Welcome to the Public Domain in 2026 – Internet Archive Blogs

Posted on January 1, 2026 by Sterling Dudley

Montage of materials entering the public domain in 2026, created by Duke Law’s Center for the Study of the Public Domain.

Internet Archive Blogs, Updates from the Internet Archive

Celebrate the public domain with the Internet Archive in the following ways:

  • Register for our Public Domain Day celebrations on January 21 – both virtual and in-person.
  • Submit a short film to our Public Domain Film Remix contest. Deadline January 7, 2026 @11:59 PM Pacific.
  • Explore the works that have entered the public domain in 2026, below.

On January 1, 2026, we celebrate published works from 1930 and published sound recordings from 1925 entering the public domain! Their arrival marks another chapter in our shared cultural heritage: the freedom to breathe new life into overlooked works, remix enduring classics, and circulate the oddities we discover in thrift stores, family attics, and forgotten corners of the internet.

For the first time since the 1970s, works from a new decade have entered the public domain after their long copyright term. This milestone builds on the momentum that began when the public domain reopened in 2019. The works of 1930 reflect a world grappling with enormous change: the early years of the Great Depression, anxieties about banks and tariffs (sound familiar?), and a cultural landscape still humming with the last heartbeats of the 1920s.

The Jazz Age and flapper style persisted through Nancy Drew’s illustrations and Betty Boop’s design; Buster Keaton’s first talkie signaled the twilight of the silent era; and the Gershwins continued to shake-up musical culture with “I Got Rhythm” and “Embraceable You”. The Interwar period left its mark, too—the first filmed adaptation of All Quiet on the Western Front won Best Picture. Audiences sought escapism in the Marx Brothers’ Animal Crackers, in 19 new Disney cartoons, and in the gender-bending glamour of the pre-Hays Code film Morocco.

Culture was everywhere—and now, it belongs to everyone.

Musical Compositions

1930 saw the introduction of many standards into the Great American Songbook including the wistful “Dream A Little Dream of Me”, “Georgia on My Mind”, and “It Happened in Monterey”. The latter of those songs being a cultural curiosity as the spelling reflects the California city while the song is about the Mexican city. Hoagy Charmichael’s loving refrain for the state of Georgia with Georgia on My Mind would become the state’s official song in 1979. 

Even inspiration for later 20th Century works bubbled up with “Beyond the Blue Horizon” which would serve as inspiration for the original Star Trek theme. At the Internet Archive the song reminds us of the blinking blue lights that help to power the 1 Trillion webpages saved.

Check out this list of more musical compositions from the year.

Literature

If we thought that detectives had a field day in 1929 then we just hadn’t seen what 1930 had to offer yet. Miss Marple, Nancy Drew, Harriet Vane, and Sam Spade all featured in iconic works of the year respectively: The Murder at the Vicarage by Agatha Christie, The Secret of the Old Clock, Strong Poison, and the published novel edition of The Maltese Falcon. Nancy Drew appeared in four different stories this year giving readers and creatives plenty of stories and mysteries to dig into. But be careful and make sure you’re reading the original editions from 1930 and not the rewrites from the late 1950s. Luckily the Archive has the 1930 editions ready for you here in our collections!

While detective fiction dominated we also got bold works from other authors including As I Lay Dyingby William Faulkner which blends multiple perspectives and bold narrative experimentation to chronicle a family’s turbulent journey to honor their mother’s final request. Groundwork was also laid for another Best Picture winner with Edna Farber’s Cimarron. Children had works to entertain themselves with Dick and Jane’s introduction in Elson Basic Readers and a 1930 retelling of the folktale, The Little Engine That Could.

Dive into Archive’s literary collection to unearth more classics from 1930.

Film

A favorite film of this author is the King of Jazz, astunning Technicolor musical revue featuring Paul Whiteman, Bing Crosby, and elaborate song and dance numbers. 

It wasn’t the only musical of the year as the Marx Brothers adapted their stage show Animal Crackersto the big screen in a film of the same name. Their comedic antics would absurdly riff on the culture of the time with Groucho directly parodying a monologue from Eugene O’Neill’s 1928 play, Strange Interlude.

While past the heyday of his filmic output, Buster Keaton was still on the scene with his first talkie, Free and Easy, entering the public domain this year. If you’ve never heard his voice before then it might surprise you! Another iconic comedy is Soup to Nuts, a vehicle for Rube Goldberg to share crazy contraptions on screen. It was also the debut of actors that would form The Three Stooges group a few years later.

In another reminder of how copyright expires on a yearly basis we’re talking about All Quiet on the Western Front for the third year in a row, but this time as the adaptation that won the 3rd Academy Award for Best Picture. The film is a sobering reminder and depiction of the horrors of war, and showcased how audiences in 1930 were still reeling from the first World War. It is also a very engaging and well rounded film that is still great cinema nearly 100 years later.

Even more icons made headway in 1930 with Alfred Hitchcock’s Murder!, John Wayne’s first leading role in The Big Trail, and Greta Garbo’s moving performance in Anna Christie.

Check out more films from the year here:

Our film remix contest is ongoing until January 7, 2026, so please upload your submissions! Read more here.

Comics and Cartoons

Only a year removed from the 1920s, culture didn’t change overnight. Debuting on September 8, 1930, the Blondie comic strip by Chic Young was steeped in flapper style. Originally named Blondie Boopadoop, she drew on the singing persona of Helen Kane—who also inspired aspects of Betty Boop. For more on Betty Boop, read Jennifer Jenkins’ write-up at Duke Law’s Center for the Study of the Public Domain.

Mickey Mouse expanded from the screen to the page with 303 daily comic strips, sending him on western adventures, robber-chasing escapades, and more.

In 2026, we now have another 19 Disney shorts (9 Mickey, 10 Silly Symphonies) to help fill out this creative world. The Silly Symphonies rounded out their celebration of the seasons by following up 1929’s Springtime with Summer, Autumn, and Winter.

Meanwhile, Oswald the Lucky Rabbit—Mickey’s older brother—continued his prolific output even after Disney lost the rights to him in 1928. Under Walter Lantz, Oswald starred in 24 shorts this year, nearly 2.5 times Mickey’s total. Two of these, My Pal Paul and Africa, cross-promoted the film King of Jazz, proving that cinematic tie-ins have long been part of studio strategy.

Recap

The arrival of these works into the public domain is a reminder of our shared cultural heritage—of the stories, sounds, and images that shaped earlier generations and now become fair game for creative reuse. Many of these works have already been reimagined under copyright: Nancy Drew’s rewrites, the many adaptations of All Quiet on the Western Front, Mickey Mouse’s leap into comics, and more.

Now, in 2026, these works pass into a space where everyone can study them, remix them, preserve them, and carry them forward.

The public domain belongs to all of us. Let’s explore it together.

Additional resources

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The Wonderful Public Domain of Oz -Internet Archive Blogs

Internet Archive Blogs, Updates from the Internet Archive

The Wonderful Public Domain of Oz

Posted on November 17, 2025 by Sterling Dudley

Map of Oz; John R. Neill – Tik-Tok of Oz, first published in the United States in 1914.

The Wonderful Wizard of Oz is the American fairy tale. Like other fairy tales that resonate across time and cultures, this story has seen retellings time and again that morph, recontextualize, and expand the story. This phenomena continues with the second half of the Wicked film duology releasing this November with Wicked: For Good. Let’s explore some of the stories and lore of this American fairy tale that now live in the public domain. All these different stories crafted the lore and world of Oz in the imaginations of audiences around the world. 

Books and Literature

Cover to the original 1900 Oz novel

Oz originates in L. Frank Baum’s The Wonderful Wizard of Oz, published in 1900. Its basic plot is well known: Dorothy of Kansas is swept away to Oz via cyclone. There she meets an exotic cast of characters including the Scarecrow, Tin Woodman, and the Cowardly Lion. Along her journey she faces many challenges in an episodic style as she seeks to return home with the Wizard’s help. 

Many fans might believe the Wicked Witch is the novel’s central antagonist, but in fact she appears in just one chapter in the original text. Her larger role in the plot is an association with the 1939 film, an interpretation that became highly influential, as nearly every later Oz story riffs on this idea, including Wicked. Baum would not reuse the Wicked Witch in later novels.

Beyond this original tale are numerous other novels, including another 13 by Baum and 19 by his immediate successor, Ruth Plumly Thompson. Of these 32 tales, 23 were published by the end of 1929 and are in the public domain, including all of Baum’s output. On January 1, 2026,  another Plumly Thompson novel, The Yellow Knight of Oz, will join that group. Plumly Thompson’s output ultimately surpassed Baum’s, though her imaginative contributions, including introducing a new main focal character—Peter Brown—remain underappreciated today.

Cover to the first sequel Oz novel

Among Baum’s sequels, The Marvelous Land of Oz (1904), his first sequel, stands out for introducing Princess Ozma and expanding the mythology of Oz. It is the only one of Baum’s works to not feature Dorothy as a character in the story. Due to popular demand, she would return in Ozma of Oz (1907). In this tale she would be referred to as Dorothy Gale for the first time in the novels, although the name originated in the 1902 musical revue.

Check out all of the Oz books in the public domain in our collections!

Musicals and Sound Recordings

Promotional image for the 1902 musical

Part of Baum’s core campaign in expanding Oz’s reach was his ability to spread it into multi-media. In 1902, he penned the book for a musical revue that differed from his original text and introduced many more characters, including Imogen the Cow. Notable among the work are the plethora of songs created for it that were cycled in and out as the production shifted locations. 

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Voices Celebrating 1 Trillion Web Pages: Jean Armour Polly, Net-Mom – Internet Archive Blogs

Internet Archive Blogs, Updates from the Internet Archive

Voices Celebrating 1 Trillion Web Pages: Jean Armour Polly, Net-Mom

Posted on November 17, 2025 by Chris Freeland

Jean Armour Polly—better known as the Net-mom, and the person who helped popularize the phrase “surfing the internet” in 1994—adds her voice to the celebration of the Internet Archive’s 1 trillionth webpage preserved.

In her message, Polly reflects on the ephemerality of the web—how sites appear, vanish, change, or are censored—and why the Archive’s ability to reveal these shifts is essential to understanding not just events, but who was speaking, who wasn’t, and whose voices history might otherwise forget. Drawing on her own work digitizing fragile Civil War pension files, she compares the care of digital preservation to rescuing stories from dusty barns and bringing them back to life. Polly honors not only creators, but also the librarians and archivists who ensure that our cultural record endures.

“Without [Internet Archive], we risk not only losing the websites themselves, but the story of how society and culture has been shaped by them.”Jean Armour Polly, Net-Mom

Hi, I'm Jean Armour Polly, also known as the Net-mom.

It's because in the early days of the internet, I helped a lot of people take their first baby steps on it. But I'm here today to help congratulate and celebrate the Internet Archive's 1000000000000th webpage archived.

That's just an amazing number. Wow. Because websites are ephemeral. They come up, they go down, links are added, links are deleted. Sometimes they're even censored. The archive reveals all these changes though, and that's important.

It's important for us to not only see how events were covered, but who was talking about them, what they were saying, and sometimes it's even as important or maybe more important about who wasn't talking and whose voices weren't heard.

The archive might even become the Rosetta Stone for future digital archeologists trying to decipher the hieroglyphs of emojis or inscrutable memes.

I have some experience with digitization myself. In recent months, I've been a volunteer at the New York Genealogical and Biographical Society's Digitize New York project. Here where I live. We've been scanning and digitizing a huge cache of Civil War pension documents that had formally been in a lawyer's office, but since 1930, they've been stored in Campbell's soup boxes in a dusty old hay barn.

When I scan something, I think of the soldier and the story that I'm helping to preserve, because it wasn't just about grievous war wounds or diseases he had picked up, but also about his family history, about camp life, about troop movements and battles, things you just can't find in a history book.

And I think about his family, I think about him when I scan these documents, but I also think about who had the forethought to save this stuff, and not just toss it or shred it or burn it, but to keep it in hopes that some day somebody would come along and rescue it, digitize it, so the stories would live.

And that's what the Internet Archive has done and will do. It's so important. Without it, we risk not only losing the websites themselves, but the story of how society and culture has been shaped by them.

So many kudos to the content creators, but also don't forget the critical work of the librarians and the archivists who have preserved them.

Save our stories, protect the past, and help shape our future.

Congratulations.

Editor’s Note: Featured image at top generated by WP AI.

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Celebrating Sir Tim Berners-Lee, 2025 Internet Archive Hero Award Recipient -Internet Archive Blogs

Internet Archive Blogs

Updates from the Internet Archive

Celebrating Sir Tim Berners-Lee, 2025 Internet Archive Hero Award Recipient

Posted on November 5, 2025 by Chris Freeland

Brewster Kahle (left), Internet Archive’s founder and digital librarian, presents Sir Tim Berners-Lee (right), inventor of the World Wide Web, with the Internet Archive Hero Award during a discussion hosted by the Commonwealth Club of California.

In celebrating 1 trillion web pages archived, the Internet Archive is proud to honor the visionary who made it all possible. As announced in The New Yorker, the 2025 Internet Archive Hero Award was presented to Sir Tim Berners-Lee, the inventor of the World Wide Web. Sir Tim’s groundbreaking work opened the door to a connected world and laid the foundation for our shared digital history.

Sir Tim was presented the award during a discussion at the Commonwealth Club of California on October 9. The conversation, “Building and Preserving the Web: A Conversation with Sir Tim Berners-Lee and Brewster Kahle,” was guided by Lauren Goode (Wired), and is now available for listening & download as an episode of the Future Knowledge podcast.

Listen to Sir Tim Berners-Lee and Brewster Kahle: https://share.transistor.fm/e/ce6b83bd

Sir Tim’s invention transformed how humanity shares knowledge, and his ongoing advocacy for an open and accessible web that empowers individuals continues to inspire us. We’re thrilled to recognize his enduring contributions as we mark this historic achievement for the web.

Watch the video from our celebration on October 22: https://archive.org/embed/sir-tim-berners-lee-internet-archive-hero-award-2025

The Internet Archive Hero Award is an annual award that recognizes those who have exhibited leadership in making information available for digital learners all over the world. Previous recipients have included the island nation of Aruba, public information advocate Carl Malamud, copyright expert Michelle Wu, and the Grateful Dead. Posted in News, Wayback Machine – Web Archive | Tagged hero award, Wayback1T | Leave a reply

About Chris Freeland

Chris Freeland is the Director of Library Services at Internet Archive.

View all posts by Chris Freeland →

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