🕊️ Feathers Left Around: A Chilling Mystery by Carolyn Wells 🕵️‍♀️

🕊️ Feathers Left Around: A Chilling Mystery by Carolyn Wells 🕵️‍♀️ Dive into the enigmatic world of Feathers Left Around, a compelling short story by Carolyn Wells that unravels a perplexing mystery in turn-of-the-century Philadelphia. When a series of bizarre crimes are marked by the chilling presence of delicate feathers at each scene, both investigators and readers are drawn into a web of suspense and supernatural intrigue. Join our expert narration as we explore each twist, hidden clue, and eerie moment in this unforgettable classic. In this narrative, Wells masterfully blends elements of detective fiction and ghostly phenomena, creating an

FOGOLF - FOLLOW GOLF

Very happy to see this FINALLY published, because my colleague Dr Chelsea Miya and I worked very hard to put this together over quite a while!

https://www.digitalstudies.org/article/id/11068/

Anyway, this is an article describing what I did in my last contract in the context of viral "unboxing" videos lol. I mean, also we talk a lot about #privacy when it comes to #HistoricalAudio.

#DH #digihum #DigitalHumanities #Publishing #AcademicPublishing #Literature #LiteraryAudio #AudioRecordings @academicchatter

Unboxing the Archive with SpokenWeb UAlberta: A Case Study in Literary Audio Rights

The following paper builds on recent theorizations of ethical archival methodologies, using a case study of archival "unboxings" at the SpokenWeb UAlberta as an invitation to think through critical questions such as these: How do we be good caretakers of audio data, aural/audio histories? Who are the stakeholders represented in the collection, and also, what is at stake, not just in terms of our legal obligations, but our ethical and moral responsibilities? The paper explores how digitizing historical audio collections can create opportunities to open up a dialogue between scholars and artists, but at the same time also introduce new complexities around issues of privacy and consent. As we have found, “care-full” archival work, to use Cowan’s term, requires us to engage with and imagine past, present, and future media, as well as past, present, and future users.   Le présent article s'appuie sur des théorisations récentes des méthodologies archivistiques éthiques, en utilisant une étude de cas des "déballages" d'archives chez SpokenWeb UAlberta comme une invitation à réfléchir à des questions critiques telles que : Comment pouvons-nous être de bons gardiens des données audio, des histoires orales/audio ? Quels sont les parties prenantes représentées dans la collection, et également, quels sont les enjeux, non seulement en termes de nos obligations légales, mais aussi de nos responsabilités éthiques et morales ? L'article explore comment la numérisation des collections audio historiques peut créer des opportunités pour ouvrir un dialogue entre chercheurs et artistes, tout en introduisant de nouvelles complexités liées aux questions de confidentialité et de consentement. Comme nous l'avons constaté, un travail archivistique "plein de soin", pour utiliser le terme de Cowan, exige que nous nous engagions avec et imaginions les médias du passé, du présent et du futur, ainsi que les utilisateurs du passé, du présent et du futur.

Digital Studies / Le champ numérique
Lit sounds: U of A experts help rescue treasure trove of audio cultural history

A U of A professor is helping to rescue tens of thousands of lost audio and video recordings — on tape, film, vinyl or any other bygone media — across North America.

Woot the ShortCuts Live podcast episode I'm on is live! Listen to me from May 2022, just after presenting a joint paper at the #SpokenWeb #symposium

#podcast #research #ShortCuts #LiteraryAudio #pronouns #GenderPolitics #CampusRadio #WomensRights #Editing #Language

@academicchatter