| Work stuff | https://www.condense.live/ |
| Music | https://soundcloud.com/neonmachines |
| Work stuff | https://www.condense.live/ |
| Music | https://soundcloud.com/neonmachines |
So it's not "holding" close to the fretboard, it's just "relaxing" close to it.
Almost all of my speed and accuracy improvements over the last 6 months have come from increasing levels of relaxation while playing, letting go of any tension. This is no exception.
Relaxation and gentle precision seems to be the key to higher speeds and cleaner playing for me.
To see this in action, just watch someone like #plini play.
I just watched my first ever TikTok video (on the web, don’t have the app). I guess it lets you overlay canned audio? The quality is _atrocious_, even worse than Spotify.
This is something I encountered on my climb up Ben Lawers on Saturday, and it's a phenomenon I've wanted to see for a very long time. The shadowy figure in the middle is called Brocken Spectre and it occurs when your shadow is projected onto cloud lying below you on a mountain. The circles of colour are known as a glory, and these are often, but not always, associated with Brocken Spectre.
Cont./
#glasgow #benlawers #scottishmountains #brockenspectre #hillwalking #hillwalkingscotland
So yesterday I had the pleasure of briefly meeting Colin Greenwood (bassist from Radiohead) at his book signing for “A Portrait of Radiohead”. As it happens I’ll see again him next week as I’m going to Nick Cave’s show in Birmingham. Colin contributed bass parts for Cave’s new album, Wild God.