Science fiction isn't popular
Science fiction isn't popular
Sometimes you want to read something that blows your mind and innovates at the edge of philosophy.
Sometimes you want to turn your mind off and be entertained with interesting but predictable stories in interesting futuristic settings.
Both are equally valid experiences, both have merit, and both can equally be science fiction. You don’t get to gatekeep and entire genre based on what portion of the experience appeals to you.
I’m not the one who decided creating a post in a science fiction community claiming a huge portion of science fiction isn’t “true science fiction” based on my own tastes.
Of course the point is semantic, do you want me to base it on what? Your favorite novels?
We already agreed that it’s big difference.
2 completely different things that have the same name. Superficially similar but actually not.
What’s the issue?
2 completely different things that have the same name.
That’s how grouping works, yes. You and I are clearly different, yet we are both called “human”. In fact, you and a giant panda are both “mammals” despite being radically different.
What makes one thing legitimate and the other thing not? What is it borrowing exactly? You’ve very poorly argued this point in every section of this thread.
You appear to have a (subjective) idea of what science fiction is, and you’re trying to force it on the rest of us to prove a point to a group of people who banned you probably not because you were annoying but more because you said something fairly inflammatory on purpose and they assumed you were trolling.
Is there a reason philosophical and cerebral science fiction is more legitimate to you than the alternative? Also, do you not see how the first time a trope is used for the purposes of telling a science fiction story, it usually does push the bounds of understanding and is therefore likely to be repeated, yes even in what you’ve deemed less legitimate “cowboy” science fiction?
One of these is a thing that deliberately makes a person think about the possibilities of the bounds of our world and that’s good. But the other often uses the dynamic between the people involved in the story to make us think about things like our humanity, or lack thereof, and what makes us human.
Each of these is valid storytelling and valid Sci-fi, but you seem to only think one of them is legitimate and that suggests to me that you don’t value what you don’t know about yourself or your fellow human beings which sounds to me like a failing on your part. Just because it doesn’t make you think doesn’t mean it isn’t thought provoking. It just means it’s of little to no interest or value to you. We have already stated that this is subjective.
World’s apart is a bit of a stretch when there are plenty of examples that are both popular and push the boundaries. In hindsight, EVERYTHING becomes banal. I challenge you to just try to speak modern English without quoting or referencing Shakespeare.
Also, the observation that the populous likes popular lowest common denominator kitsch isn’t exactly a unique or stunningly innovative insight. It’s ironically as banal and boringly repetitive as the genre you’re gatekeeping.
the great thing about fiction (and any art form) is that anyone who wants to can define what makes one thing more “proper” than another.
and i can take anyone’s idea of “proper” and piss on it, because i couldn’t care less about anyone who thinks they’re going to gatekeep creativity. which seems to be more common amongst sci fi nerds
One must be realistic about these things, surely you agree.
We have a genre of fiction invented by thinkers of strange thoughts, specifically to convey their strange thoughts. Because no other tool will do
The genre became famous. We dress up our cowboys in spacesuits and call it sf.
It’s a big difference.
Proper U explores the edges of reality and then goes beyond.
Popular “u” is old tropes and popular ideas rendered in terms of wordships and lowercase.
The first is a real live letter. The second is cosplay.
lol right?
I mean, I do correct people who refer to Star Wars as sci-fi because legit that’s proper fantasy.
I think when science or related concepts being the focus itself then it can be called proper sci-fi, but there’s all manner of peripheral subject matter.
This is a debate as old as science fiction itself, back when, in an effort to legitimize the genre to the wider public, some sf magazines like Galaxy distanced themselves from they’re contemporaries (the pulps) by only publishing hard sf ‘big think’ stories, and actively deriding space opera, with slogans like "You won’t find any cowboys in our spaceships!’
I think at this point it’s kinda silly to pick up that worn torch of ‘pulp sf isn’t sf’ again. They’re two different subgenres, and they both are excellent in their own way.
I for one like cowboys in my spaceships, ala Firefly, as well as the biggest think. And if they can combine them, all the better.
I raise the torch because I was just over at a Star Trek community where the subject of politics in Star Trek was brought up.
I offered that politics is a popular substitute for proper sf. Which got me immediately banned of course.
But yes, what we’re seeing here is a manifestation of an age old phenomenon : Diamond is generated by a few lone weirdos. Popularized. Then the 99% proceeds to sell its tired shit branded as diamond. Until the next diamond appears. (And the populace will be damned before they relinquish their grasp on that brand)
Call me whiny.
Books : I like the works of Greg Egan (early stuff), Sam Hughes (pretty much everything), Iain Banks
Movies : Primer, Immortal (2004).
Because I would say most great scifi is political.
Then your experience is narrow.
“I got banned from a Star Trek discussion forum” is a bumper sticker I want to print and slap onto the bumpers of badly parked cars.
The driver might not realize the implication, but the rest of the world will know…
There was when the magazines were struggling to survive. They found they could publish stories for hardcore fans AND for the general public. The success of that tactic meant that a lot of great writers could pay their bills and keep writing … instead of a few.
Same story with films and TV series.