5:46am North East South West by Japandroids from North East South West - Single
#KJAC #TheColoradoSound #Japandroids

Today's #CDFriday play is Japandroid's 2024 Fate & Alcohol.

This is their last and clearly not best record; actually it's probably their worst. It feels mostly like a bit of a missed opportunity. Their music was always very centered on the idea of 'epic nights out', but at this point they've got families etc. I would have loved it if their music had made the transition with them into middle age - how interesting could that have been?

But between the cringe lyrics and songs that sound like a self parody, it still does have some excellent moments, like Upon Sober Reflection and Fugitive Summer. But they do feel like playing the hits.

#CD #Music #Japandroids

Japandroids - The House That Heaven Built, by Polyvinyl Records

from the album Polyvinyl Records 20th Anniversary Sampler

Polyvinyl Records

Deep Listening Day #37 — Japandroids: Celebration Rock (2012). another first time listen. this would have slid in nicely into my college listening experience right next to HĂŒsker DĂŒ, Squirrel Bait, and Volcano Suns among plenty of others.

#DeepListening #Japandroids #CelebrationRock

Suncraft – Welcome to the Coven Review

By Spicie Forrest

I first became acquainted with stoner rock while attending college and skiing in Salt Lake City. Whether carving the corduroy or taking face shots of bottomless pow, the raucous groove of the style made for a great soundtrack. I’ve largely moved on to heavier and less accessible pastures, but once in a while, something brings me back. This time, it was Suncraft, a five-piece formed in Oslo, Norway in 2017; I couldn’t let a genre tag like “stoner/black/pop” pass by unyoinked. We missed their 2021 debut, Flat Earth Rider, but I’m here to give their sophomore effort, Welcome to the Coven, the proper AMG treatment.

Suncraft has historically relied on mid-paced stoner rock, but their second LP sees the band move in a different direction. Welcome to the Coven is what happens when Queens of the Stone Age wields The Sword and walks The DOGS. It’s riotous, retro, and downright groovy. With a triple-pronged attack, guitarists Vebþrn Rindal Krogstad, Sigurd Grþtan, and Jens Henrik Kverndal let loose a wildly infectious salvo of stoner and garage rock. “Welcome to the Coven” and “Forgotten Goddess” rip across the desert in an old convertible Mustang powered solely by diesel and sativa. “Love’s Underrated” gives garage revival and a little Japandroids, while “Wizards of the Anger Magic” opens on The Beach Boys and pays heavy tribute to The Ramones. Mixed into this strong foundation you’ll also find riffage stained black (“Ragebait”), pop punk angst (“Greed Battalion”), posty and proggy diversions (“High on Silence”), and even a millennial whoop or two. These are disparate elements to bring under one umbrella, but like fellow countrymen Kvelertak, Suncraft pull it off well.

In a brew stereotypically known for wanton abandon, Welcome to the Coven succeeds through restraint. Post-black and pop punk normally make bridge- or hook-centered appearances, being used as means to build drama and release tension rather than ends in themselves. Drummer Tobias Paulsen utilizes a predominantly upbeat rock style, but he’s got a full toolbox. He deploys d-beats, hooks and fills, blast beats, and tempo changes with precision for maximum emotional impact (“Love’s Underrated,” “Welcome to the Coven”). The same can be said of bassist/singer Rasmus Skage Jensen, whose strings feel elementally nostalgic, both in tone and in their intentionally dynamic grounding of hooks, leads, and rhythmic support. And by keeping a normally tight grip on his vocals, the moments when Jensen lets loose and pushes his pipes to their limit shine all the brighter (“Greed Battalion,” “Forgotten Goddess”). Rather than employing an unchecked, maximalist style, Suncraft’s tempered and deceptively meticulous songcraft elevates Welcome to the Coven far above the sum of its parts.

Suncraft doesn’t treat the incorporation of these various flourishes as puzzles to be solved. Instead, every element on Welcome to the Coven seems chosen and placed to best support a deliriously and irresistibly fun grand design. This approach and Suncraft’s success with it grant them an inimitable air of sprezzatura.1 Krogstad, Grþtan, and Kverndal spin around each other so naturally, offering inspired counterpoints (“Wizards of the Anger Magic”), tossing in pristine fills (“High on Silence”), and passing leads and solos like a hacky sack (“Love’s Underrated,” “Forgotten Goddess”). I don’t for one second believe that Jensen’s interjectory “fuck it” on “Greed Battalion” or Paulsen’s double bass in “Welcome to the Coven” are off the cuff; this album is far too good for that. But when I hear the killer solo in “Love’s Underrated,” the exceptional back half of “Charlatan Killer,” or the barely controlled chaos that is “Forgotten Goddess,” I can’t help but be awed by the explosive synergy on display here—and the casual effortlessness of it.

I had high hopes when I picked up Welcome to the Coven, and from the first seconds of “Ragebait” to the final cymbals of “Forgotten Goddess,”2 Suncraft blew me away. The chorus of “Charlatan Killer” was the only exception, being merely good in a sea of great. Each track on Suncraft’s sophomore effort fits together naturally and neatly in a singular, unified vision. Primally familiar like the mythical dog days of summer, Welcome to the Coven is an astoundingly fun ride. By the end of its 40-minute runtime, I’m invariably left craving more. And if that isn’t the mark of a great album, I don’t know what is.

Rating: 4.0/5.0
DR: 9 | Format Reviewed: 320 kbps mp3
Label: All Good Clean Records
Websites: Facebook | Instagram
Releases Worldwide: November 21st, 2025

#2025 #40 #allGoodCleanRecords #blackMetal #garageRock #japandroids #kvelertak #norwegianMetal #nov25 #popPunk #queensOfTheStoneAge #review #reviews #stonerRock #suncraft #theBeachBoys #theDogs #theRamones #theSword #welcomeToTheCoven

Continuous Thunder, by Japandroids

from the album Celebration Rock

Japandroids
Japandroids - The House That Heaven Built, by Polyvinyl Records

from the album Polyvinyl Records 20th Anniversary Sampler

Polyvinyl Records
This morning is The Japandroids Celebration Rock. An explosion of greatness for a debut. They are one of my favorite bands since introduced to them by a good friend and seen them every time they came to town. Great show every time.
#japandroids #vinylcommunity #vinylcollection #vinyllife #vinylcollector #vinylforever #morningcommutemusic
MusikBlog - Japandroids - Fate And Alcohol

"Fate & Alcohol" passt als Titel fĂŒr das finale Album des kanadischen Duos Japandroids. Wer sich aufs Schicksal nicht verlĂ€sst und sich nicht gerne

MusikBlog
Chicago, by Japandroids

from the album Fate & Alcohol

Japandroids