Pablo’s top 10 releases of 2025

As 2025 draws to a close, our team has been eager to highlight the year’s standout heavy metal releases. This time, the spotlight falls on our talented South American contributor, Pablo, who curated his personal Top 10 list. Here are the bands that made the cut! Do you agree with his picks?

Helm Deep – Chasing Dragon
Aesthetically and musically it feels fresh, combining Eastern and Western elements within a futuristic setting. This does not remain only in the imagery or the lyrics, but is fully present in the songs themselves. There are Dorian scales, clever instrumental sections, and a powerful vocal performance that recalls King Diamond, all supported by an excellent final mix.

Ambush – Evil In All Dimensions
Brutal, a pure declaration of war. Banner songs, metal anthems forged from dynamite and napalm. The Swedes are at their creative peak, and from the very first singles you could already smell real, old-school heavy metal, well played. Overwhelming like an armored tank, sharp as bayonets, dangerous as an atomic bomb.

Crimson Storm – Livin’ On The Bad Side
It masterfully captures the entire hard rock vibe of the seventies, with excellent production that highlights its rough, heavy metal phrasing. It is the perfect soundtrack for getting on a motorcycle and, hair blowing in the wind, watching the sun disappear on the horizon between towering buildings lit by neon lights.

Hyena – About Rock And Roll
Along similar lines to Crimson Storm, this Peruvian band engages closely with the South American scene, drawing from major references such as Colombia’s Axe Steeler, Chile’s Acero Letal, or Argentina’s Innerforce. This is heavy metal of the old school, unapologetically combining aggressive, streetwise solos with elements of speed and even power metal.

Starforce – Beyond The Eternal Night
Epic songs do not have to be set during a castle siege or a medieval battle. They can also travel through space, carried by a female voice, reverberated and distant, like a laser beam cutting through the galaxies. This album blends the best of speed metal with NWOBHM-style heavy metal from the first wave, relying more on grit than on grand resources. There is a song sung in Spanish, a ballad that sounds absolutely crushing.

Speedclaw -Stardust

Speedclaw’s album stands strong on its identity: speed, instrumental clarity, and unfiltered eighties energy. The production is clean, the mix lets every instrument breathe, and the bass(rare in this kind of release) commands attention. There is internal coherence, momentum between tracks, and a genuine understanding of the heavy and speed metal legacy.

Sintage -Unbound Triumph

This album makes it clear that Sintage knows the weapons of classic heavy and speed metal and how to sharpen them in 2025. Spiraled riffs, racing sections, ballads leaning toward the progressive and nods to the heroes of the eighties. Even if the bass is left behind in some passages and there are moments where the vocals could blend better, the energy, the variety of structures and the care in the mix shape a clear personality and a vibrant pulse. The band avoids monotony, dares to balance harshness with emotion and delivers a solid and memorable work, with songs destined to remain staples in their live repertoire.

Owlbear -Feather & Claws

From the final mix to the excellence of its musicians, passing through the heroic themes, Katy Scary’s outstanding vocals, and the lyrics filled with tabletop RPG stories—everything is well thought out and executed. Each song seeks to draw you in with its storytelling. The album’s artwork is more than adequate; however, it doesn’t fully capture the speed, the musicians’ technique, and the epic aggression the band delivers. That aside, this is a memorable work, and the only thing we, as fans of this genre, ask for is that they keep composing and delighting us with such great songs.

Prehistoria – Cryptic Halo
Prehistoria borrows those crushing and brutal rhythms of early Blind Guardian, a steroid-fueled, razor-sharp power metal, moving into fast drumming closer to raw black metal, all without losing the essence of heavy metal. Melodic passages, epic choruses, and powerful, inspired solos remain central. Prehistoria will appeal to anyone who enjoys exploring different metal frameworks, always with a heavy metal heart running at full throttle.

Iron Spell – From the Grave
A tribute to horror films and television series, as well as to literature, built on galloping bass lines, forceful drumming, and a masterful blend of eighties Iron Maiden, with its cinematic and atmospheric solos, and a darker, more malevolent strain of heavy metal in the vein of Mercyful Fate. Listening to the album is a guaranteed journey into the heart of darkness, into the shadowed side of the human condition.

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#AMBUSH #crimsonStorm #HeavyMetal #hyena #IronSpell #NewAlbum #NewWaveOfTraditionalHeavyMetal #NWOTHM #owlbear #PablosTop102025 #Prehistoria #sintage #Speedclaw #Starforce #thenwothm #thenwothmCom #top10ReleasesOf2025

AMBUSH REGRESA A CHILE POR SEGUNDA VEZ A PUNTA DE FUEGO Y ACERO » Sonidos Ocultos

Por Pablo Rumel Foto por Francisco Pérez. (Archivo SO) El batallón sueco...

Sonidos Ocultos
Iron Spell publica en vinilo y cd su álbum From The Grave - Hypermusica

El más reciente álbum de los chilenos Iron Spell acaba de ser publicado en formato físico. El disco, «From The Grave«, se lanzó a las plataformas digitales en julio recién pasado y el sello alemán Dying Victims acaba de publicarlo en vinilo y disco compacto. Iron Spell es una banda chilena de heavy metal con sonido y gráfica inspirada […]

Hypermusica
Iron Spell publica en vinilo y cd su álbum “From The Grave”

El más reciente álbum de los chilenos Iron Spell acaba de ser publicado en formato físico. El disco, “From The Grave“, se lanzó a las plataformas digitales en julio recién pasado y el sello alemán Dying Victims acaba de publicarlo en vinilo y disco compacto. Iron Spell es una banda chilena de heavy metal con sonido y gráfica inspirada […]

iRock.CL | Noticias, Reviews, Entrevistas y más.

#nowplaying the new album "From the Grave" by the band #ironspell from #chile

#heavymetal #albumsof2025

Personal Rating: 5 / 10

Recommended Tracks: "Sorceress", "Curse of the Ushers", "Release from Darkness", "Deep in the Night", "Devil King"

https://dyingvictimsproductions.bandcamp.com/album/from-the-grave

IRON SPELL (Xile) presenta nou àlbum: "From the Grave" #IronSpell #HeavyMetal #Juliol2025 #Xile #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

Iron Spell – From the Grave Review

By Steel Druhm

Sometimes, we in the AMG Writers Guild grab a promo based solely on the band or album name, or the combination thereof. If it features any derivative of the word “vomit,” you know Mark Z will put his dirty paws all over it. If it has a wonky, prog-tastic moniker, Dolphin Whisper will seize the means of wank production. And if an alloy gets name-dropped, chances are Yours Steely will snatch it quicker than you can say CROM! That’s what brought me to Chile’s Iron Spell and their sophomore release, From the Grave. These chaps have been minimally active since they dropped their debut back in 2016, releasing a single some years and nothing other years. Now they’re finally back in the hunt with a proper new record, and boy does it scream 80s metal with leather-lunged ferocity. It has a NWoBHM foundation, but features nods to the US power metal scene and early speed metal. It’s harder to get more entrenched in the Wheelhouse of Steel than that, so the odds of my letting that creepy floating vampire monster into my humble abode are high.

Things open like a drunken pub brawl in London circa 1979 with “Curse of the Ushers.” It sounds like the earliest days of the British metal explosion, with that trademark punky gallop and unpolished vocals full of piss, motor oil, and beans. It’s a vibrant mash-up of olden acts like Satan, Diamond Head, and Savage, and it plays right into what AMG Himself describes as my “NostalgiaCore” fetish. It isn’t far from what Enforcer and Wolf do, but this feels a bit more authentic to the NWoBHM beginnings. It’s just a fun fucking song with classic heavy metal burned into its genetic code. From there, Iron Spell rip through a collection of old timey tunes that feel like they were exhumed from 1982. “Release from Darkness” is a rabble-rouser that uncorks the high-energy spirit of classic metal while shoving an iron fist down your throat. Then the band shake things up by launching into a 5-plus minute instrumental that brings the thunder to the tundra in happy abundance. I’m not the biggest instrumental appreciator, but this one kicks arse and wins you over with scads of wild and woolly guitar heroics that are tough to resist.

As From the Grave soldiered on, I kept waiting for the bottom to fall out, but it never did. Song after song brings the 80s magic to the party and makes you love the past. Even when “Whispers of Sorrow” shamelessly poaches the guitar lines from Queensrÿche’s “Breaking the Silence,” it still ends up a hard-charging beast feaster with more entertainment value than Lars Ulrich trapped in a hot tar dunking booth. I defy you to spin “Devil King” and not throw horns or execute your best stadium-ready air guitar maneuvers. It’s that kind of tune, and you’ll eat it up if you have any joy left in your jaded soul. Elsewhere, “Deep in the Night” will be my unofficial anthem for this summer as it’s made for loud play whilst slugging cold beers with derelicts and dear ones alike. Without any song tripping and faceplanting, From the Grave ends up a high-spirited romp through the salad days of metal while requiring zero I.Q. points to appreciate what Iron Spell are smelting. At just under 41 minutes, it’s the ideal length, and the songs all burn by in a flash. This is The Way.

This album is a guitar fiend’s wet dream. Fire Jack and Raven (their actual legal names) bring all the chaos, charm, and over-the-toppiness of 80s metal to their riffing, shredding, and lusty soloing. These boys can rip up a fretboard and do so at every opportunity. The rough n’ ready riffs are plentiful and punchy, and when it’s time for dueling solos, you get PainkillerERED. They go all in on the six-string abuse in the name of excess, leaving you rocked hard and put away moist. Frontman Merciless K.co (wut) has a wild vocal approach, sometimes sounding like Enforcer’s Olof Wikstrand, occasionally like Wolf’s Niklas Stålvind, and other times like a Screaming Mimi. His delivery is raw and unpolished, and at points his tone and pitch wander off the reservation, but it doesn’t even matter. The vocal pandemonium is a big part of the album’s charm, and it works for Iron Spell even when it absolutely shouldn’t.

From the Grave is a delightfully unhinged trip back to the early days of metal’s majesty, and I’ll be spinning it a ton as a salve for the emotional wounds left by Ozzy’s passing. This is like a party in a can, and you should crack it open and see what happens next. We all need a little pick-me-up right now, right? Iron Spell has you covered in unbridled 80s glory.

Rating: 3.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Dying Victims
Websites: facebook.com/ironspell | instagram.com/iron.spell
Releases Worldwide: July 25th, 2025

#2025 #35 #ChileanMetal #DyingVictimsProductions #Enforcer #FromTheGrave #IronSpell #Jul25 #NOWBHM #Review #Reviews #Satan #Savage #Wolf

🎶 ¡Nuevo capítulo de Bulldozer! Hoy escucharemos a Pentagram (USA), quienes nos visitan en 2025, Hypocrisy y celebraremos el aniversario de Coma of Souls de Kreator. En representación nacional, tenemos a Iron Spell y la brutalidad de Communion. 💥

🎙 Conduce @maxiasmm

#Bulldozer #Rockaxis #Pentagram #Hypocrisy #Kreator #IronSpell #Communion

🐦🔗 https://farside.link/x.com/rockaxisoficial/status/1854872634825097544#m