joshi ballestereoBueníssimo… 5⭐️
Los Grandes del Jazz 33 (1981)
Gran Encicopledia del Jazz Sarpe)
#music #jazz #JazzVocal #ellafitzgerald #raycharles #analog #vinilos #vinyl #lp #vinylcollector #vinyllovers #MusicChannel #joshi_es
Le son du VorteX | Radio🔴 LIVE NOW ON VORTEX
📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
──────────────
🎵 Stacey Kent; Jim Tomlinson; Graham Harvey; Matt Skelton; John Parricelli; Jeremy Brown - Raconte-moi...
▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net
💬 Join us on Discord:
https://discord.gg/d82hJZBeDE
🔴 LIVE NOW ON VORTEX
📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
──────────────
🎵 Stacey Kent - I Know I Dream
▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net
💬 Join us on Discord:
https://discord.gg/d82hJZBeDE
Andi ChorleyPorgy And Bess by Diahann Carroll And The André Previn Trio, released on United Artists in 1959.
Soho The Dog wrote:
Diahann Carroll had played Clara in Goldwyn’s Porgy but, at Goldwyn’s behest, her singing was dubbed by soprano Loulie Jean Norman, which must have been a real insult to a singer of Carroll’s caliber. As Previn scholar Frédéric Döhl has noted, Goldwyn’s reverence for the material, both asserted from within and imposed from without, led him to fill the soundtrack with classical singers in order, as Döhl puts it, to “orient the aesthetic emphasis of the sound towards opera.” That might be why Carroll and producer Jack Lewis wanted to tilt away from the source toward jazz. With Previn’s trio... it’s much as one might imagine a “modern jazz interpretations of” Porgy and Bess...
https://www.sohothedog.com/previnjazz/1959-2/
https://www.youtube.com/watch?v=aWAc9AMRtEw&list=RDaWAc9AMRtEw&start_radio=1
#PorgyAndBess #DiahannCarroll #AndréPrevin #JazzVocal #Jazz #Music #Gershwin
100D#NinaSimone (1933 - 2003)
I'll tell you what Freedom is to me. No fear.
#BillieHoliday (1915-1959)
On ne peut copier personne et obtenir quelque chose de valable. Si tu copies, cela signifie que tu travailles sans véritable émotion. Aucun être humain sur terre n’est identique à un autre, et il faut que ce soit ainsi en musique, sinon ce n’est pas de la musique.
#LadyDay #Jazz #JazzDog #Mister #PuppyLove #JazzVocal #Music #Socialmedia
#EllaFitzgerald (1917 - 1996 )
Everybody wants to know about my style and how it came about. It's no big secret. It's the way I feel.
Art Zemon ✅ 🟦I saw Nani Vazana in concert on Friday night at KPAC in Kirkwood, MO. Amazing singer 😄
Most of her songs were in Ladino but she also covered Sting's "Shape of My Heart" and did a jazz number.
She is touring the US and Canada for the next couple of months.
- J’ai l’impression d’avoir toujours chanté. Dès que j’ai su parler, j'ai su chanter. C’est venu très naturellement.
https://www.youtube.com/watch?v=upLA-Cu64xg
https://www.youtube.com/watch?v=jwSiwRUooYs
https://www.youtube.com/watch?v=3YgP-DT9dqo&list=OLAK5uy_mi8lXVnXN6Ao4JtQXcInDOhc7J40F_3pQ&index=5
Live! by Lou Rawls, released on Capitol in 1966.
Live Review by Craig Lytle
Lou Rawls gives a riveting performance on Live!, covering standards from Basie/Rushing's tambourine-jumpin' "Goin' to Chicago" to T-Bone Walker's foot-stompin' "Stormy Monday," and whole lot in between. Each selection is as inviting as the next, featuring Tommy Short on piano solos on some. On finger-snappin' numbers like "In the Evening When the Sun Goes Down" and "I'd Rather Drink Muddy Water," the crooning baritone wails his way through the lyric. The only single to chart from this live set was the moderately paced number "The Shadow of Your Smile," the theme from the movie The Sandpiper. But Rawls loses no steam; he romances the lyric with vehemence...For soul-stirrin' blues and swingin' jazz numbers, this is an excellent pick.
https://www.youtube.com/playlist?list=PLKLPE6Ph1xZoPamEZwsuqaI3SrorwZv4M
