make itself easily approachable. Doom, prog, and post influences circle around velvety melodies that sometimes sound like deliberate songs, and sometimes like jazz improvisation. But it’s these very qualities that belie its subtle allure; only with repetition and attention does The Spin shine. Messa gradually reveals rhythmic motifs, instrumental nuances, and rich compositions that enhance my life on so many days. “The Dress,” especially, is stunning. And though the record’s loungey whimsy defies metal conventions, each track prizes genuine grit through its top-drawer guitar riffs. With the devotion it demands, no record from 2025 was more rewarding than The Spin.

Honorable Mentions:

Song o’ the Year:

  • Ambush – “Maskirovka”



GardensTale

#ish. Structure // Heritage
#10. In Mourning //The Immortal
#9. Flummox // Southern Progress
#8. Der Weg Einer Freiheit // Innern
#7. Nephylim // Circuition
#6. Besna // Krásno
#5. Messa // The Spin
#4. Labyrinthus Stellarum // Rift in Reality
#3. Gazpacho // Magic 8 Ball
#2. Dormant Ordeal// Tooth & Nail
#1. Moron Police // Pachinko — I was a little nervous when I first read about the length and ambition behind Pachinko, especially in the context of the incredible and very concise A Boat on the Sea. I’ve never been this happy to be this wrong. Nothing in the last decade has overtaken my life as much as Pachinko has, and I’m listening to it yet again as I write this, and will probably restart it once it finishes. Pachinko has a lot in common with Everything Everywhere All At Once, one of my all-time favorite films, as a treatise on the chaos of life and the importance of friends and family. It treats its philosophy of silliness very seriously, laughing in the face of darkness in such a beautiful and inspiring way; it brightens my life every time I hear it. And it does all that in tribute to a dear friend who was gone too soon and too suddenly, and no other eulogistic album has let me feel like its subject’s soul touched mine. An astounding monument to friendship on top of an incredibly accomplished hour of music. Pachinko is a miracle.

Honorable Mentions:

Song o’ the Year:

  • Moron Police – “Giving up the Ghost”



Non-metal Albums of the Year:

  • Lorde // Virgin
  • Jonathan Hultén // Eyes of the Living Night
  • Shayfer James // Summoning

Mark Z.

#ish. Malefic Throne // The Conquering Darkness
#10. Urn // Demon Steel
#9. Teitanblood // From the Visceral Abyss
#8. Shed the Skin // The Carnage Cast Shadows
#7. Guts // Nightmare Fuel
#6. Dormant Ordeal // Tooth and Nail
#5. Perdition Temple // Malign Apotheosis
#4. Paradise Lost // Ascension
#3. Revocation // New Gods, New Masters
#2. Death Yell // Demons of Lust
#1. Abominator // The Fire Brethren – It took me a few years after hearing this Australian duo’s last album, 2015’s Evil Proclaimed, to realize I was wrong about them. Their raw and relentless black-death metal wasn’t just good, it was fucking awesome. With their long-awaited sixth album, The Fire Brethren, Abominator has conjured flames that reach higher than ever. As always, the enraged rasps, scorching riffs, and endlessly pummeling rhythms are like plumes of hellfire shot directly into your ear canals. But amidst the bludgeoning is some genuinely great songwriting, with deep-cutting hooks (“The Templar’s Curse,” “Underworld Vociferations”), flashes of melody (“Progenitors of the Insurrection of Satan”), thrashy breaks (“Sulphur from the Heavens”), and just enough variety to keep everything hitting as hard as possible. It’s not for everyone, but for those into Angelcorpse and other music of that sort, The Fire Brethren is the type of album you just can’t get enough of.

Honorable Mention:

  • Blasphamagoatachrist // Bestial Abominator

Song (Title) o’ the Year:

Song o’ the Year:

  • Fugitive – “Spheres of Virulence”



Carcharodon

#ish. Dax Riggs // 7 Songs for Spiders
#10. Novarupta // Astral Sands
#9. Atlantic // Timeworn
#8. Structure // Heritage
#7. Agriculture // The Spiritual Sound
#6. Igorr // Amen
#5. Messa // The Spin
#4. Abigail Williams // A Void Within Existence
#3. Cave Sermon // Fragile Wings
#2. Dormant Ordeal // Tooth and Nail
#1. Grima // Nightside – In each of 2019, 2021, and 2022, Grima released an album and, in each of those years, I listed said album (#5, HM, and #10). But this year, the year in which I have listened to the least metal and, of course, written the least since I started here in 2018, is also the year that Grima got everything dialled in to just what I want from a Grima album. On Nightside, the duo struck the perfect balance between the traditional influences of 2019’s Will of the Primordial and the propulsive, frozen atmosphere of Frostbitten (2022). The combination gives Nightside an almost hypnotic and weirdly tranquil flow, offset by Vilhelm’s rasping vocals, which remain among the best in the BM game. Every time I come back to this record, and the title track in particular, it’s even better than I remember it being, and I always end up spinning three or more times back-to-back. An album that can keep playing that trick deserves its #1 spot in my book.

Honorable Mentions:

Songs o’ the Year:

  • Messa – “Fire on the Roof”



  • Novarupta – “Now Here We Are (At the Inevitable End)”

Mysticus Hugebeard

#10. Orbit Culture // Death Above Life
#9. An Abstract Illusion // The Sleeping City
#8. Qrixkuor // The Womb of the World
#7. Dormant Ordeal // Tooth and Nail
#6. Panopticon // Laurentian Blue
#5. Blackbraid // Blackbraid III
#4. Arkhaaik // Uihtis
#3. Kauan // Wayhome
#2. Wardruna // Birna
#1. Thumos // The Trial of SocratesI recall groggily stumbling upon ThumosThe Trial of Socrates at work one early morning, and I’m not sure if I’ve grown attached to it or it’s grown attached to me. It looms in my periphery, routinely interrupting my listening schedule for just one more spin. This gargantuan dive into ancient Greek philosophy and justice is melodically rich, laden with atmosphere, and fiercely intelligent. I love how this album stimulates my curiosity. I pore over The Trial of Socrates like a madman, piecing the puzzle together with feverish glee but never quite feeling finished, because every re-listen yields new shapes, new colors, new ideas. It eggs me on to research various topics on ancient Greek history or philosophy, and even made for an unlikely study partner during my long preparations for the German A1 exam. I always feel smarter by the end of it—hubris, I’m sure, but The Trial of Socrates genuinely sparks my imagination in ways few albums do. Time to go listen to “The Phædo” for the zillionth time.

Honorable Mentions:

Songs o’ the Year:

  • Disarmonia Mundi – “Outcast”

The Dormant Stranger by Disarmonia Mundi

  • Jamie Page & Marcy Nabors – “Do No Harm (Ventricular Mix)”

Do No Harm by Jamie Paige, Marcy Nabors, & Penny Parker

  • Thumos – “The Phædo”

The Trial of Socrates by Thumos

Disappointment(s) o’ the year:

  • The dissolution of Ante-Inferno: After Death’s Soliloquy topped my list last year, I was genuinely gutted to see Ante-Inferno’s post that they were no more. Still, I shall not weep but rather smile that they happened, because Ante-Inferno was a rare breed of genuinely moving black metal. Just that one album rooted itself so deeply within me, and I will be listening for a long time.
  • Arno Menses leaving Subsignal: Man, fuck. Fuck. Remember my nuclear-grade glaze of Subsignal, where I might as well have said Menses’ voice single-handedly justified the entire existence of music? How could I not break down in heaving sobs in the middle of this Denny’s when I heard that Menses and Subsignal have parted ways? It sucks, I tell ya. I will still listen to what Subsignal puts out in the future, because Markus Steffen is a talented musician, but it’s going to be a huge adjustment since Menses is nigh irreplaceable.

Samguineous Maximus

#ish. Imperial Triumphant // Goldstar
#10. Primitive Man // Observance
#9. Motherless // Do You Feel Safe?
#8. Deafheaven // Lonely People with Power
#7. Weeping Sores // The Convalescence Agonies
#6. Between the Buried and Me // The Blue Nowhere
#5. Calva Louise // Edge of the Abyss
#4. 1914 // Viribus Unitis
#3. Crippling Alcoholism // Camgirl
#2. Crippling Alcoholism // Bible Songs II
#1. Yellow Eyes // Confusion GateYellow Eyes are one of the best black metal bands in the game, and Confusion Gate is their most impressive work to date. It sees the band return to a more traditional atmospheric sound, but with the lessons learned from their explorations of dissonance and ambience. The result is a kaleidoscopic blend of gorgeous melodies, haunting riffs, and a pervasive sense of pathos that only the best art can achieve. Confusion Gate feels like communing with nature from the top of a wintry peak, embodying both impossible grandeur and awesome terror. This is a record that bypasses the analytical reviewer’s brain and just hits me right in the feeling. It offers a unique catharsis in a year where I truly needed it.

Honorable Mentions

Song o’ the Year:

  • Crippling Alcoholism – “Ladies Night”



Spicie Forrest

#ish. Cryptopsy // An Insatiable Violence
#10. Crimson Shadows // Whispers of War
#9. Oromet // The Sinking Isle
#8. -ii- // Apostles of the Flesh
#7. Suncraft // Welcome to the Coven
#6. Suncraft // Profanation of the Adamic Covenant
#5. Chestcrush // ΨΥΧΟΒΓΑΛΤΗΣ
#4. Dormant Ordeal // Tooth and Nail
#3. Qrixkuor // The Womb of the World
#2. Primitive Man // Observance
#1. Wytch Hazel // V: Lamentations – I know, I’m surprised too. But the bottom line is that I’ve been listening to V: Lamentations front to back at least once a week since it released on the most American of holidays, July 4th. For Steel, Wytch Hazel’s latest didn’t have the same staying power as previous efforts, but Lamentations is the first to truly resonate with me. Though musically consistent with their Wishbone Ash-meets-Eagles style, vocalist Colin Hendra brings a new sense of passion to the record, and the interplay between instruments, vocals, and lyrics hits me like a lightning bolt. Very possibly inspired by the core Christian tenet laid out in Romans 6:23-24,2 Lamentations is a masterful portrayal of what it means to perpetually fail, to know you’ll never be good enough, and in the face of a salvation that renders all efforts, deeds, and accomplishments worthless, to keep striving toward the impossible anyway. Even for godless sinners like me, Lamentations is a beautiful reminder that purpose is found in hardship, that the journey is the goal, and that falling down is merely an opportunity to stand up again.

Honorable Mentions:

Song o’ the Year:

  • Yellowcard – “honestly i”

Grin Reaper

(ish) Sallow Moth // Mossbane Lantern
#10. Turian // Blood Quantum Blues
#9. Calva Louise // Edge of the Abyss
#8. Lychgate // Precipice
#7. An Abstract Illusion // The Sleeping City
#6. Thron // Vurias
#5. Structure // Heritage
#4. Species // Changelings
#3. Havukruunu // Tavastland
#2. Aephanemer // Utopie
#1. 1914 // Viribus Unitis – I didn’t know Viribus Unitis would be my top album of the year the first time I listened to it, but I knew it would list. 1914’s naked emotion and rousing story of a Ukrainian soldier’s survival through World War I, reconciliation with his family, and inescapable return to war remains as gripping and bittersweet now as it did the first time I heard it. Across adrenaline-fueled riffing, oppressive marches, and somber dirges, 1914 never relents on musical or lyrical weight. Though Viribus Unitis was released late in the year, it quickly became the standard I used to appraise albums while going through listing season. 1914 paints war-torn life with savage grace, supplying devastating melody and grueling crawls that elevate the album to such heights that I’m genuinely moved each time I get to the end. Viribus Unitis is bleak, raw, and human, but for all that, I’m never deterred from listening. Ultimately, 1914 clutches the threads of hope and weaves an aural tapestry that brings tragedy and triumph to life, cementing Viribus Unitis as my undisputed top album of 2025.


Honorable Mentions:

Songs o’ the Year:

  • Aephanemer – “Le Cimetière Marin”

  • 1914 – “1918 Pt. III: ADE (A Duty to Escape)”

Andy-War-Hall

#ish: Dragon Skull // Chaos Fire Vengeance
#10: Changeling // Changeling
#9: Steel Arctus // Dreamruler
#8: Abigail Williams //A Void Within Existence
#7: Petrified Giant // Endless Ark
#6: Imperial Triumphant // Goldstar
#5: Structure // Heritage
#4: Lipoma // No Cure for the Sick
#3: Crippling Alcoholism // Camgirl
#2: Hexrot // Formless Ruin of Oblivion
#1: 1914 // Viribus Unitis Immersion defines great music and art for me. It is almost unfortunate how good 1914 are in this facet of their music. Their ability to transport the listener to the battlefield in all its violence, both carnal and psychological, is stupefying. The utter dehumanizing hatred with “1914 (The Siege of Przemyśl),” the ravenous bloodlust of “1917 (The Isonzo Front),” the hellish wails haunting “1918 Pt. 1 (WIA – Wounded in Action):” all portrayed vividly through 1914’s brilliantly caustic and composed musicianship and deeply personal lyricism. When Dmytro Ternushchak bellows “For three days / The Russians attacked / And accomplished nothing but / 40,000 dead pigs” [“1914 (The Siege of Przemyśl)”], it’s all you need to get into his character’s violent headspace. When 1914 mournfully sing in Ukrainian “Це моя земля3 [1915 (Easter Battle for the Zwinin Ridge)], you grasp how someone could put their life on the line for kin and country. When our soldier sings “My little girl reached out to me / But duty calls” [1919 (The Home Where I Died)]… well, shit, your heart just has to break, right? 1914 don’t play “history metal.” Viribus Unitis is as present and relevant as you can get.

Honorable Mentions:

Song o’ the Year:

  • Fell Omen – “The Fire is Still Warm”



Lavender Larcenist

#ish Spiritbox // Tsunami Sea
#10. Sold Soul // Just Like That, I Disappear Entirely
#9. Calva Louise // Edge of the Abyss
#8. Dying Wish // Flesh Stays Together
#7. Grima // Nightside
#6. Aversed // Erasure of Color
#5. Deafheaven // Lonely People With Power
#4. Ghost Bath // Rose Thorn Necklace
#3. Changeling // Changeling
#2. Dormant Ordeal // Tooth and Nail
#1. Crippling Alcoholism // Camgirl – Sometimes you listen to music, and you feel like it gets you. Camgirl was exactly that type of album, and it probably doesn’t say anything good about me. Ever since Crippling Alcoholism’s latest graced my ears and I shared it with my partner, we have been singing “I fucking hate the way I look, yeah I look like a fat fucking scumbag” way too often and mumbling “Mr. Ran away, ran away from family” every chance we get. The album is dripping with the atmosphere of neon-lit back rooms, seedy interactions, and terrible decision-making. It feels like a lens into the lives of those society has left behind, and I can’t help but feel a connection. The self-destructive nihilism, drugged-out sex, and abrupt violence that is all too common in those on the margins of life is something I think more and more we can all relate to, and Camgirl is the art that mirrors society back to us. As a result, it is an album that is just as ugly as it is terrifying and beautiful.


Honorable Mentions:

Song o’ the Year:

  • Crippling Alcoholism – “bedrot”

Creeping Ivy

#ish. Nite // Cult of the Serpent Sun
#10. Blackbraid // Blackbraid III
#9. Flummox // Southern Progress
#8. 1914 // Viribus Unitis
#7. Cave Sermon // Fragile Wings
#6. Saor // Amidst the Ruins
#5. Imperial Triumphant // Goldstar
#4. Phantom Spell // Heather & Hearth
#3. Coroner // Dissonance Theory
#2. Messa // The Spin
#1. Havukruunu // TavastlandOn their Bandcamp page, Havukruunu explain the concept of their fourth LP: ‘Tavastland tells how in 1237 the Tavastians rose in rebellion against the church of Christ and drove the popes naked into the frost to die.’ Sounds like the metal album of 2025 to me! But I didn’t crown Tavastland for its lyrics that I can’t understand. As Dr. A.N. Grier has been exhorting for a decade, Havukruunu stands as a model of Viking black metal consistency, having dropped only very good-to-great albums since 2015. Tavastland isn’t a radical improvement over 2020’s Uinuous syömein sota, but it’s an (arguably excellent) improvement nonetheless, making it Havukruunu’s finest work yet. Yes, these fiery Finns forge sounds reminiscent of Bathory and Immortal, but Tavastland seized my attention for its adventurous prog sensibilities. Some of this can be attributed to the return of Hümo, whose bass rattles like the four strings of Geddy Lee. But the prog is deep in the album craft, from the overture-style modulations of opener “Kuolematon laulunhenki” to the extended guitar wankery of closer “De miseriis fennorum.” Now if only I can learn Finnish, I’ll be able to appreciate the killer anti-popery narrative while headbanging to my Record o’ 2025.

Honorable Mentions:

Song o’ the Year:

  • Phantom Spell – “The Autumn Citadel”



Baguette of Bodom

#ish. In the Woods… // Otra
#10. Species // Changelings
#9. Dragon Skull // Chaos Fire Vengeance
#8. A-Z // A2Z²
#7. Apocalypse Orchestra // A Plague upon Thee
#6. Amorphis // Borderland
#5. Dolmen Gate // Echoes of Ancient Tales
#4. Dormant Ordeal // Tooth and Nail
#3. Amalekim // Shir Hashirim
#2. Suotana // Ounas II
#1. Buried Realm // The Dormant Darkness – Melodic tech death? Symphonic power metal? Who knows! Much like my 2025 in general, The Dormant Darkness has a bit of everything in one gigantic clusterfuck. The great news is, neither I nor the album crumbled under all that weight. In a year full of odd twists and turns, my list became more varied and unusual than ever. Buried Realm took this variety and gave me everything I like about metal in one dense package: blazing speeds, soaring guitars, majestic vocals, and relentless fury. It’s also inexplicably well-produced for how many layers there are to deal with. While 2025 was not a particularly star-studded release year—especially compared to most of the 2020s so far—it threw plenty of fun curveballs at me, and The Dormant Darkness exemplifies this with its Xothian fusion of metal subgenres in one big Ophidian I blender ov shred. I would also like to request several Christian Älvestam features on every album, please.

Honorable Mentions:

Song o’ the Year:

  • Dragon Skull – “Blood and Souls”

Chaos Fire Vengeance by Dragon Skull

#1914 #2025 #AZ #AbigailWilliams #Abominator #Aephanemer #Agriculture #AmIInTrouble #Amalekim #Ambush #Amorphis #AnAbstractIllusion #ApocalypseOrchestra #Arkhaaik #Asira #Astronoid #Atlantic #AvaMendozaGabbyFlukeMogalCarolinaPérez #Aversed #Besna #BetweenTheBuriedAndMe #Bianca #Blackbraid #Blasphamagoatachrist #Blindfolded #BlogLists #Bloodywood #BlutAusNord #Bruit #BuriedRealm #CalvaLouise #CaveSermon #Changeling #Chestcrush #Coroner #CrimsonShadows #CripplingAlcoholism #DawnOfSolace #DaxRiggs #Deafheaven #DeathYell #Décryptal #Defigurement #DerWegEinerFreiheit #DolmenGate #DormantOrdeal #DragonSkull #DyingWish #Dynazty #Fange #FellOmen #Flummox #Gazpacho #GhostBath #Gorycz #Grima #Guts #HangoverInMinsk #Hasard #Havukruunu #Hexrot #HoodedMenace #Igorr #Igorrr #II #ImperialTriumphant #JonathanHultén #Kauan #LabyrinthusStellarum #Lipoma #Lists #Lorde #LornaShore #Lychgate #MaleficThrone #Messa #MoronPolice #Motherless #MutagenicHost #Nephylim #NightFlightOrchestra #Nite #Novarupta #OllieWride #Ophelion #OrbitCulture #Oromet #Panopticon #ParadiseLost #PedestalForLeviathan #PerditionTemple #PetrifiedGiant #PhantomSpell #PrimitiveMan #Proscription #Psychonaut #PupilSlicer #Puteraeon #Qrixkuor #Revocation #SallowMoth #Saor #ShadowOfIntent #ShayferJames #ShedTheSkin #Sigh #SoldSoul #Species #Spiritbox #Starscourge #SteelArctus #StevenWilson #Strigiform #Structure #Suncraft #Suotana #Teitanblood #TheAMGStaffPickTheirTopTenIshOf2025 #TheMidnight #Thron #Thumos #Turian #ÜltraRaptör #Urn #VenomousEchoes #VictimOfFire #Walg #Wardruna #WeepingSores #WyattE #WytchHazel #YellowEyes #Yellowcard #ZéroAbsolu
PEDESTAL FOR LEVIATHAN (Estats Units) presenta nou àlbum: "Enter: Vampyric Manifestation" #PedestalForLeviathan #SymphonicBlackenedDeathMetal #Desembre2025 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

Pedestal for Leviathan – Enter: Vampyric Manifestation Review

By Kenstrosity

Depending on what you already know about the castle to your left and what it holds, this review will either come late, very late, or right on time (read: actually on time or only slightly late). That’s because Colorado’s goth-soaked symphonic brutal death upstarts Pedestal for Leviathan originally self-released their debut LP, Enter: Vampyric Manifestation, on Halloween. In short order, it was picked up for distro by Gurgling Gore Productions, who released it again digitally on November 14th (with physical cassettes dropping December 12th). Then, Personal Records also picked it up for yet another digi release, along with a compact disc release, set for December 12th. Having none of this information prior to picking up Personal Records’ promo for review, needless to say, I was confused and frustrated. However, Enter: Vampyric Manifestation was simply too cool not to write about, so here we are.

Pedestal for Leviathan is the answer to the question: how can I get truly superhuman gains in my Transylvanian vampire castle’s basement gym complex? Really, the question should be: how would I not secure superhuman gains when riffs muscular enough to impede movement are, in fact, often as strong as they look. Riff after beastly riff, in conjunction with positively ignorant percussive grooves, wreck spines and rip muscle fibers apart, while gothic organs, ominous bells, and plucky strings heal the damage wrought so efficiently that just as soon as it seemed like I was dead, I am reborn stronger than before. This is the core of Pedestal for Leviathan’s sound, and it’s a formula that bloody works. While the standard version of Enter: Vampyric Manifestation clocks in at a suspiciously tight 24 minutes spread across eight songs, the Personal Records edition boasts three extra bonus tracks, beefing the runtime up to a healthy 34 minutes. And, aside from a slightly tweaked guitar tone that shifts towards the blackened, each of these three additions fits perfectly in the sequence, making this version of Pedestal for Leviathan’s debut the most well-rounded and fleshed out choice.

That said, these ten tracks (excluding instrumental interlude “Snow Covered Monolith”) are a clinic in dark, but fun brutal death with a dramatic streak and a slammy attitude. Equal parts Tomb Mold, Rotpit, Bodybox, and Dracula, Enter: Vampyric Manifestation launches with two heavy-hitting beatdowns worth sinking my teeth into and drawing life essence from. With the downright sexy grooves churning out of “Summoning Sickness” and staining the whimsical sharpness of “Lycanthropichrist,” Pedestal for Leviathan deftly balance the cavebrained heft and guttural utterances of the br00tal with the rich and velvety textures of something more sophisticated in principle. With that balance comes lethality, as demonstrated by the sheer impact that late-album weaponized riff-machines “Karmic Recollection Mirror” and “Warlock Blacksmith” level upon my flesh and bone.

By taking something untamed and primal like brutal death metal, and using something softer and silkier to add shape and texture, the Colorado four-banger created an interesting, engaging, and above all, reconciled experience (“Sanctity of Retribution,” “Purgatory Displacement”). While a record in this category would work just fine without the organs, the strings, the choirs, and the bells (most of which are, expectedly, likely sampled sounds rather than real instruments), those extra baubles aren’t just for show. They add substance, character, and gravity to pivotal moments that punctuate riffs, contextualize phrase transitions, and enhance the spaces around metallic elements without crowding them unnecessarily (“Lycanthropichrist,” “Warlock Blacksmith,” “Nightshade Familiar”). The only exception is interlude “Snow Covered Monolith,” which amounts to pure fluff and offers little in the way of the aforementioned benefits.

Enter: Vampyric Manifestation falls shy of something groundbreaking, but reeks with weapons-grade stench on Pedestal for Leviathan’s behalf. If the group can capitalize on Enter’s bonecrushing successes while steering clear of pitfalls or missteps like “Snow Covered Monolith”—which disrupts as severely as it does in part due to the record’s brevity—or the odd shift in guitar tone in this version’s otherwise worthy bonus tracks,1 then I don’t see how Pedestal for Leviathan couldn’t alter the field in which they frolic. For now, though, be free and revel with great mirth under the shadowed, steepled glory that is Enter: Vampyric Manifestation.

Rating: Great
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Self-Release / GurglingGore / Personal Records
Websites: pedestalforleviathan.bandcamp.com | ampwall.com/a/pedestalforleviathan
Releases Worldwide: October 31st, 2025 (Self-Release) / November 14th, 2025 (Gurgling Gore) / December 12th, 2025 (Personal Records)

#2025 #40 #AmericanMetal #BlackMetal #Bodybox #BrutalDeathMetal #DeathMetal #Dec25 #EnterVampyricManifestation #PedestalForLeviathan #Review #Reviews #Rotpit #SelfReleaseGurglingGorePersonalRecords #SymphonicDeathMetal #SymphonicMetal #TombMold