Attended a great printmaking workshop yesterday & learned a fun technique. Here are some of my prints in the drying rack. And the instructor, fabulous printmaker and sculptor Michael Kelly Williams showed me this catalog from a recent exhibition that featured work by his father Kelly Williams.
#Printmaking #AfricanAmericanArtists #BlackArtists

The shear amount of emotion packed into an incredibly efficient reuse of melodic material, and the richness of the harmonic structure is just... amazing.

But what I can't get over is the opening phrase. The way it just hugs that low Db (could be a C#, I'm not looking at the music, just going by ear), even at the end where there's a little bit of a rising melody that jumps back down for the last note.

The contrast in the register\tone makes that run up to beginning of the next phrase just shimmer.

#ClassicalMusic #AfricanAmericanMusicians #AfricanAmericanComposers #WillamGrantStill #AfricanAmericanArtists
#MusicCompostion #Orchestration

So I took my middle child to a (small) concert focusing on Violin Sonatas. They played the Brahms in D minor and a Mozart. It was fantastic.

Then they busted out Mother and Child by William Grant Still. And jaws just dropped. Including my own.

Technically, it wasn't nearly as challenging as either of the other pieces to perform, but each phrase is perfection. Not a single extra or missing note.

https://www.youtube.com/watch?v=9O2q5ZPdlFM

And here's a short bit about the art work that inspired it.

https://interlude.hk/musicians-and-artists-william-grant-still-and-sculpture/

#ClassicalMusic #AfricanAmericanMusicians #AfricanAmericanComposers #WillamGrantStill #AfricanAmericanArtists

Randall Goosby and Zhu Wang | Grant Still: Suite for Violin and Piano, II. Mother and Child

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What’s Up: Monthly offerings at Hopkins Hall Gallery and the Urban Arts Space - Samantha Harden

[🖼 Standard What's Up]

Founded on Ohio State’s Columbus campus in 2008, the Urban Arts Space has featured various rotating art exhibitions and installations each semester. 

The Hopkins Hall Gallery, also located on Ohio State’s Columbus campus, highlights the work of students, faculty members and other campus initiatives through differing projects. 

Click on the title of any exhibition below to learn more. 

Aug. 19-23 — “Time|Line” by Jeffery Haase (128 N. Oval Mall)

[🖼 Ohio State associate professor Jeffery Haase working on his “Time|Line” exhibition at the Hopkins Hall Gallery. Credit: Courtesy of Diane Kollman, Urban Arts Space]

Ohio State associate professor Jeffery Haase working on his “Time|Line” exhibition at the Hopkins Hall Gallery. Credit: Courtesy of Diane Kollman, Urban Arts Space

Following the COVID-19 pandemic — according to Ohio State’s website — Jeffery Haase, an associate professor in the Department of Design at Ohio State, spent some time reflecting on the nature and importance of time, eventually leading him to create the “Time|Line” exhibition. 

The exhibition reflects on three themes, according to Ohio State’s website; “My Life” features Haase’s reflections on his professional experiences as a draftsman, architect, designer, educator and artist, “Temporal Dynamics of Work” examines the changing relationship between time and work and “The Forgotten Craft of the Anonymous Draftsmen” highlights the art of relatively unknown craftsmen.

The exhibition is a durational performance in which Haase will build the artwork live in Hopkins Hall Gallery throughout the week. 

The exhibition will be on display until Friday and is open daily from 11 a.m.-4 p.m. 

Aug. 13-31 — “Guess Who’s Coming to Dinner” by Azubuike Akunne & Imani Mixon (50 W. Town St.) 

“Guess Who’s Coming to Dinner” — a joint exhibition from artist Azubuike Akunne as well as journalist, screenwriter and media personality Imani Mixon — addresses the issue of food desserts and food inaccessibility in America through a combination of metal portraits, plywood installations and interactive displays, according to Ohio State’s website

According to Ohio State’s website, the exhibition focuses on the “human family’s shared struggle for nutritional equity” and “challenges viewers to confront the impact of food inequality.” 

The exhibition, which will be on view until Aug. 31, is one of the three exhibitions featured in the Urban Arts Space’s Opening Reception Saturday from 5-7 p.m. 

Visitors are welcome from 11 a.m.-6 p.m. Tuesdays-Saturdays at the Urban Arts Space. 

Aug. 20-Sept. 21 — “Women’s Work” by Alex McClay & Stephanie Berrie (50 W. Town St.) 

“Women’s Work,” according to Ohio State’s website, will feature woven and beaded pieces from artist Alex McClay as well as sewing and sculptural printmaking work from artist Stephanie Berrie. 

According to Ohio State’s website, the exhibit explores themes of womanhood, feminism and the reclamation of power in vulnerability, challenging viewers to “rethink what ‘women’s work’ could be.” 

The exhibition will be featured during the Urban Art Space’s Opening Reception Saturday from 5-7 p.m. and will be on display Tuesday-Saturday 11 a.m.-6 p.m. until Sept. 21 at the Urban Arts Space. 

Aug. 20-Sept. 21 — “Illustrating History: Black Columbus” curated by Aleesha Nash (50 W. Town St.) 

According to Ohio State’s website, “Illustrating History: Black Columbus” is an exhibit — curated by illustrator, writer and Columbus native Aleesha Nash — meant to honor influential Black artists and educators in Columbus. 

The collection, according to Ohio State’s website, features illustrations and mixed-media installments that “capture each subject’s achievements and contributions to Columbus.” 

The exhibition will be featured during the Urban Art Space Opening Reception Saturday from 5-7 p.m. and will be on display Tuesday-Saturday 11 a.m.-6 p.m. until Sept. 21 at the Urban Arts Space. 

What’s Up: Monthly offerings at Hopkins Hall Gallery and the Urban Arts Space

Founded on Ohio State’s Columbus campus in 2008, the Urban Arts Space has featured various rotating art exhibitions and installations each semester.  The Hopkins Hall Gallery, also located on Ohio State’s Columbus campus, highlights the work of students, faculty members and other campus initiatives through differing projects.  Click on the title of any exhibition below […]

The Lantern
Aw, RIP Faith Ringhold
"Faith Ringgold Dies at 93; Wove Black Life Into Quilts and Children’s Books"
https://www.nytimes.com/2024/04/13/arts/faith-ringgold-dead.html
#Art #BlackArt #AfricanAmericanArtists
Faith Ringgold Dies at 93; Wove Black Life Into Quilts and Children’s Books

A champion of Black artists, she explored themes of race, gender, class, family and community through a vast array of media and later the written word.

The New York Times
Jeanne Moreau - Miles Davis - Louis Malle - Paris - 1958

http://cebolas.tumblr.com/

YouTube

Atlantics director Mati Diop on creating a complex portrait of Senegalese youth

"The French-Senegalese director joined q's Tom Power at the 2019 Toronto International Film Festival to talk about her Cannes-winning first feature, Atlantics."

https://www.youtube.com/watch?v=UsDaypeupHY

#Atlantis #MatiDiop #Cinephile #BlackMastadon #BlackFediverse #Cinema #Arts #Films #AfricanDirectors #Cinemastodon #BlackWomen #Arts #BlackWomenFilmDirectors #AfricanAmericanWomen #AfricanAmericanArtists #Senegalese #BlackTwitter

Atlantics director Mati Diop on creating a complex portrait of Senegalese youth

YouTube

“The Difficulty of Black Women (A Response)," Rizvana Bradley: Artforum

https://www.artforum.com/slant/the-difficulty-of-black-women-a-response-89859

"Rizvana Bradley is assistant professor of film and media studies at the University of California, Berkeley..."

Simone Leigh, Last Garment, 2022, bronze, 54
× 58 × 27". Photo: Timothy Schenck. © Simone Leigh.

#RizvanaBradley #BlackMastodon #BlackFedi #AfricanAmericanWomen #AfricanAmericanArtists #ArtForum #TheDifficultyofBlackWomen #BlackWomen #BlackExcellence

The Difficulty of Black Women (A Response)

what I write and how I write is done in order to save my own life.—Barbara Christian, “The Race for Theory”IN AN ESSAY on the uncompromising brilliance of Toni Morrison’s oeuvre, published just months before the passing of this inimitable writer, Namwali Serpell observes: “There are many ways to be ‘difficult’ in this world: stubborn, demanding, inconvenient, complex, troublesome, baffling, illegible. Black womanhood is where they overlap.” Black women have always been difficult for the world, which relentlessly demands their labors, but disdains the exorbitance their labors bring forth.This