Glenn Close’s Transformative Role as Marquise de Merteuil in Dangerous Liaisons

📰 Original title: 28 Fabulous Photos of Glenn Close as Marquise Isabelle de Merteuil on the Set of “Dangerous Liaisons” (1988)

🤖 IA: It's clickbait ⚠️
👥 Users: It's clickbait ⚠️

View full AI summary: https://en.killbait.com/glenn-close-s-transformative-role-as-marquise-de-merteuil-in-dangerous-liaisons.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world

#cinema #glennclose ...

Glenn Close’s Transformative Role as Marquise de Merteuil in Dangerous Liaisons

On the set of the 1988 film Dangerous Liaisons, Glenn Close underwent an intense transformation to portray Marquise Isabelle de Merteuil. Filmed in authentic French châteaus, the production prioritized historical accuracy, requiring Close to wear period-accurate corsets and undergarments that restricted her waist to 24.5 inches. She described her costumes as armor and noted that the physical constraints helped her embody the character's controlled, predatory presence. Close arrived in Paris with her seven-week-old daughter, describing her post-pregnancy body humorously as 'looking like a loaf of bread.' Despite the physical challenges—including difficulty breathing and eating during long shoot days—she credited the experience with enhancing her performance. Close’s dedication extended to conceptualizing the film's final shot to convey the Marquise's inner turmoil, and she maintained a commanding on-set presence. Her chemistry with co-star John Malkovich was built on theater experience, often rehearsing their scenes like a chess match to perfect timing and tension. Dangerous Liaisons was released by Warner Bros. on December 21, 1988, earning $34.7 million against a $14 million budget and receiving seven Academy Award nominations, winning three for Adapted Screenplay, Costume Design, and Production Design.

KillBait
You'll Be In My Heart (From "Tarzan"/Soundtrack Version)

YouTube

‘Up to No Good’ First Look: Glenn Close Turns Elderly Killer in Channel 4 Drama as Richard E. Grant Among Names Rounding Out Cast (EXCLUSIVE)

https://fed.brid.gy/r/https://variety.com/2026/tv/global/up-to-no-good-first-look-glenn-close-elderly-killer-1236745680/

‘Up to No Good’ First Look: Glenn Close Turns Elderly Killer in Channel 4 Drama as Richard E. Grant Among Names Rounding Out Cast (EXCLUSIVE)
#Variety #Global #News #Channel4 #GlennClose #RichardEGrant

https://variety.com/2026/tv/global/up-to-no-good-first-look-glenn-close-elderly-killer-1236745680/

Up to No Good First Look: Glenn Close Turns Elderly Killer

The Channel 4 drama Up to No Good, based Helene Tursten’s short story collections, has rounded out it cast with Richard E. Grant among those joining

Variety
When Michael Keaton and Glenn Close Scrapped Over ‘The Paper’

In 1994, stars duked it out — literally — as editors at Ron Howard’s fictional New York City tabloid.

The Hollywood Reporter

Il Fatto Quotidiano: Glenn Close lascia le impronte al Chinese Theatre di Hollywood, ma il piccolo Pip le ruba la scena – Video

L’attrice statunitense Glenn Close ha lasciato le impronte delle sue mani e dei suoi piedi nel cemento all’esterno del TCL Chinese Theatre di Hollywood, accanto a generazioni di leggende del cinema. “Essere considerata degna della loro compagnia è l’onore della mia vita”, ha dichiarato Close. Il suo cagnolino Pip, però, le ha rubato la scena: l’animale, di razza Havanese, molto simile a un maltese, ha aspettato che l’attrice finisse di imprimere mani e piedi, poi a sua volta, aiutato dalla sua padrona, ha lasciato la sua impronta, diventando in pochi attimi la star dell’evento.

L'articolo Glenn Close lascia le impronte al Chinese Theatre di Hollywood, ma il piccolo Pip le ruba la scena – Video proviene da Il Fatto Quotidiano.

Glenn Close leaves her footprints at the Chinese Theatre in Hollywood, but the little Pip steals the show – Video

American actress Glenn Close left footprints of her hands and feet in cement outside the TCL Chinese Theatre in Hollywood, alongside generations of cinematic legends. “Being considered worthy of their company is the honor of my life,” Close said. However, her tiny dog Pip stole the show: the Havanese breed dog, very similar to a Maltese, waited for the actress to finish printing her hands and feet, then, with her owner’s help, left his own footprint, becoming the star of the event in a matter of moments.

Article: Glenn Close leaves footprints at the Chinese Theatre in Hollywood, but little Pip steals the show – Video comes from Il Fatto Quotidiano.

#GlennClose #theChineseTheatre #Hollywood #American #Havanese #IlFattoQuotidiano

https://www.ilfattoquotidiano.it/2026/05/03/glenn-close-lascia-le-impronte-al-chinese-theatre-di-hollywood-ma-il-piccolo-pip-le-ruba-la-scena-video/8373542/

Glenn Close lascia le impronte al Chinese Theatre di Hollywood, ma il piccolo Pip le ruba la scena –…

L'animale, di razza Havanese, molto simile a un maltese, ha aspettato che l'attrice finisse di imprimere mani e piedi, poi a sua volta, aiutato dalla sua padrona, ha lasciato la sua impronta

Il Fatto Quotidiano
101 Dálmatas: 70 anos de manchas, moda e uma vilã inesquecível! 🐾👠
A saga que transformou dálmatas em estrelas e Cruella de Vil num ícone da moda celebra décadas de sucesso.
#101Dalmatas #Cruella #Disney #Cinema #GlennClose
https://www.cafemaisgeek.com/artigos/70-anos-de-101-dalmatas-a-glennergy-da-saga/
70 anos de 101 Dálmatas: a “Glennergy” da saga - Café Mais Geek

Uma saga adaptada pela Disney, com diversas adaptações, os 101 Dálmatas marcaram gerações e reivindicaram a Cruella de Vil de uma das vilãs mais icónicas do cinema para uma anti-heroína punk.

Café Mais Geek
Adrian Lyne – „Eine verhängnisvolle Affäre“ (1987)

Keine Mediathekperle – sondern eine Warnung! Kein Thriller, sondern das Manifest eines antifeministischen Backlashs. In einer Zeit, in der Frauen selbst im Kino begannen, sich eigene Räume zu erobern, hat Regisseur Adrian Lyne eine Geschichte erzählt, die weibliche Unabhängigkeit mit Wahnsinn gleichgesetzt hat – und männliches Versagen kurzerhand normalisierte. Dass dieser Film damals ein echter Blockbuster wurde, bezeugt weniger seine künstlerische Qualität als eine gesellschaftliche Angst vor weiblicher Autonomie. Mit Glenn Close und Michael Douglas. (ARD, Wh.)

Zum Blog: https://nexxtpress.de/mediathekperlen/adrian-lyne-eine-verhaengnisvolle-affaere-1987/