The Wrong Man was so unusual compared to his other works that they felt compelled to have a foreword by Hitchcock himself: It is a film adaptation of real events. We have the usual sense of sympathy for the protagonist, but the movie is relatively low-key for long stretches. Very strong performance from Henry Fonda, and terrific photography from Hitchcock’s long-term cinematographer Robert Burks.

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The Wrong Man - Wikipedia

#OnThisDay, January 14, in 1951, Christopher Emmanuel "Manny" Balestrero, a musician at the Stork Club in New York City, was arrested in a case of mistaken identity & charged with armed robbery of an insurance office (depicted in The Wrong Man, 1957, dir. Alfred Hitchcock)

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The depiction of Manny imposing mental healing on Rose in #TheWrongMan as her obligation to him is also a perfect display of the patriarchy, no notes. #TCMParty #NoirAlley
Yes, of course it’s just mistaken identity, two Anglo guys who look alike. Not the racism of Anglos who think all those swarthy Mediterraneans look alike. The way Balestrero’s experience is whitewashed here. Sigh. #TCMParty #TheWrongMan #NoirAlley
The moment that juror stood up I pointed at the TV like Rick Dalton and yelled MISTRIAL #TheWrongMan #TCMParty #NoirAlley
There’s no plea bargaining in #TheWrongMan #TCMParty #NoirAlley