oggi, 4 febbraio, a roma: presentazione di “cy twombly” (electa)
mercoledì 4 febbraio, ore 17:30, Roma, GNAMC
presentazione del volume edito da Electa
CY TWOMBLY
cliccare per ingrandire
#art #arte #asemic #asemicWriting #Barthes #CarloNicolais #CyTwombly #Electa #EleonoraDiErasmo #FabioMauri #FabrizioDiAmato #GalleriaNazionaleDArteModernaEContemporanea #GNAMC #presentazione #RenataCristinaMazzantini #RolandBarthes #RosannaCappelli #SalaDelleColonne #scritturaAsemica #StefanoSalis
4 febbraio, roma, gnamc: presentazione di “cy twombly” (electa)
mercoledì 4 febbraio, ore 17:30, Roma, GNAMC
presentazione del volume edito da Electa
CY TWOMBLY
cliccare per ingrandire
#art #arte #asemic #asemicWriting #Barthes #CarloNicolais #CyTwombly #Electa #EleonoraDiErasmo #FabioMauri #FabrizioDiAmato #GalleriaNazionaleDArteModernaEContemporanea #GNAMC #presentazione #RenataCristinaMazzantini #RolandBarthes #RosannaCappelli #SalaDelleColonne #scritturaAsemica #StefanoSalis
I discuss A Language Insufficiency Hypothesis, Chapter 1: A Genealogy of Insufficiency – From Ancient Greece through the 20th Century.
👉 https://youtu.be/A-yoDtJ_ICE
#philosophy #language #video #youtube #genealogy #hypothesis #foucault #semantics #pragmatics #communication #power #ideology #structure #plato #aristotle #Wittgenstein #shadows #augustine #Locke #Liebnitz #Nietzsche #Gödel #Saussure #barthes #shannon #cognition #cognitivescience #rationality
Fotografia e inconscio tecnologico
ci sono tre libri per 'capire' la scrittura di ricerca: le Notes di Duchamp, L'impero dei segni di Barthes, e Fotografia e inconscio tecnologico di Vaccari.
bisogna leggere
https://differx.noblogs.org/2025/12/17/fotografia-e-inconscio-tecnologico/
#art #ExperimentalPoetry #ScritturaDiRicerca #ScrittureDiRicerca #SegnaliEAzioni #teoria #TestiDiMgOnline #ZinesAuthors #Barthes #Duchamp #FotografiaEInconscioTecnologico #FrancoVaccari #ScritturaDiRicerca
‚In die Sonne schauen‘ von Mascha Schilinski
Aus dem Presseheft: file:///C:/Users/G%C3%BC/Downloads/idss_presseheft_a5_screen.pdf INTERVIEW MIT DER REGISSEURIN MASCHA SCHILINSKI Was hat Sie zu dieser Geschichte inspiriert? Wie entstand die Idee?Meine Co-Autorin Louise Peter und ich verbrachten einen Sommer langin der Altmark auf dem Hof, der später auch der Drehort des Films wurde.Wir waren dort, um an Drehbüchern zu arbeiten. Beim Prokrastinieren undabendlichen Weintrinken haben wir uns unweigerlich ausgemalt, wer hierwohl früher […]https://www.pottbayer.de/2025/10/16/in-die-sonne-schauen-von-mascha-schilinski/
Because that’s not profitable in the online marketplace of attention.
The crowd doesn’t want truth.
It wants curated perfection — the illusion of virtue.
A world they can believe in, not the one they actually live in.
Bending Back Barthes: Shock Photos — out now.
From the photographer’s horror to the meme’s irony: how Gaza reveals our loss of feeling.
📷 Mahmud Hams / AFP
🔗 https://open.substack.com/pub/wittgensteinsmonster/p/bending-back-barthes-shock-photos?r=5zs6u&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true
#Barthes #Palestine #Mythologies #MediaCriticism #Gaza #BlindFaith #Substack
✨ An Updated Barthes
Taylor Swift isn’t just a singer.
She’s the Showgirl who shows the Girl.
Her Eras, her branding, her billions—each is myth made marketable.
She is both the product and the critique.
My latest essay explores pop, performance, Jesus, capitalism, and the impossibility of the “ethical billionaire.”
📖 https://wittgensteinsmonster.substack.com/p/an-updated-barthes
#TaylorSwift #Mythologies #Barthes #PopCulture #Capitalism #ShowgirlLogic
slowforward
Microglyphics
differx
Watson
Wittgenstein's Monster
Berta Viteri - LaletraB