Fell Omen – Caelid Dog Summer Review

By Alekhines Gun

Raw black metal is a tricky proposition. There’s an extremely thin line to walk between production choices designed to add mood and atmosphere to compositions via a wall of auditory fog and production choices that sound like someone threw their equipment down a block of concrete stairs and deemed it “artistic.” Countless one-man projects launch all the time to throw their hat in the ring with the Black Cilice’s and Paysage D’hivers of the world, with results ranging from formidable to unlistenable. Hailing from Greece, Fell Omen are newcomers to this arena, with their second album dropping a meagre six months after their first. Such a rapid turnaround implies either a deep creative well or a collection of kiddie-pool shallow ideas, so let’s dive in and see what these dog summer days have to offer.

How raw is raw? Caelid Dog Summer sounds most comparable to …Eternal Hails era Darkthrone. Everything is naturally underproduced, but only just-so, with a clarity in the instruments so all can be heard without sounding shimmery and polished. This gives the sound palate of Fell Omen a punkish and suitably rough-hewn style which suits the somewhat simplistic riff stylings of “Poise On Rune” without swinging into treble-tearing subwoofer-blowing ugliness. The raw-as-atmosphere is elsewhere emphasized in the beautiful runs littered across “Northern Lights Bomb,” where the warbling under-production adds to the piercing melodies without burying them in a haze of noise. While perhaps not quite ugly enough to be straight Cherd bait, Caelid Dog Summer manages to stick the landing with a production which qualifies for the genre label while being clear enough to let its moments of triumph and mood shine through.

As for the mood, the name of the game is fun.1 Fell Omen have assembled a collection of songs into fist-pumping, coke-snorting, beer-swigging sounds of grandeur and delight in complete defiance of stereotype. “Starscourge Phase One & Phase Two” kicks in the doors with straightforward assault which is almost Motörhead-ed in its enthusiasm and glee, with major chord progressions and solos that sound ripped from old school heavy metal trappings in their melodic noodlage and drunkenly shredded exuberance. “The Horrors Persist But So Does Steel” is a short, straightforward whip-cracking assault with some medieval-tinged melodies reminiscent of Godkiller. Those aural fingerprints, as well as the atmospheres of a much more streamlined Obsequiae result in a listen which manages to sound like its lifted from the world of our exhausted knight in not-so-shiny armor without losing its own sense of identity in the process.

Performances are enthusiastic, and while never anything complicated enough to be considered techy, they are delivered with skill. Sole member “Spider of Pnyx” delivers one solo after another without ever devolving into guitar-hero wankery. Closing track “The Fire is Still Warm” pumps the brakes on the tempo at last for a proper album finale, though it does take a little long getting the point across. Other than a few riffs across the album being stretched longer than they need to, songs come complete with identity and personality, well-arranged from atmospheric transitions to quick bursts of energy before collapsing back into a drunken bar brawl solo. His vocals are also excellent, not drowning the music in a blanket of voice but adding emphasis to groove and riff alike with a pitch like he was raised on a steady diet of extra coarse sandpaper. This care in assembly from beginning to end allows the sub-half-hour run time to feel perfect, as the album arrives, says its peace, raids your liquor cabinet, and runs off into the night before you can saddle your nearest horse.

Suffice to say, I’ve had a great time with Caelid Dog Summer. A defiant middle finger to the well-established trope of “No Mosh No Trends No Fun”, Fell Omen have crafted a platter worthy of triggering mosh, bringing back the trend of sexy lads in shining armor, and absolutely oodles of fun. That the album does so without ever devolving into self-parody or trying its hand at out EVILLLLLLing2 genre mates is worthy of commendation. The fact that it also manages to nail the balance between raw atmosphere and approachability elevates it from a simple fun listen to a truly delightful experience. Go grab some beer and dive into the last days of this truly dogged summer.

Rating: 3.5/5
DR: 6 | Format Reviewed: 320 kbps mp3
Label: True Cult Records
Website: Official Bandcamp
Releases Worldwide: August 15th, 2025

#2025 #35 #Aug25 #CaelidDogSummer #Darkthrone #FellOmen #Godkiller #GreekMetal #Motörhead #Obsequiae #RawBlackMetal #Review #Reviews #TrueCultRecords

Fell Omen – Invaded by a Dark Spirit Review

By Thus Spoke

If you’re especially in the know, you might already be familiar with the artist behind Fell Omen, Spider of Pynx. Having contributed hurdy-gurdy and electronica skills to two different Spectral Lore records under this moniker, he has also created cover art for Auriferous Flame, Cirkeln, and Μπατουσκα, under the name Gilded Panoply. After years of lurking about the black metal scene, with Invaded by a Dark Spirit, the Spider has the chance to step out of the background and begin their officially ‘metal’ musical arc as Fell Omen.1 Here for a good time, and not a long time, with a runtime barely surpassing 20 minutes,2 Invaded by a Dark Spirit is a lightning round in Fell Omen’s raucous take on black metal.

Invaded by a Dark Spirit is characterized by two main facets: punky attitude and crusty sound—though it’s not exactly crust-punk stylistically. While there are hints of Wormwitch here and there, this is combined with an old Immortal vibe about the riffs and vocals, as well as frequent use of hurdy-gurdy. Rambunctious rhythms and refrains abound (“Dungeon Metal Punks Besieging Digital Castles,” “Warrior Jar,” “In the Poison Swamp”). The record maintains this rough and ready tone throughout: while there is a subtly different flair to individual tracks, there’s not a lot to actually distinguish them. Opener “Don’t Go Hollow, You Have Steel,”3, showcases everything you will hear for the rest of the record, with the exception of vocals, which here are restricted to the occasional snarled “eaaaagh!” The low-fi production which brings the fuzz and distortion, and that faraway washy quality to the vocals, contributes to the album’s coarseness and the sense of a gutsy spirit. But it equally brings the above uniformity into the realm of the problematic, as well as generating some problems of its own.

Rawness itself is not the issue, it’s how this rawness negatively affects Fell Omen’s compositions. Good raw black metal is a biting assault that can be beautiful or brutal. But in the case of Invaded by a Dark Spirit, the grittiness makes everything bland or bothersome. Hurdy-gurdy, sitting right at the front of the mix, wailing its refrain through the cellophane wrapping of the master, like a fucking kazoo, is jarring in a way I had not experienced before. And it is used a lot. That being said, the actual guitar is also prone to flights of wobbly fancy that imitate the hurdy-gurdy’s mannerisms in a way that blurs the line between them. This guitar sound could be cool, and in fact sometimes actually is (“Dungeon Metal…,” “In the Poison Swamp”), but the milquetoast package it comes in saps that coolness away. Programmed and acoustic drums alike sound akin to a stock keyboard ‘drum’ noise and are thus indistinguishable. Pointlessly brief flashes of synth get thrown in for no identifiable reason other than a whim (“Dungeon Metal…,” “Forlorn Knights and Strange Flasks”, tricking the listener into thinking that something interesting might be about to happen. Even setting aside particular noises that might be personal triggers, the songs are boring: monotonous in their vaguely repetitious way and stultified by the veil of grime.

While there are some admittedly catchy grooves sprinkled around Invaded by a Dark Spirit, the above problems block proper enjoyment of them. “In the Poison Swamp” is the closest thing to a “banger” with its infectious rhythms and well-timed “rawwrr”s working well off of the bendy guitar lines. It’s a shame it comes last. Others (“Don’t Go Hollow…,” “Warrior Jar”) can get your head bobbing well enough, and if you strain your ears just right, the whining melodies (hurdy-gurdy or otherwise) sound almost gnarly. Yet nothing is gripping; nothing is sufficiently slick, raw, or savage enough to capitalize on the low-fi sound and make this the rollicking riot it could so easily have been. Rather, it all feels anodyne, distant, and placid.

For an album that only lasts around 20 minutes, Invaded by a Fell Spirit is a drag to get through; unless, that is, you just ignore it, which is relatively easy to do. Fell Omen can craft some fun grooves, and there is some cool stuff going on with the guitar distortion and hurdy-gurdy, but these are superseded by the monotony and paradoxical blandness of it all. You can have a good time with selected tracks, but it doesn’t diminish the fact that Invaded by a Dark Spirit is nothing like the boisterous, epic tale it pretends to be.

Rating: Disappointing
DR: 5 | Format Reviewed: 320 kb/s mp3
Label: True Cult Records
Websites: Bandcamp | Facebook
Releases Worldwide: February 14th, 2025

#20 #2025 #BlackMetal #Crust #CrustPunk #DungeonSynth #Feb25 #FellOmen #GreekMetal #Immortal #InvadedByADarkSpirit #RawBlackMetal #Review #Reviews #TrueCultRecords #Wormwitch