Golden Hours Released New Album âBeyond Wiresâ Via Fuzz Club
âBeyond Wiresâ, the sophomore album from Berlin/Brussels post-punk group Golden Hours is out today on Fuzz Club. Alongside the release of their second full-length, the band are also releasing a video for âThe Same Thingâ â following earlier singles âThe Letterâ, âHeading For The Moonâ, and âArctic Desertâ.
Based between Berlin and Brussels, Golden Hours are HĂĄkon AĂ”alsteinsson, Wim Janssens, Tobias Humble and Rodrigo Fuentealba Palavacino â an outfit of seasoned players who between them have performed as part of Gang Of Four, The Brian Jonestown Massacre, Tricky, The Fuzztones and more. Golden Hours first rumbled out of the shadows in 2023 with their self-titled debut and are now emerging once more with âBeyond Wiresâ.
âBeyond Wiresâ was knit together in-between the tours and other obligations of its four members, written and recorded in rehearsal rooms in Berlin and an old mansion in Brussels. âThe latter definitely put its stamp on the record with its noisy electric static bleeding into every songâ, says Wim. But a band like Golden Hours never shies away from these things: they lean into it and welcome those ghostly appearances with open arms and just try to out-fuzz the buzz with layers of noise and strong melodic elements that cut through like a knife.
âWith the new album, the band is stealthily moving closer to a sonic space that we can call our ownâ, says Wim. The sum of all the influences gathered in the recording room could easily crush any other band that doesnât have the mileage under its belt like Golden Hours has â but for all the influences deeply encoded in its DNA, the band is able to add their flavor time and time again.
âBeyond Wiresâ is the sound of four people gathering in a Berlin rehearsal room, punching holes in a wall and picking up the fallen bits to create something new over the course of a few days. Not easily distracted or outgunned in the game of trial and error that is still their favorite tool in the creative process, Golden Hours seems to swear by the simplest of rules: âA light shakinâ of the head to the left and right will kill a weak idea in a heartbeat, when no-one says anything the idea is likely accepted. Youâve got to keep the roads clear, to let all the good stuff pass through. You can throw up road blocks in your own time.â
https://youtu.be/82YjtSwxIHU?si=FY6Lk9aOIop119Ho
On the release week single âThe Same Thingâ, Wim says: âThe Same Thing leans heavily on Tobias deadpan drum groove and shows the band in full repetitive kraut modus. The song was the last one added to the long-list for the album. When all tracks were recorded, the question was asked: did anyone still have any gems hidden up their sleeves? Hakon started playing this guitar riff, and we all instantly locked in, and within 15 minutes, a song structure appeared. After 2 takes, the basic track was nailed. The song took a slight turn when vocals and extra layers were added in post-production, away from the obvious and into more atmospheric realms, in sync with the overall sound of the album.â
âThe song is about the inevitable that comes for you, mostly in moments when you let your guard down. Good things, bad thingsâŠThe ground beneath your feet can disappear in an instant. Itâs the stuff you can never prepare for unless you want to live your life in fear, hiding in a bunker somewhere in a desert where the floods canât reach you. And it hardly ever happens to you alone, even when no one else gets hit, thereâs always collateral damage, stuff that pops up and rears its ugly head years after the avalanche turned your world upside down. Itâs a cleansing ritual at best if youâre able to get from under the snow. You canât keep an eye on everything all the time, and you probably wonât see or hear it coming anyway, but as Tom Waits so beautifully put it:âWeâre all gonna be just dirt in the groundâ, so no need to go check on your car that fell into that sinking hole before your time is up.â
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