Rather a niche discovery, but in poking around among the #klezmer copyright scores I got from the US Library of Congress over the last year, I noticed that one of Max Leibowitz's 1919 submissions is a well known piece from the klez #violin repertoire commonly called Romanian Fantasy No. 3. Leibowitz was a Romanian violinist living in New York who I believe started the trend of klezmer musicians copyrighting folk melodies.
#MusicHistory #MusicManuscript #SheetMusic #FolkMusic #JewishMusic
For comparison, here's the well known recording by Josef Solinski, made in #Warsaw in 1911. Solinski is generally thought to have been a pseudonym for Oscar Zehngut, a #violinist and arranger active in #Lviv. Leibowitz's score is pretty close to the recording, so I could believe that he just wrote it down with a slightly different articulation and copyrighted it, but it's also possible it was a well-known piece known to both violinists.
https://search.library.wisc.edu/digital/AOWACQFROHJM2M8N/AMEOICIM5NS3J48R
I love pieces like this because they contain cultural layers like an onion: modern Klezmer revival, interwar New York, pre-WWI Warsaw, Austro-Hungarian Galicia, Kingdom of Romania, Ottoman Empire.
For cultural context in understanding pieces like this beyond "old klezmer music" to realising it is also a performance of old #Romanian music which was dear to Jewish listeners, I like to link this old Alexandru Cercel album:
https://youtu.be/-QVmVSfxuNE?si=fDE0-I-WIn1MrzeF
🕵️old klezmers🎻
MvRiederberg