Just by accident I came across this recording:

Illusions and Lamentations
Dávila / Almeida / Furtado

“It’s a free jazz album. Humble, direct, simple based on the pleasure of creating music in realtime and as a group”

A Very Nice Free Jazz present!

#music #jazz #freejazz #recordstore #PlanetofSound #enschede #cd #Colombia #Portugal

Complete Communion To Don Cherry by Aldo Romano, Henri Texier, Géraldine Laurent, Fabrizio Bosso, released on Dreyfus Jazz in 2010.

Complete Communion is a 1966 album by American jazz composer Don Cherry, his debut as a bandleader and his first release on Blue Note Records.

Each side of the original LP were suites, side-long compositions working with several themes. Critics have proposed this recording as an important innovation in the free jazz of the time, introducing "an alternative both to athematic improvising and to monothematic pieces..

..In 2010, drummer Aldo Romano released Complete Communion To Don Cherry (BMG / Dreyfus) with saxophonist Géraldine Laurent, trumpeter Fabrizio Bosso, and bassist Henri Texier." - Wikipedia

https://www.youtube.com/watch?v=sP1Z_q5x4uA&list=PLaskY8rA4mITVavJmYm8xIr191hsW6hKm&index=1

#AldoRomano #HenriTexier #GéraldineLaurent #FabrizioBosso #CompleteCommunion #DonCherry #freejazz

Be It As I See It
by Gerald Cleaver and Uncle June, released on Fresh Sound New Talent in 2010.

Nic Jones wrote for All About Jazz:

"...Be It As I See It, his fourth as a leader in his own right—and in the company of his Uncle June ensemble, featuring reed man Tony Malaby and bassist Drew Gress—is as reflective of the times we live in as it is with a broader historical continuum.

...As the final track, "From A Life Of The Same Name" has the effect of closing things out both literally and metaphorically; clarifying the degree to which Cleaver and his cohorts have pulled off the considerable feat of reconciling a past with a present, without wallowing in tiresome, neo-conservative staples. The result is a program of highly individual music, beautifully realized."

https://www.allaboutjazz.com/be-it-as-i-see-it-gerald-cleaver-fresh-sound-new-talent-review-by-nic-jones/

https://freshsoundrecords1.bandcamp.com/album/uncle-june-be-it-as-i-see-it

https://www.youtube.com/watch?v=1xzdu92lS-M&list=RD1xzdu92lS-M&start_radio=1

#geraldcleaver #freejazz #AndrewBishop
#TonyMalaby #CraigTaborn #MatManeri #migration

Creator Spaces by the Phil Mursa Group, released on Intex Sound in 1974

"Free improvisation, first touched on by messengers like John Coltrane, Sun Ra and Albert Ayler, gives us an exuberant maelstrom that rejoices in life while it shoves back at complex, unforgiving social-political environments. The 70's Boston underground brought twin brothers Phill Musra and Michael Cosmic together with Turkish-born drummer Hüseyin Ertunç; as a trio, and with other Boston jazzers (John Jamyll Jones of Worlds Experience Orchestra, the 2nd Now-Again Reserve Edition entry), the twins each privately issued an album. Potent mixes of spirituality, expressionist fire and electrified newness"

https://michaelcosmicthephillmusragroup.bandcamp.com/album/peace-in-the-world-creator-spaces?label=3238588310&tab=music

https://www.youtube.com/watch?v=I1gRwOV67y0&list=RDI1gRwOV67y0&start_radio=1

#phillmusra #michaelcosmic #freejazz #bostonjazz

Secrets by John Carter and Bobby Bradford, released on Revelation Records in 1973.

"Both John Carter and Bobby Bradford were Texans who relocated to Los Angeles, and both worked early on with Ornette Coleman (Carter back in Fort Worth in the late 40s, in fact). The group they co-led in the 60s and early 70s made two LPs for the Revelation label"

https://www.youtube.com/watch?v=lq5vIFnEV7A&list=RDlq5vIFnEV7A&start_radio=1

#johncarter #bobbybradford #freejazz #ornettecoleman #texanjazz

Trinity is a live album by American jazz composer and multi-instrumentalist Joe McPhee recorded in 1972 in West Park, New York and originally released on the CjR label

The Allmusic review by Thom Jurek stated "On Trinity, the listener travels the history of sound through time and space. All that's left to do is nod silently in affirmation or weep and gnash your teeth in defeat. Revelatory. Glorious". On All About Jazz writer Derek Taylor noted "McPhee states that Trinity was the first record where he really began to feel comfortable with his tenor playing. Drinking in his work on each of his horns over the duration of the album it’s startling how much of McPhee the mature player is already solidly in place and his explanation takes on new candor" - Wikipedia

https://www.youtube.com/watch?v=E-Vd1lTMh2M

#joemcphee #tenorsax #freejazz #electricpiano

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