Jord â Emellan TrĂ€den Review
By Killjoy
Jord began life in pretty much the exact way one would expect of an atmospheric black metal act. Founder Jörgen âJurgâ Ström would take daily walks through the forests of Sweden during fall 2020, during which he decided to start a nature-oriented musical endeavor. He quickly released two albums, Sol and MĂ„ne, on his own before recruiting guitarist Sebastian âHravnâ Svedlund and drummer Stefan Jansson, both of whom he had briefly performed with in Rimfrost and its splinter group Omnicidal. They worked together to create Tundra in 2023, and now look to extend their productive streak with Emellan TrĂ€den, Jordâs fourth full-length record in five years.
Jord is a sharp change of pace from the rowdy Rimfrost and Omnicidal, but by no means an unwelcome one. The earlier material that Jurg composed while living a nomadic van lifestyle is a faintly blackened post-rock, suggesting that he mainly listened to Alcestâs Kodama while driving. Emellan TrĂ€den retains a similar, albeit more refined, sound. Jord splashes in the same honey-sweet mountain lake as Einvigi or Vorna, the melodies steeped generously in the emotive splendor of Eneferens. The new band members appear to have brought more urgency and heft to Jord. Riffs are more plentiful and Hravn takes every opportunity to erupt in a lively guitar solo. Janssonâs drum beats are more forceful, pairing well with a bass tone thatâs crunchy like crisp autumn leaves on the ground.
At first, Emellan TrĂ€den may seem more homogeneous than it actually is. Closer attention reveals ample variety, but more in the placement of the building blocks rather than the blocks themselves. For instance, the piano is central to Jordâs sound. Its simple yet wistful melodies underpin several songs (âStay,â âKing of the Night,â âPrinsessan Och HĂ€stenâ) in a manner like unto Kauan or Weltenbrandt. Jurgâs vocals are mainly a gravelly growl with a good amount of bite, but in âStayâ he adopts a sharper, rhythmic tone somewhat analogous to Vincent Jones (Ăther Realm). His voice serves as an effective contrast with the female singing1 in âHon Kallar,â which, when paired with a violi,n casts a hearty folk glow. Emellan TrĂ€den could have benefitted from a few more moments like this.
Emellan TrĂ€den strikes a decent balance between tranquility and heaviness. Jord seems most comfortable with a mid-paced tempo, where the emotional songwriting can shine brightest. The slight over-reliance on this trait might fall a bit flat for some listeners, but when Jord gets it right, the results are efficacious. âVid Murenâ starts off slow as an acoustic guitar intermingles with the electric, then gradually ramps up in velocity and intensity, culminating with a brisk guitar solo that could have sounded out of place without prior setup. Hravnâs soloing is one of the highlights of Emellan TrĂ€den, and âDen Brandgula Salenâ in particular has the fingerprints of Rimfrostâs Expedition: Darkness all over it. The overall flow of Emellan TrĂ€den isnât perfect, and at times a little jerky, but itâs nonetheless a treat to listen to as a whole.
While Jordâs origins may be stereotypical, its output quality is considerably above average. Emellan TrĂ€den is perhaps not the most original post-black record, but itâs among the better-executed ones Iâve heard in the style. Refreshingly, the melancholy and somberness are more of a tool than an end goal. The piano is a simple yet pleasant touch that goes a long way toward helping the music feel inviting. Emellan TrĂ€den is very good, but it feels like itâs missing that last little oomph of vitality to become great. Even so, itâs my idea of a perfect album to kick off this fall season.
Rating: 3.5/5.0
DR: 8 | Format Reviewed: 192 kbps mp3
Label: Hammerheart Records
Websites: jord-northernsilence.bandcamp.com | facebook.com/jordsounds
Releases Worldwide: September 5th, 2025
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