Freue mich, dass eine neue Folge des Podcasts #Verschwörungsfragen online ist - diesmal ein #Dialog mit Rami #Suliman, dem Vorsitzenden der Israelitischen Religionsgemeinschaft #Baden. Wir sprechen & diskutieren über #Deutschland & #Israel, #Baden & #Württemberg, #Aschkenasim & #Sefardim, #Kritik & #Solidarität u.v.m. Bin sicher, es wird viele interessieren & bewegen! https://scilogs.spektrum.de/natur-des-glaubens/verschwoerungsfragen-59-podcast-dialog-mit-rami-suliman-vorsitzender-der-irg-baden/
Verschwörungsfragen 59: Podcast-Dialog mit Rami Suliman, Vorsitzender der IRG Baden

In der 59. Folge von "Verschwörungsfragen" dialogisieren Dr. Michael Blume und Rami Suliman über Deutschland, das Judentum & Israel.

Natur des Glaubens

« La diaspora antisioniste n'est pas dans une lutte de pouvoir contre l'État d'Israël ni ne destine les Israéliens juifs à être jetés à la mer ; il s’agit de faire prendre conscience que la prétention de l’État d'Israël et de l'idéologie sioniste à représenter la judéité et le judaïsme est définitivement en échec. »

https://www.yaani.fr/2025/06/20/comment-le-sionisme-instrumentalise-le-concept-de-diaspora/

#Diaspora #judéité #judaïsme #juiverie #Juifs #israélisme #Ashkenazes #Séfarades #Sefardim #Aliyah #Mizrahi #Haredim #hassidim #Sionisme #antiSionisme #histoire #UJFP

La politique d’Israël à l’égard des juifs arabes est pensée en termes de modernisation. « L’identité israélienne, fabriquée par les colonisateurs sionistes, définissait pour des Juifs diversifiés leur mode d’appartenance ».

Sophie Boutière-Damahi : https://orientxxi.info/magazine/marseille-douloureux-sas-des-juifs-arabes-vers-israel,7094

#Mizrahi #Algérie #Émigration #FranceIsraël #Maghreb #Maroc #israëlPalestine #Sionisme #Tunisie #histoire #immigration #Aliyah #Arabes #Séfarades #Sefardim #Juifs #Diaspora #Orientxxi

Marseille, douloureux sas des juifs arabes vers Israël

Entre 1948 et 1966, des dizaines de milliers de juifs originaires du Maghreb ont transité quelques semaines par le camp du Grand Arénas à Marseille avant (...)

Orient XXI
Trio Sefardi - Millennium Stage (December 6, 2016)

Trio Sefardi will present music of the Spanish Jews, the Sephardim, sung in Ladino, from their new album Kaminos, with music from the Balkans, Turkey, and Greece. In addition, to celebrate the forthcoming holiday they will include Hanukkah favorites by their venerable mentor, Flory Jagoda.

The Kennedy Center | Invidious

Constaninople, Memoria Sefardi (playlist)

#mastoradio #np
#sefardim #sefardimusic

https://www.youtube.com/watch?v=8qnJotyzpkw&list=OLAK5uy_nnYalr-8twiVtgEh8kjKOg0H_0Y5NeCco

sorry, playlists seem not work in invidious / yewtu.be

le playlist sembrano non funzionare in invidious/yewtu.be

Ya soi desposado / Oy comamos y bebamos (Madrid, 1500s)

YouTube

שירים בספרדית

"When you get tired of listening to top 40 junk music you go down the tunnels of youtube and find amazing stuff like this that speaks to your soul." (cit.)

Mysterious tribal music of Sephardic Jews

#mastoradio #np
#sefardim #musicasefardi
#sephardicmusic

https://yewtu.be/watch?v=jq5cAJuUjAE

https://www.youtube.com/watch?v=jq5cAJuUjAE

The mysterious tribal music of Sephardic Jews - Kondja mia (official video)

𝙔𝙖𝙢𝙢𝙖 𝙀𝙣𝙨𝙚𝙢𝙗𝙡𝙚 - 𝙂𝙡𝙤𝙗𝙖𝙡 𝙃𝙚𝙗𝙧𝙚𝙬 & 𝙅𝙚𝙬𝙞𝙨𝙝 𝙢𝙪𝙨𝙞𝙘: 𝙩𝙧𝙖𝙙𝙞𝙩𝙞𝙤𝙣𝙖𝙡 & 𝙤𝙧𝙞𝙜𝙞𝙣𝙖𝙡 Purchase albums, music sheets - http://www.yammaensemble.com/shop Support - http://www.yammaensemble.com/donation FB - https://www.facebook.com/YammaEnsemble Visit Yamma - http://www.yammaensemble.com Spotify - https://open.spotify.com/artist/46Afa... מתוך האלבום ״שושנת הרוחות״, אנסמבל יאמה 2020 From album 𝙍𝙤𝙨𝙚 𝙤𝙛 𝙩𝙝𝙚 𝙬𝙞𝙣𝙙𝙨, 2020 Kondja Mia - My Rose lyrics & composition: traditional Jewish Sephardi-Turkish arrangement: Aviv Bahar __________________________________ Talya G.A Solan - lead vocals Aviv Bahar - kopuz, back vocals Yonnie Dror - duduk, clarinet, back vocals Nur Bar Goren - percussion, back vocals Avri Borochov - double bass, bendir, back vocals recorded live By Marko Gurkan at Kicha Studios mixed by Avri Borochov Director of Photography & Editing: Zohar Ron - http://www.zoharon.com/ dress: Dodo Bar Or styling Talya: Julie Ardon __________________________________ ~ קונג׳ה מיה - ורד שלי ~ מילים ולחן: יהודי ספרדי עיבוד: אביב בכר מרפרטואר שירת מגורשי ספרד, קהילת יהודי טורקיה טליה ג. סולאן - שירה אביב בכר - קופוז, שירה יוני דרור - דודוק, קלרינט, שירה נור בר גורן - כלי הקשה, שירה אברי בורוכוב - קונטרבס, בנדיר, שירה בימוי, צילום ועריכה: זוהר רון - http://www.zoharon.com/ הקלטה: מרקו גורקן, אולפני קיצ׳ה מיקס: אברי בורוכוב סטיילינג טליה: ג׳ולי ארדון שמלה: דודו בר אור Kondja mia is a Jewish Sephardi song from the repertoire of Jewish community that settled down in Turkey after the expulsion from Spain in 1492 After the expulsion of Spanish Jews, Jewish communities moved to settle throughout the Ottoman Empire who accepted them and allowed them religious freedom. The 15th century Spanish continued to be present but mixed with other languages. In this song there is Turkish influence by using words from Turkish language and by playing in rhythm (11/8) that is mainly characteristic of traditional Turkish music The song is sung by a young man that suffers the torments of love and swears he would never fall in love again. He is captivated by the charm of his dark-skinned lover who broke his heart. canción sefardí antigua en Ladino. / Sephardic Judeo Song / traditional Jewish Sephardic music. Canciones Sephardies de Turkey. Judeo-Español - Canción tradicional Sefardí ~~~ About Ladino / Sephardic language ~~~ Ladino, otherwise known as Judeo-Spanish, is the spoken and written language of Jews of Spanish origin. Ladino was consolidated as a specifically Jewish language after the expulsion from Spain in 1492, when it came into contacts with Turkish and other Balkan languages, and adopted a massive vocabulary from Hebrew. It is also known as Judezmo, Dzhudezmo, or Spaniolit. When the Jews were expelled from Spain and Portugal they were cut off from the further development of the language, but they continued to speak it in the communities and countries to which they emigrated. The further away from Spain the emigrants went, the more cut off they were from developments in the language, and the more Ladino began to diverge from mainstream Castilian Spanish. Ladino therefore basically reflects the grammar and vocabulary of 15th century Spanish, but has heavy Hebrew and Turkish components. Jewish Sephardic repertoire, Ladino, Judeo - Español

Yamma Ensemble - יאמה - يمة | Invidious