‘John Candy: I Like Me’ Composer Tyler Strickland On Using French Horn To Depict Comedy Icon “As A Soldier Going Through This Battle Of Life” – Sound & Screen TV
John Candy: I Like Me composer Tyler Strickland says he used French horn to depict John Candy "like a soldier going through this battle of life."
‘Wednesday’ Composer Chris Bacon On The First Piece Of Advice Tim Burton Gave Him For The Score – Sound & Screen TV
One of the very first things that Tim Burton told composer Chris Bacon about creating the score was "don't make this funny."
David Archuleta Says ‘Only Murders In The Building’ Song “Wish That You Were Me” Was Designed To Get Under Mabel’s Skin – Sound & Screen TV
David Archuleta shared the inspiration behind the song “Wish That You Were Me" he created for the Emmy-winning Only Murders in the Building.
Finneas O’Connell Used Synths That Sounded Like A “Swarm Of Bees” To Capture The Stressful Sound Of ‘Beef’ – Sound & Screen TV
Phinneas O'Connell scored the second season of Netflix’s Beef and wanted to capture the series' stressful nature with his music.
‘Imperfect Women’ Composer Siddhartha Khosla Cites ‘Twin Peaks’ As Inspiration For Series’ Thriller Score – Sound & Screen TV
'Imperfect Women' composer Siddhartha Khosla cited 'Twin Peaks' music as inspiration for the Apple series based on Araminta Hall’s novel.
‘Alien: Earth’ Composer Jeff Russo Blew An Aztec Death Whistle For His Xenomorph Theme – Sound & Screen TV
Alien: Earth's Emmy-winning composer Jeff Russo said he used an Aztec death whistle to help create the music for the series' famous xenomorph.
‘All Her Fault’ Composer Jeff Beal Used Music To Give Mystery Series’ Duplicitous Characters The Benefit Of The Doubt – Sound & Screen TV
All Her Fault composer Jeff Beal said the series' thriller score was the easy part. He also wanted to convey the tricky characters with honesty.
Gavin Brivik And Andrew Bird On Pitching And Creating The First Original Song For ‘The Pitt’ – Sound & Screen TV
Season 2 of The Pitt features the original song “Need Someone," played when a recurring patient named Louie (Ernest Harden Jr.) dies.
‘Murderbot’ Composer Amanda Jones Blended Human And Machine Instruments: “It’s Fun To Play With Things That Make You Uncomfortable” – Sound & Screen TV
Apple TV's Murderbot blends science-fiction, comedy, human emotion and many more elements, so Amanda Jones' music is just as eclectic.
‘The Madison’ Composer Breton Vivian Made Sure His Music Stayed Out Of Michelle Pfeiffer’s Way – Sound & Screen TV
Breton Vivian says in creating the score for The Madison the last thing he wanted to do was eclipse the main character played by Michelle Pfeiffer.
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