Getting Acquainted with the Horror Genre

Disclaimer: BEWARE OF SPOILERS.

So I read Stephen King’s Night Shift in March and was left with questions.

Stephen King is the horror author I was hearing about most growing up and walking past in the library because horror was a no-no back then, said to be demonic. So I never thought to read it until I was an adult and gave myself permission to read whatever I want. (There were no African authors I knew of who wrote horror and Black-American authors were not on my radar yet. Libraries, bookstores and street corners where some vendors sell used books were still full of white Western writers even in my African city -this is still the case. And I wasn’t on the Internet.) Even then, only this year did I read a Stephen King.

Night Shift seemed like a good idea because it’s a collection of short stories. It would provide me with a range of angles and styles with which he writes his stories, I reasoned. In terms of his style of writing short stories, I wasn’t disappointed at all. Sometimes people write short story collections like they’re an afterthought. However, I found each story in Night Shift felt full, well thought-out and… complete? Like a whole entire project. Whereas people reserve that energy for novels and novellas, usually.

My questions began as I read on and realised ground zero for the violence in almost every story was the woman. One cannot help but notice these things if you belong to that group of people. There was even a story where a man made a deal with somebody but he was told if he reneged, his wife (and child, if I remember correctly) would be harmed to varying degrees depending on how many times he reneged. And another where a man lost his wife and daughter to vampires but was saved from his own demise by other men. A woman in a factory whose machinery had gone rogue died a gory, brutal death. Etcetera. It was an exhibit of mostly female deaths.

Even when the guy also died at the end, her death was graphic and detailed. It was like the men were making all the decisions and the women -mostly- were facing the consequences. Except in stories where there weren’t really any women in that particular story. I ended up almost preferring those. (The deaths were gentler, weren’t they?)

The women were stereotypical, mostly. But so were the men. Everyone was fitting neatly somewhat into how 1950s white American roles and domestic life have been popularised on screen. And I was not used to reading that kind of literature or those kinds of characters.

As much as I enjoyed his skill in the construction of the stories, I began to struggle as the book went on. Sometimes I’d put it down and ended up taking longer than I thought to finish it. Until… the one story I thoroughly enjoyed: I Know What You Need. That one… The construction, the characters, the underlying meanings, the pacing, the suspense even… I was thinking about it long after I finished the book. So good.

This story was simply a breath of fresh air. The female characters were finally well fleshed out, in my opinion, and they were critical thinkers. One helped the other out. And the leading lady did not die in the end. She was human enough yet she figured stuff out and walked away victorious. I was so happy to read that story because, not only did I get to experience a writing style I was enjoying, I also got to root for the story.

The questions flooded in at that point. Why had he chosen to write the female characters in all the other stories the way he did, then? They ended up sounding somewhat similar. Is that how horror was traditionally written? One distinct, active group of people. Another distinct, tortured, passive group of people. And then I realised maybe there were machinations of the horror genre that I just wasn’t privy to. So I went on YouTube to find an explanation because it really felt like there was inside information I was missing. I was genuinely puzzled. That one story totally transformed how I experienced that book. And I know there are cultural norms that allowed men to think of women a certain way and this shows up in art. But I don’t know. I think I wanted an explanation for the flatness/similarity that occurred before and after that one story.

I found a gem of a video by Sinead Hanna. And immediately, the horror genre was brought to life for me. I also began to identify some more differences between the stories; the point of each story. I think I understand the tropes now and what they’re doing with the women. Which I don’t necessarily agree with but I suppose each genre expresses or worked through discriminatory programming in its own way. From Sinead Hanna’s video, I even found out what on earth ‘the final girl’ is -a term I first met in a title by Grady Hendrix (still to be read) The Final Girl Support Group. It makes sense now who they are and why they’d need a support group! I had no idea that was a whole thing.

Definitely, I’m starting to understand why horror fascinates some people. They’re not just titillated by fear for unknown reasons (my somewhat judgmental take before I started really thinking about the genre)… It’s not even always about fear.

I’ve since made (another) list of horror authors to explore -including authors from all kinds of cultures around the world. Usually, I do this to see how different people interpret different ideas and it’s also a good way to continue to shift my own perspective slowly towards decolonisation. I start with whoever introduced the genre or idea to me and then I go to all kinds of roots of storytelling. It’s working well so far.

It would be good to decide this year horror is the previously unfamiliar genre I’m exploring. Fantasy, next year. Sci-fi, 2028. It turns out it’s not enough to read the books. A bit more research makes things doubly fun. Sometimes a well done video from a member of the fandom is a fantastic way to sink teeth into what makes readers love what they love. It feels like going crazy over a book with a friend. Or slowly coming to a realisation or understanding via someone else’s palpable excitement.

#BookReview #bookReview #books #Decolonisation #Decolonization #fiction #Horror #NightShift #Reading #SineadHanna #StephenKing #Writing #WritingStyles
#UncropTheTruth #Decolonisation
This is how legible Ajanta becomes when decay is removed

Bodies became problems. Curves became sins. Language turned abusive. Covering became culture.

And today? The same sculpture is called “flamboyant.” “Un-Indian.” 😶

So what is tradition really?

The stone… or the discomfort?

Archaeology doesn’t whisper. It confronts. 🔥

#UncropTheTruth #Decolonisation

Mangar Bani isn't just a forest.

It's a reminder that survival is not always about discovery.

Sometimes it's about what people chose not to touch.

And what happens when that choice disappears.

#UncropTheTruth #Decolonisation

I’ll be taking part in the next episode of Breaking Culture Live this afternoon, broadcasting on their YouTube channel at noon NYC time (5 pm UK): https://www.youtube.com/@BreakingCultureLive/streams

We’ll be discussing my new book, Defund Culture: A Radical Proposal – available #openaccess on a CC4r basis in a variety of formats (https://www.mediastudies.press/defund-culture-a-radical-proposal) - addressing what serves as its sub-subtitle: “Why the #arts are so white, male, and middle-class, and what we can do about it.”

‘Breaking Culture Live is a Cultural Studies Association affiliated program hosted by Past President Sean Johnson Andrews. Every Wednesday we spend our lunch hour breaking down the breaking news with cultural studies scholars and activists, discussing their work ... ‘

Subscribe to the Breaking Culture Live YouTube channel and tune in at 11:00 am Chicago, noon NYC time, 5 pm UK: https://www.youtube.com/@BreakingCultureLive/streams

#DefundCulture #culture #class #copyright #decolonisation #UKPolitics #theory #culturalstudies #culturewar #WorkingClass

Breaking Culture Live

Breaking Culture Live is hosted by Sean Johnson Andrews. Each week we talk to a cultural studies scholar about the breaking news and their latest work in the field. We especially draw upon activists, professors, and graduate students affiliated with the Cultural Studies Association (CSA) or authors published in the CSA's jounal, Lateral. We also regularly share video lectures that use media and cultural theory to analyze a case study. Please subscribe to the channel to get regular updates. Sean Johnson Andrews is Associate Professor Emeritus of Cultural Studies at Columbia College Chicago. He is the Past President of the Cultural Studies Association. You can keep up with his writing at https://breakingculture.substack.com/

YouTube

why are all Bhimbetka paintings lazily pushed into deep prehistory?

Here’s the part nobody wants to say:

Not all dhotis are the same.

Early India knew **tight, movement-based wraps**.
Later India popularised the **round dhoti**.

This figure?
Clearly the former. Not the latter.

So where does it belong?

Not “10,000 BCE”.
Not “recent round-dhoti era”.

Somewhere we’re not properly dating.

And that’s the problem.

#UncropTheTruth #Decolonisation

Is covering oppression?
Or a lost aesthetic language?

Both images are not opposites.
They are performances.

Different systems. Same control.

One encodes sensuality within fabric.
The other displays it through absence.

So the real question is not East vs West.

Who defines the code?
And who benefits from it?

#UncropTheTruth #Decolonisation

https://auvio.rtbf.be/emission/soundtrack-to-a-coup-d-etat-28725
Un des films les plus puissants et agissants que j'ai vu ces dernières années, "#Soundtrack to a coup d'état" est en lecture libre.
"Ce film met en lumière comment la monarchie belge, le gouvernement des États-Unis et les multinationales se sont entendus pour utiliser des musiciens de jazz légendaires comme couverture pour des opérations secrètes visant à assassiner le premier ministre du Congo, Patrice Lumumba." Mais aussi comment il y a 60 ans, les dirigeants occidentaux ont vu comment le reste du monde était proche de les déborder, et quelle masse de violence ils ont dû déployer pour mettre ce volume d'émancipation sous le couvercle.
#Grimonprez #Congo #Belgique #USA #Lumumba #jazz #décolonisation #cinéma
Soundtrack to a coup d'état en streaming gratuit

Ce film met en lumière comment la monarchie belge, le gouvernement des Etats-Unis et les multinationales se sont entendus pour utiliser des musiciens de jazz légendaires

RTBF Auvio

Conférence Anti-impérialiste !

Université Paul-Valéry (Montpellier), mercredi 8 avril à 18:15 UTC+2

Nous organisons Mercredi 8 avril à 18h15 une Conférence anti-impérialiste aux côtés du Collectif Palestine libre, de RiseUp4Rojava du CDK-F ainsi que de Ceiny Hnyei.

Nous vous invitons donc à vous joindre à nous Salle Jean moulin à l'Université Paul Valéry !


Contre tous les empires, soutien aux peuples en lutte, de la Palestine à la Kanaky jusqu'au Kurdistan, solidarité internationale !

Se former pour mieux lutter !

https://www.aleale.org/event/conference-anti-imperialiste

🕸glané sur le net🕸 Des luttes altermondialistes, les gauches du nord ont appris à décoloniser leur pensée critique: Le CADTM, qui a participé activement à la conférence antifasciste et anti-impérialiste de Porto Alegre au… #Altermondialisme #JusticeSociale #MouvementsSociaux #Décolonisation

Des luttes altermondialistes, ...
Des luttes altermondialistes, les gauches du nord ont appris à décoloniser leur pensée critique – CADTM

Le CADTM, qui a participé activement à la conférence antifasciste et anti-impérialiste de Porto Alegre au Brésil, du 26 au 29 mars, est heureux de publier la communication réalisée par Patricia Pol…

CADTM