Fender Kingman v2 Acoustic Bass
I realize I donāt talk about it much on the blog, but Iāve played music for most of my life. I started learning band instruments when I was 7 years old and have done various school bands and orchestras. In college I moved over to more contemporary instruments and adopted the bass guitar as my primary vehicle. Iāve played in a couple local bands, and spent a lot of time playing in church worship bands over the years. And thatās about the level of my skill too, Iām an average player but I enjoy it and like to keep my skills up.
I also play rhythm guitar and a couple years ago started learning mandolin, and in the process had gotten rid of all my basses, as I wasnāt playing in any groups. Fast forward to a year or two ago when my friend Mike started picking up guitar and was looking for someone to play with. I decided to get back to playing a bit more and in the process realized I really missed having a bass around.
For decades Iāve eyed an acoustic bass guitar, but they were often expensive and sometimes of questionable quality, so I stuck with traditional electrics. However, in recent years there have been a lot more entries into the space and Iāve taken some time to check them out and see what works for me. When I first picked up a Fender Kingman I immediately could tell that this was something just a little bit different, but a the time I wasnāt quite ready to commit yet. Fast forward to this past winter and the Fender Kingman v2 was on sale and I decided that it was finally time to pull the trigger.
The Fender Kingman v2 is a mid-sized, short scale (30ā), solid spruce top, acoustic bass that feels great in my hands and sounds wonderful. Itās got a light and lively tone when played without amplification and the Fishman pre-amp carries that tone through when plugged in. Thereās a familiar electric bass feeling when holding and playing the Kingman that was distinctive to me when comparing this bass to other brands and models. Yet, the body provides a full and robust acoustic tone that blends beautifully with other non-electrified instruments. This light but earthy tone is what really drew me to the Kingman, and in my mind, sets it apart from other acoustic basses Iāve sampled.
Iām a small-handed player and so short-scale basses have been my jam for over a decade. The Kingmanās fret size and spacing work pretty well for me and I donāt feel like anything is compromised by the 30ā scale. The neck is smooth and nicely shaped (Fender calls it their āslim āCā-shaped Jazz BassĀ® profileā), although my hands wouldnāt mind just a hair slimmer, but thatās really a āmeā problem.
The Fishman electronics are well apportioned with a built-in tuner, 3-dial tone control, a phase button, and two knobs for ānotchā and ābrillianceā. I really donāt get much out of those last two knobs, but if I play more plugged in the notch and phase button will probably be useful with so much tone going through a resonate body.
One of my biggest critiques of how the Kingman comes set up is the type of strings they put on it. Theyāre very squeaky compared to many other strings Iāve used, and will probably consider switching them out to something else in the future. I might even try a straight flatwound sometime to see how that feels.
The big question people ask with an acoustic bass is if itās really possible to use it without amplification? In general I can play along with 1-2 other unplugged instruments and still be heard. Using a heavy pick helps boost this volume, but at a certain point itās never going to be loud enough to overcome other players. This is just the reality of an acoustic bass and Iāve known that ever since I started looking at them. Iāve also tried a lot of acoustic basses and theyāre all about the same in this area, the Kingman isnāt special in that regard.
However, even plugged in, the tone of the large auditorium body gives the bass a different character that just isnāt the same as any electric Iāve played. Plus, if you mix both a mic and the direct line, you can get a really nice resonant earthy tone that blends wonderfully into more acoustically driven music such as Americana and Newgrass (styles I play a lot of). I havenāt had a lot of chance to record with this yet, but Iām excited to see what I can do once I get to that point.
Overall the Fender Kingman is a huge winner for me. After years of trying acoustic basses I feel like this is really a model that stands out above the rest. Too often Iād try basses that just felt flat and dull without much character. The Kingman sets itself apart with bright and robust tone and earthy character that makes it a joy to play and listen to.
I even shot a quick little demo video showing a few different licks from direct input, room mic, and both together.
https://www.youtube.com/watch?v=w66rkADUJlE
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