HAPPY 7TH BIRTHDAY, BOO!
L là búp măng tây, L lớn lên giữa rừng tre Việt Sướng khổ có đội nhà Boo, Đội nhà như ánh thái dương, Dạy dỗ L trong tình yêu thương, Cuộc đời 3 năm bừng sáng #BambooAirways #bambooclub #ngayhoitreviet #sinhnhat7nam #birthday #birthdayparty #khirungtrebiethat #bambooart #bamboofood #bamboohouse #growth #strong #StrongerTogether
https://lynruby1593.wordpress.com/2025/11/01/happy-7th-birthday-boo/
Bamboo is an evergreen plant that does not break under the weight of snow or the force of the wind, and thus became a favorite motif in literati painting and Chan Buddhism as a metaphor for the virtue of not yielding to worldly temptations. <br><br>Xuechuang, also known as monk Puming, was a native of Songjiang, near Shanghai, who spent his life as a monk in Suzhou. In 1338, he presided over Yunyan temple on Tiger Hill. Here, he masterfully depicts a bamboo gently bent in a subtle breeze. Puming’s paintings were revered in Japan and Korea.
Bamboo is an evergreen plant that does not break under the weight of snow or the force of the wind, and thus became a favorite motif in literati painting and Chan Buddhism as a metaphor for the virtue of not yielding to worldly temptations. <br><br>Xuechuang, also known as monk Puming, was a native of Songjiang, near Shanghai, who spent his life as a monk in Suzhou. In 1338, he presided over Yunyan temple on Tiger Hill. Here, he masterfully depicts a bamboo gently bent in a subtle breeze. Puming’s paintings were revered in Japan and Korea.
Bamboo in the Wind beautifully embodies resilience and elegance in literati art. Puming's delicate brushwork and Zen influence invite contemplation. How do you interpret the symbolism of bamboo in art?
#ClevelandArt #ChineseArt #LiteratiPainting #BambooArt
https://clevelandart.org/art/1953.246
Bamboo is an evergreen plant that does not break under the weight of snow or the force of the wind, and thus became a favorite motif in literati painting and Chan Buddhism as a metaphor for the virtue of not yielding to worldly temptations. <br><br>Xuechuang, also known as monk Puming, was a native of Songjiang, near Shanghai, who spent his life as a monk in Suzhou. In 1338, he presided over Yunyan temple on Tiger Hill. Here, he masterfully depicts a bamboo gently bent in a subtle breeze. Puming’s paintings were revered in Japan and Korea.
0206. Bamboo Girl
#animeart #digitalart #fantasyart #characterdesign #bambooart #animestyle #illustration #artcommunity #digitaldrawing #natureart
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— SourceVietnam.com (@sourcevietnam1)
Dec 9, 2024
East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images. These sets might have been composed for specific palace or temple rooms, or to portray a specific theme, such as the four seasons. Over time, the original intent of such sets is often lost through damage, changes in ownership, or a variety of other reasons. <br><br>The identity of the artist can also be lost, but then, sometimes, retrieved. This pair of ink paintings has traditionally been labeled as Japanese and attributed to the 16th-century painter Genga. Since there are no seals or signature of the artist on the painting, this attribution was based on comparisons of brush style with paintings known to be by Genga. More recent study indicates that while the 16th century is an appropriate time frame for the pair, the precise cultural identity of the artist is not certain after all. The dark, eccentric shapes of the rocks and bamboo clusters and the dramatic tonal contrasts evident throughout the composition point to either Korean authorship or influence upon a Japanese painter of the period.
As the title of this album suggests, Tsubaki Chinzan painted each of the landscapes included in the album after interpretations of the styles of old masters by Chinese painter Zhai Dakun (翟大坤, active 1730–1804). In addition to the painted compositions, he also copied the inscriptions on Zhai Dakun's paintings.
Lyn Ruby
Headlines Africa
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SourceVietNam