Only the Blues is a 1957 album by Sonny Stitt, accompanied by Roy Eldridge and Oscar Peterson.

Drew Fields wrote for Allmusic:

While the material is basically set up to let Stitt and Roy Eldridge trade off improvisations, when it is these two the result is energetic and totally worthwhile. Eldridge adds a great deal to the date, taking the music back (in feeling) a little bit to an earlier era. He also seems to push Stitt to keep his game at a high level, which he sometimes needed. Oscar Peterson and Ray Brown are their usual first-rate selves.

https://www.youtube.com/watch?v=CYGtwevQ_pY&list=PLkP5lX8SHpvCu1327asl4DIAdWX24anXh&index=1

#SonnyStitt #altosax #RoyEldridge #trumpet #OscarPeterson
#RayBrown #HerbEllis #StanLevey #jazz #hardbop #ververecords

This 1956 recording based on George Gershwin's opera Porgy and Bess was the second "complete" recording of the opera after the 1951 version, and the first recording of the work to feature jazz singers and musicians instead of operatic singers and a classical orchestra.

Russell Garcia arranged Gershwin's work for the Bethlehem Orchestra, the Duke Ellington Orchestra, the Australian Jazz Quintet, the Pat Moran Quartet and the Stan Levey Group. Mel Tormé sang the role of Porgy and Frances Faye the role of Bess. The Ellington Orchestra plays "Summertime" as the overture, but does not appear elsewhere on the album.

Originally released by Bethlehem Records in 1956 - Wikipedia

https://www.youtube.com/watch?v=AWpMyXIAXTU&list=PLBJenJIJrq0wajPegAny0ZXrs_N96Ypqi&index=1

#porgyandbess #gershwin #dukeellington #MelTormé #francesfaye #stanlevey #australianjazzquintet #patmoran