#SBahnBerlin:

#S7: Wegen eines Polizeieinsatzes Grunewald und Nikolassee, ist der Zugverkehr derzeit zwischen #Grunewald <> #Wannsee unterbrochen.

#öpnv_berlin_bot

src: x/SBahnBerlin/status/2045762763645948085
19.04.2026 09:13

#SBahnBerlin:

#S3, #S9 Wegen einer Reparatur am Signal in #Messe_Süd kommt es zu folgender Abweichung: S9 verkehrt #Flughafen_BER <> #Grunewald Somit Zugverkehr #Westkreuz <> #Spandau alle 20 Minuten.

#öpnv_berlin_bot

src: x/SBahnBerlin/status/2044997775356518870
17.04.2026 06:33

My all-time favorite depiction of the Resurrection: by Matthias Grünewald (ca. 1480-1528), The Resurrection of Christ, from The Isenheim Altarpiece, ca. 1512–16, oil and tempera on limewood panels, 376 x 668 cm, Musée Unterlinden, Colmar, France. #arthistory #easter #painting #grunewald

As I wrote in my blog some years ago: None of the Gospel writers describe the actual event of the Resurrection. None of them were there to see it happen. They tell us of the aftermath, the encounters with Jesus. The most tender meeting occurs in the Book of John, with Mary Magdalen. "Woman, why are you crying?" He asks her, as she mistakes him for the gardener. Then, when he calls her by name, she recognizes him and cries out "Rabboni!" (which means Teacher). And perhaps the strangest moment occurs a week later, when He appears to the disciples and commands Thomas, who had not believed He had risen, to reach out his hand and put it into the wound in his side. "Stop doubting and believe." In the painting, Grunewald shows the marks in the hands and feet, the wound in the side. Even in His Resurrection, Christ still bears his wounds, the signs of his sacrifice.