Emerald Black Latency, the technological latency of the green screen by Mario Santamaría

https://neural.it/77/027

#emeraldblacklatency #newmediaart #internet #data #artandtechnology #arttech #artandtech #datavisualization #informationdesign #newmediaartist #mediaart #mediaarts #mediaartist #informationart #onlineart #netart #netartist #internetart #internetculture #analoganddigital #analoguedigital #digitalcultures #technoculture #technosphere #dataethics #postphotography #artsciencetechnology #mariosantamaria #anthropoceneart #digitalaesthetics

@santa

City in the Cloud – #Data on the Ground explores the elemental, spatial, and temporal dimensions of the architecture of data.

👉🏻 https://www.architekturmuseum.de/en/exhibitions/city-in-the-cloud/

Nuestro regalo de navidad ha sido este artículo de @elmundotoday

"Un niño que ha usado ChatGPT para escribir su carta a los Reyes pide 200 servidores, dos megacentros y millones de dólares en subvenciones públicas

Los padres no saben dónde conseguir los 620.000 hectolitros de agua que ha pedido Rubén en su carta"

https://www.elmundotoday.com/2025/12/un-nino-que-ha-usado-chatgpt-para-escribir-su-carta-a-los-reyes-pide-200-servidores-dos-megacentros-y-millones-de-dolares-en-subvenciones-publicas/

The upcoming edition of Art Meets Radical Openness is titled “Becoming Unreadable.” It explore ways of #resisting the toxic dimensions of contemporary hypervisibility. By this, we refer to the current logic of platform-mediated social and political discourse, to the global-scale #extraction and appropriation #infrastructures feeding the #AI and strengthening new and old colonial threads.

The call for participation is open
https://radical-openness.org/en/amro26-call-participation

deadline 16th January 16:26 CET

#amro26 #cfp

Computer Says No 😭💻
!Mediengruppe Bitnik @ Kunsthalle Osnabrück
29.11.25 – 22.02.26

https://kunsthalle.osnabrueck.de/en/programm/ausstellungen/computer-says-no

Step into Kunsthalle Osnabrück and meet Qwen Stefani, the namesake of pop icon turned trad wife Gwen Stefani. Qwen endlessly cries, incessantly preaches against tech fascism, and recruits visitors as citizen saboteurs.

The ritualised space of the former church becomes a setting for an update to the Simple Sabotage Field Manual. Written in 1944 as a guide for citizens living under fascist rule in occupied Europe, the manual offered instructions for civil disobedience and disruption of the fascist war machine — and became the most downloaded document within US governmental institutions at the beginning of Donald Trump's second term as president.

Thank you to all the artists who let us use their reels to give Qwen Stefani a home from which to preach. This is the feed we all want and deserve: full of smart, humorous interventions by amazing artists into the digital space!

Anna Engelhardt
@aramba
@bengrosser
@recyclism
Brad Downey
@sinders
@vernetztematerialitaet
Constant Dullaart
Daniel Felstead
@danjavasiliev
@darsha ​​​​​​​
@dasha
@disnovation
Esben Holk
@evanroth
Fabiola Larios
Fragmentin
@intima
@iocose
@jonaslund
@cathiehue
Kunsthalle Osnabrück
@laurenleemack
@dusjagr
@santa
Moises Sanabria
Nadja Buttendorf
Nestor Siré
@monad
Philipp Meier
S()fia Braga
@samlavigne
Sara Bezovšek
@hawaidolphino
@entreprecariat
@dlvr
@socratesstamatatos
Super Dakota
@tegabrain
Valentina Tanni

📸 Footage by @arambartholl 🙏

Para la gente de España a quien le preocupa los impactos ecosociales de las infraestructuras digitales, aquí hay una buena oportunidad para influir en la redacción de la nueva "Ley CPD", que se encuentra en un proceso de audiencia pública hasta el lunes 15 de septiembre.

https://masto.es/@tunubesecamirio/115185111703829291

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