So it's a round with a melody and counter melody where the answering voices starts a 5th above the originals and mirror the melodic shape.

Basically nobody is going to be able to tell that's what I did without looking at the score. It's showing off for conductors/musicians/and other composers.

But most importantly, I also think it sounds cool.

#MusicCompostion #Counterpoint

If you're curious:

A cannon is basically a round (so like Row Row Row your Boat or any other number of campfire songs)
A double cannon is one with two melodic lines that get repeated instead of just one.
A cannon at the 5th means that they melodic lines comes in a 5th above the original statement
A cannon by inversion means that the second instance of the melody goes down when the original goes up and up when the original goes down.

#MusicCompostion #Counterpoint

O.k. so maybe "I'm going to write a section of this pieces as a double cannon at the 5th by inversion" was making things hard on myself. Especially since I really didn't want it coming in all "And Now: RENAISSANCE ERA COUNTERPOINT!!", which is a big danger when you're doing modal composition.

BUT, I knew that I'm using a lot of root movements by 3rds. Which works out really nicely in inversion at the 5th.

Plus I don't care about approaching and resolving dissonances in any sort of systematic way. Which simplifies things so much.

Mostly I just wanted to flex that I wrote a short double cannon at the 5th by inversion. And it sounds stylistically like the rest of the piece. Just a denser texture.

#MusicCompostion #Counterpoint

Dear composers:

You may have heard about double basses that have a range to a written C below the staff. You should treat this as a lie. It's not, but it's a pretty small percentage of basses that have those and the rest of us are sick of having to start playing up an octave in the middle of a run.

If you can take the time to look up extended techniques and how to notate them properly, you can take the time to learn the practical range of an instrument that's had the same damn range for a handful of centuries now.

#MusicCompostion #DoubleBass

The shear amount of emotion packed into an incredibly efficient reuse of melodic material, and the richness of the harmonic structure is just... amazing.

But what I can't get over is the opening phrase. The way it just hugs that low Db (could be a C#, I'm not looking at the music, just going by ear), even at the end where there's a little bit of a rising melody that jumps back down for the last note.

The contrast in the register\tone makes that run up to beginning of the next phrase just shimmer.

#ClassicalMusic #AfricanAmericanMusicians #AfricanAmericanComposers #WillamGrantStill #AfricanAmericanArtists
#MusicCompostion #Orchestration