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CARMERIA Release New Video For "A Thousand Winter Rains"
https://bravewords.com/news/carmeria-release-new-video-for-a-thousand-winter-rains
From the eerie mists of the Blue Mountains, Australia, Carmeria combine the haunting sounds of dark symphonic metal with the lovelorn energy of gothic rock. Their sophomore LP, Tragédie D'amour, is available now and to celebrate, Carmeria unveil the new video for their latest single, "A Thousand Winter Rains". This...
Carmeria â TragĂ©die Dâamour Review
By Kenstrosity
In my estimation, power metal lives and dies by the sword chorus. A band may showcase the worldâs greatest guitar wizardry in the universe, the widest vocal range humanly imaginable, and the most boisterous percussive acrobatics, but I need a chorus that makes me want to shout to heavens to tie it all together. Others might offer a different experience, but Iâve yet to meet a power metal record without big, showstopping choruses that stuck with me for longer than a couple of weeks. Armed with this unwavering condition in my mind, body, and soul, I approach Australian symphonic power metal troupe Carmeria and their sophomore record TragĂ©die Dâamour.
Carmeriaâs debut record, Advenae, spanned over an hour of lush, but often basic symphonic power metal. Folks familiar with mid-period Kamelot, Serenity, and Seventh Wonder would recognize the blueprint implemented by these Australians in an instant. As you might guess, one of that recordâs greatest strengths were its choruses. That strength not only carries over to this new outing, but also blooms with vivid new brilliance. Embracing the gothic romanticism of HIM and translating it into ridiculously catchy love songs that recall the same indelible infectiousness as many of Night Flight Orchestraâs hits, TragĂ©die Dâamour represents a tightly written and delightful clinic of gigantic choruses, backed by decent, if still unremarkable, power metal instrumentation.
Even on their weakest cuts, Carmeriaâs choruses constitute some of the most memorable material Iâve heard all year. Massive, stadium-rocking tunes like âThornsâ and âLeading the Lyreâ make for surefire crowd pleasers, boasting soaring lines and muscular stomps that work in tandem to alight the soul with surging fire. âCall Forth My Sorrow,â âA Thousand Winter Rains,â and âShadowâs Throneâ represent the heaviest offerings, showcasing Carmeriaâs surprisingly strong harsh vox while still providing deadly sharp vocal and percussive hooks at every corner. Meanwhile, gorgeous and fleeting ballad âWhispers of Forgivenessâ evokes an olden, mystical tone that maximizes the earnest character imbued deeply throughout the record. In a way, that trackâdespite being the lightest and gentlest application of Carmeriaâs soundârepresents the bleeding heart of the record, the fount from which the hopelessly romantic emotions that fill TragĂ©die Dâamour springs.
And yet, TragĂ©die Dâamourâs unreal value argument for memorability canât obscure the relative lack of showmanship displayed by guitars and synths. Where bands like Kamelot and Night Flight Orchestra, to pull from two different pools, both effectively utilize hooky, memorable writing for their guitars and synths, Carmeriaâs writing lacks flair in either department. An overwhelming majority of TragĂ©die Dâamourâs riffs, leads, and solos lack distinct personalities, save for rare exceptions like the beautiful acoustic accompaniment in âWhispers of Forgiveness,â the main themes of âLeading the Lyre,â or the noodly synth solo at the final third of âCall Forth My Sorrow.â Consequently, Carmeriaâs instrumental material is only ever strong enough to play a support role to the vocals. This, in turn, leaves a lot of potential for even greater musicality on the table that couldâve made a wholly fun record into an undeniable showstopper.
Interestingly, despite my initial claim that power metal needs strong chorus work to resonate with me, Carmeriaâs newest release needed more robust instrumentation to be great. TragĂ©die Dâamourâs choruses are easily some of the best Iâve heard all yearânot a one misses the mark. However, that metallic essence brought into the affair by guitars, and the whimsy brought by synths, leaves a lot to be desired. With more inventive instrumentation, this album couldâve easily threatened the top spot of my year for new releases. As is, TragĂ©die Dâamour remains a thoroughly enjoyable and easily replayable record tailor-made to lift you up and make you sing.
Rating: Good!
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Self Release
Websites: facebook.com/CarmeriaMusic | carmeria.bandcamp.com/music
Releases Worldwide: August 23rd, 2024
#2024 #30 #Aug24 #AustralianMetal #Carmeria #HIM #Kamelot #NightFlightOrchestra #PopMetal #PowerMetal #Review #Reviews #SelfRelase #Serenity #SeventhWonder #SymphonicMetal #TragédieDAmour
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CARMERIA Release New Single / Video "Immortal"
https://bravewords.com/news/carmeria-release-new-single-video-immortal
From the eerie mists of the Blue Mountains, Australia - Carmeria combine the haunting sounds of dark symphonic metal with the lovelorn energy of gothic rock. Carmeria reveal the lighter side of their sophomore LP, TragĂ©die D'amour, with the albumâs second single, "Immortal". This energetic gothic rock number delves into the...
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Episode 319
01 04 24
No Need to Argue is the second studio album by Irish alternative rock band the Cranberries, released on 3 October 1994 through Island Records. It is the band's best-selling album, and has sold 17 million copies worldwide as of 2014. It contains one of the band's most well-known songs, "Zombie". The album's mood is considered to be darker and harsher than that on the band's debut album Everybody Else Is Doing It, So Why Can't We?, released a year prior.