Una linea del colore che divide, ma non riunisce

di Sandro Moiso Saidiya Hartman, Perdi la madre, Tamu Edizioni, Napoli 2021, pp. 332, 18 [...]

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La rivoluzione come una bella avventura / 3: Ragazze selvagge

di Sandro Moiso Saidiya Hartman, Vite ribelli, bellissimi esperimenti, Edizioni minimum fax, Roma 2024, pp. [...]

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Análise filosófica e literária, incluindo feminismos decoloniais, arquivos da escravidão e psicanálise lacaniana, destaca a perda da mãe como uma experiência irrecuperável e sua influência na formação de narrativas #Filosofia #SaidiyaHartman #ArquivosDaEscravidão #Maternidade #Opacidade

Leia o press release da Trans/Form/Ação em: A produção de pensamento e a escrita de mulheres a partir da experiência de “perda da mãe” - https://humanas.blog.scielo.org/blog/2024/09/11/a-producao-de-pensamento-e-a-escrita-de-mulheres-a-partir-da-experiencia-de-perda-da-mae/

A produção de pensamento e a escrita de mulheres a partir da experiência de “perda da mãe” | SciELO em Perspectiva: Humanas

Mediante uma análise filosófica e literária, incluindo feminismos decoloniais, arquivos da escravidão e psicanálise lacaniana, destacamos a perda da mãe como uma experiência irrecuperável e sua influência na formação de narrativas. Exploramos conceitos de materialidade e maternidade para repensar a colonialidade do saber e a escrita – opaca – de mulheres.

After Sappho by #SelbyWynnSchwartz is absolutely amazing, an automatic all-time favourite. Technically a novel, but consists of ‘speculative biographies’ of historical #Sapphic feminists, artists, and writers from the turn of the 20th century who fight for their rights to live and love as they please. Essentially a womens’ studies/lit class in beautiful prose. I now have a list of books to follow this up, starting with #SaidiyaHartman’s Wayward Lives, Beautiful Experiments. #bookstodon
This interview with #SaidiyaHartman on the #MillennialsAreKillingCapitalism #podcast is great. As one of the many, many people who found reading #ScenesOfSubjection to be a revelatory experience, I'm really excited about the 25th anniversary edition, which features a new preface by Hartman, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, and more. #history #slavery https://millennialsarekillingcapitalism.libsyn.com/scenes-of-subjection-at-25-and-the-survival-programs-of-black-anarchism-with-saidiya-hartman
Millennials Are Killing Capitalism: Scenes of Subjection at 25, and the Survival Programs of Black Anarchism with Saidiya Hartman

[The image contains the cover of the 25th Anniversary Edition of Scenes of Subjection, two images of author Saidiya Hartman, and one image from visual artist Torkwase Dyson (which is included in the book) entitled set/interval/enclosure] For this conversation we are extremely honored to welcome Saidiya Hartman to the podcast.  In this conversation we’ll be talking about the new 25th anniversary edition of Hartman’s groundbreaking and influential work . In addition to Scenes, Saidiya Hartman is the author of two other amazing books, and . She has been a MacArthur Fellow, Guggenheim Fellow, Cullman Fellow, and Fulbright Scholar. She is a Professor at Columbia University. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson. We ask about a number of the key formulations in Scenes, including Hartman’s work on empathy, the fungibility of Blackness, the varied violences and violations of enslavement, white supremacy and the popular theater, and the constitutive limits of bourgeois liberal democracy.  We also talk about Black Feminism, gender differentiation, and the role of cishetpatriarchy in law, violation, and aspiration.  A content notice, that although we don’t hover on details, the conversation does include references to rape, abuse, and sexual violence in the context of slavery and in its afterlives. Hartman shares some clarifications on where the pessimism in Scenes lies. She also offers scathing critiques of the limits of emancipation, of the structure of citizenship, and of the project of inclusion within US empire and racial capitalism.  Along the way, we take time to attend to various forms of Black anarchism and the attendant survival programs that Hartman observes and highlights in Scenes and in her later work, particularly . We are also partnering with Massive Bookshop and Prisons Kill to send copies of this book into prisoners. This is part of a new project where we will pick one book each month to share with incarcerated people. We’ll provide a in the show notes if you want to contribute to it. You can also for yourself while you’re over there if you like. And lastly if you like what we do, and want to support our capacity to bring you conversations like these. Our platform is 100% supported by our listeners. Thanks to everyone who became a patron last month we hit our goal thanks to your support. If you would like to support us for as little as $1 a month you can do so at .

Il viaggio nella memoria della schiavitù

di Francesco Festa Saidiya Hartman, Perdi la madre. Un viaggio lungo la rotta atlantica degli [...]

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@h @mattcropp I think it begins with building relationships, which begins with listening. Following people who are different from me, paying attention to what they say, boosting toots to help build recognition, asking questions, are all pieces of the puzzle, not just recruiting for the given task or position. The other step is to step back from all-male (for example) groups, re-opening them, starting over if necessary.
#saidiyahartman